> From: Ars Electronica Center <announce@evil.aec.at> > Date: July 27, 2004 9:21:34 AM EDT > Subject: Ars Electronica 2004 - TIMESHIFT Symposium > > Timeshift - The World in Twenty-Five Years > Ars Electronica 2004 > Linz, Do 2. - Di 7. September > www ...
For the 2004 intake on the MA in Interactive Media: Critical Theory and Practice Goldsmiths College offers this year 5 more places to study. The MA is half theory, half practice at the intersection of new media theory, visual arts, and interactive media.
MA applications deadline for Fall 2004 admission ...
Dream Politics: Randomness in Network ArtLewis LaCookhttp://www.lewislacook.com
INTRODUCTION: Stochastic Computing
Chaos comes before all principles of order & entropy, it's neither a god nor a maggot, its idiotic desires encompass & define every possible choreography, all meaningless aethers & phlogistons: its masks are crystallizations of its own ...
The October Surprise will converge artists, activists and community members to celebrate our neighborhoods and strengthen creative, grassroots power, using site-specific installations, interventions, art, monuments, performance, and other events. Projects will be situated throughout the neighborhood.
Where: -We are calling for projects throughout Northeast LA
—— Forwarded Message From: US Department of Art & Technology <press@usdat.us> Date: Fri, 23 Jul 2004 14:54:26 -0400 To: Membership: ; Subject: Propaganda Hospitality Suite at LUXE Gallery
Department of Art & Technology Washington, DC
Media Release For Immediate Release: July 23, 2004
yeah, well, maybe i'm just too riled up, what with the demo dumbfucks in boston pretending to be other than lame… but, i continue to wonder… concurrently reading a bio of thomas merton and some autobiographical musings by terry eagleton….when you decide after adolescence to confront chaos in the ...
> very nice! > > not enough Backhage out there! > I just was involved with an installation with a film artist who was > showing some 16mm "found footage" one of the works was a real early > Brackhage, which was a narrative, quite good also ...
not enough Backhage out there! I just was involved with an installation with a film artist who was showing some 16mm "found footage" one of the works was a real early Brackhage, which was a narrative, quite good also, circa 1950… like Picasso and Pollack, Brackhage learned the ...
< your heart on my sleeve > An exploration in tactile, aesthetic & emotive computing in the public domain SIGGRAPH 2004 Cyberfashion Show (11th August: Los Angeles, California USA).