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[R][R][F] 2004 —>XP ~ E-Journal - Vol.2 //////////////////////////////////////////////////////////////////////// ~ E-Journal, an extension of the global networking project, R][R][F] 2004 —>XP www.newmediafest.org/rrf2004/ will be edited periodically in order to feature projects, curators, artists and other networking instances on a textual information basis //////////////////////////////////////////////////////////////////////// ~E-Journal Vol.2 - Features . 1 ...
"A debate over the origins of what is sometimes called "junk" DNA has been settled by research involving scientists at the Center for Advanced Research in Biotechnology (CARB) and a collaborator, who developed rigorous proof that these mysterious sections were added to DNA "late" in the evolution of life on ...
Victor Liu's "The life of American machines_" presents pris, a machine put to the task of eternal rebuild. The rebuild process consists of downloading her source code – freely available from ...
<P>Hello</P> <P>Im preparing an exhibtion for MAC (Museum of Contemporany Art of Valdivia Chile) </P> <P>Right now Im searching pictures about people destroying works thtat represent the concept of the "high cultures". Doing graffities burning books etc</P> <P>Could some one help me with the proyect.</P> ...
"Protocol: How Control Exists After Decentralization" Excerpt from Chapter 7 "Internet Art":
Let me now take a closer look at Internet art by examining some of its specific aesthetic qualities. The Internet's early autonomous communities were the first space where pure network aesthetics (Web site specificity) emerged–email lists like 7-11 ...
>>> For immediate release >>>> Symposium on Feminist New Media Art at the University of Montreal >>>> >>>> Gender,Subjectivity,Embodiment, and the Transformation of Cinematic >>> Practice >>>> in Contemporary New Media Art: Exploring the Interactive Work of >>>> Char >>>> Davies,Toni Dove,and Zoe Beloff >>>> April ...
> Subject: RHIZOME_RAW: Net art has been dead for a LONG time. > We JUST figured that out? > > As a point of note, > At Susan Ryan's College Art Association panel on the future > of technological art in 2002(I think 2002, might have been > 2001 ...