6:30 p.m., PFA Theater Otto Preminger (U.S., 1957). Jean Seberg was chosen from thousands of applicants to play the Maid of Orléans in Preminger’s version of George Bernard Shaw’s play, adapted for the screen by Graham Greene. (110 mins) Part of PFA Series Otto Preminger ...
8:20 p.m., PFA Theater Otto Preminger (U.S., 1953). Condemned by the Legion of Decency for using terms like “virgin” and “pregnant,” Preminger’s indie sex comedy is more surprising in its frothiness than for its alleged prurience. (99 mins) Part of PFA Series Otto Preminger: Anatomy of ...
6:30 p.m., PFA Theater Miklós Jancsó (Hungary, 1972). Jancsó won Best Director at Cannes for this riveting psalm-song set during an ill-fated Hungarian farmworkers’ revolt. “Perhaps the most ecstatic fusion of political and formal radicalism since Dozvhenko’s Earth.”—J. Hoberman (88 mins) Part of PFA Series Four ...
7:00 p.m., PFA Theater (France, 1950-58). Resnais in short, from eloquent essays on art and cultural memory to a surreal “song of styrene.” (108 mins) Part of PFA Series In Time: The Films of Alain Resnais.
7:00 p.m., PFA Theater Otto Preminger (U.S., 1962). This decades-old drama of Beltway intrigue reads like a contemporary playbook for political maneuvering, with Henry Fonda and Charles Laughton among the players. “By far the best political movie ever made in this country.”—Peter Bogdanovich (140 mins) Part ...
7:00 p.m., PFA Theater Miklós Jancsó (Hungary, 1967). Central Russia during the 1918 Civil War is the setting of Jancsó’s disquietingly beautiful ballet of war and death, shot in breathtaking black-and-white CinemaScope. (90 mins) Part of PFA Series Four by Hungarian Master Miklós Jancsó.
3:00 p.m., PFA Theater Heddy Honigmann (The Netherlands, 1997). A portrait of the buskers of the Paris Métro—a Venezuelan harpist, an Algerian singer, a violinist from Sarajevo—becomes a document of survival in exile. “A splendid example of how illuminating and entertaining a documentary can be.”—L ...
3:00 p.m., Gallery B The women of the acclaimed University Chamber Chorus will perform Guillaume de Machaut’s Le lai de la fonteinne, a series of short intricate rounds in praise of the Virgin Mary, and Hildegard of Bingen’s O tu illustrata, along with other a cappella ...
8:00 p.m., PFA Theater Alfred Hitchcock (U.S., 1960). In celebration of his new book The Moment of Psycho: How Alfred Hitchcock Taught America to Love Murder, Thomson introduces a special screening of Hitchcock’s film. (109 mins) Part of the PFA Series Readings on Cinema: Hitchcock’s ...
6:00 p.m., PFA Theater Miklós Jancsó (Hungary, 1966). A prison on the vast Hungarian plains, and the prisoners and guards that circle therein, are at the crux of this critique of the relations between the powerful and the powerless. “Boldly stylized, a synthesis of Antonioni, Bresson, and Welles ...
6:30 p.m., PFA Theater Otto Preminger (U.S., 1950). “Can a man make a woman do things she doesn’t want to?” Preminger’s most overtly psychological noir finds Gene Tierney married to analyst Richard Conte but under the sway of smarmy hypnotist Jose Ferrer. (97 mins) Part ...
7:30 p.m., BAM Galleries In 1981, composer Ellen Fullman invented the Long Stringed Instrument, an installation of dozens of wires fifty feet or more in length, played with rosined fingers. The instrument explores natural tunings based on the overtone series and the physics of vibrating strings. Fullman will ...
7:00 p.m., PFA Theater Jean-Luc Godard (France, 1966). In glowing color and ’Scope, Godard’s last film with Anna Karina is “beautiful, goofy, and explosive . . . Godard’s ultimate statement about his love/hatred for the aesthetics/politics of American movies/life.”—Jonathan Rosenbaum (90 mins) Part of the ...
7:00 p.m., PFA Theater Otto Preminger (U.S., 1959). A backwoods town is the setting for sordid accusations of murder and rape in “one of the most accomplished and ambiguous courtroom dramas ever filmed in America.”—Village Voice. With Jimmy Stewart for the defense, Ben Gazzara as the ...
7:30 p.m., PFA Theater Harun Farocki (Germany/Austria, 2009). Farocki’s latest film considers the brick, that foundational unit of construction, as object, metaphor, and product of labor. (61 mins) Part of the PFA Series Alternative Visions.
12:00 p.m., Gallery 4 Join exhibition curator Stephanie Cannizzo and video curator Steve Seid as they converse about Ari Marcopoulos’s photography, tapes, and films in the exhibition gallery.