July 19, 2004 Turbulence Commission: "Memoryflesh 2.0: a Micro Media Record" by Diane Ludin http://turbulence.org/works/ludin Needs Java, RealAudio and Quicktime Players, and sound on
"Memoryflesh 2.0" is an assemblage of media montages–driven by live "fake suturing" performances–that tells a variety of stories about the ...
Mariam Stella Loh is working on an installation/web creation artwork entitled "Rapunzel's Nightmare". A major component of the work is the collection of hair stories, anecdotes, poems and actual samples or related materails (combs, etc..).
So to have your words, and hair included, follow the link below for directions ...
The Lobby Gallery Presents Machines of Power and Other Fun Stuff recent work by Lee Wells July 23 through September 4, 2004 Opening reception: Friday July 23, 7-10:30pm
731 N. Sangamon Chicago, IL 60622 312.952.1823 mobile 312.432.4327 voicemail info@lobbygallery.com http://www.lobbygallery.com ...
"Worried about the fairness of the upcoming U.S. presidential election, several House members have asked the United Nations to 'deploy election observers' across the country."
Join us for a Public Expedition to find infinitely small things in Chelsea, NYC. The Analysis of Infinitely Small Things is part of the show 1:100 curated by glowlab at the DCKT Contemporary. The first public expedition is coming up this Friday - here are the details:
NEWSgrist: *Piracy? Better Dead Than RIAA'd* July 2004 pt.2 ============================ Vol.5, no.13 [July 19, 2004] NEWSgrist - where spin is art http://newsgrist.typepad.com Archives http://newsgrist.net ============================ ============================ Sunday, July 18, 2004 Piracy? Better Dead Than RIAA'd
Art requires creative perception both by the artist and by the audience: a cliche comment about some modern art is that "my five-year old child could have painted that." This statement implies that the work is somehow less worthy of the title "art" either because the viewer fails to ...
Given that most rand() functions do yield predictable results, what are some of the methods you use to escape this and introduce true randomness into a new media art work?
2003, by M.River of MTAA, orginally published in the SMAC! zine
Prologue
SMAC! co-founder/editor-in-chief Marisa S. Olson emails me from the warm future-perfect paradise that is California. She asks me to write an essay on obsolescence, the defunct, and, in general, the Technology of What ...