https://youtu.be/76C0oKj-oTk
The art labyrinth of time not in form but withal and Immanent- ontic, is like a wheel of oppositions in which psychological colloids trace a material softness in the lower osmotic region and a harder graphos compression within experience expressed to meet the upper regions sense ...

https://archive.org/details/NovMOrphicJournal2T0OusiaWithal2
Language is an art object in and of itself, three dimensional via projection conditioned by the internal valences of transference and in the virtual media of cyber drawing this journal touch on the Raft of the Medusa as a raster of drawings looking here in ...

"Objects of Art" are JavaScript objects created as works of art by Pall Thayer

http://pallthayer.dyndns.org/objectsofart/index.php?id=5

https://archive.org/details/ChimeraInCameraSimulacraeExCamera1
Semiotic values of art issues of identity usage and being within projections and compression of aura array and zone.

The Bitcoin Blockchain discussion in digital art.

By Annette Doms

"Even if digital art is still in its infancy, it flourishes while essentially remaining unevaluated and the public approaches it with a degree of curiosity. New art forms in the immaterial digital domain demand a general rethink in terms of ...

The Human Face of Cryptoeconomies

Private view: Friday 16 October 2015, 5-7pm
17 October - 22 November 2015
http://furtherfield.org/programmes/exhibition/human-face-cryptoeconomies

The Human Face of Cryptoeconomies exhibition opens at Furtherfield Gallery in the heart of London’s Finsbury Park, as part of Furtherfield's Art Data Money programme.

This ...

https://archive.org/details/CuttingtheSublationKnotsofVirtuality1
I-mediate: Artist’s Post Statement
Hegel: Sublation, smaller structure contained within one that subsumes it, synthesizes it. Incomplete destruction in which is partially maintained the mirroring within of the antithetical. Horismus, definition, anti thetical by negation, litotes the negation of the negation. Apakoinu construction lexical ...

Choose Your Muse Interview: Annie Abrahams

Choose Your Muse Interview, Marc Garrett interviews Annie Abrahams and asks what has inspired her, personally, artistically and culturally. Abrahams is known worldwide for her net art and collective writing experiments and is internationally regarded as a pioneer of networked performance art.

http://bit ...

https://archive.org/details/NotesforC4RD1
The following show the general ideas for a project for C4Rd who are interested in projects relating movement and drawing. For me this begins with realizing the complexity behind Pollock's observation on his art being nature: in that the semiotic condition of realizing nature is ...

https://archive.org/details/TheSerpenttheEggandEagleLabyrinth1_201509
17. Topological thinking in a morphological world: Pollocks question as to whether his own process was not in of itself nature is a very complicated proposition: it is the creativity of human beings within their approach as language animals which provides their very concept of ...

https://youtu.be/PZYtaougSCQ
Tethys and Aletheia are a mixed homophone in which the sound value of an aquifier like zone of movement between fresh and salt remark fluidity as repose of movement to evidence such that on the one hand the sail drawn on the curved survace of the ...

https://ia601503.us.archive.org/7/items/ChessNotChessStrawManAlite1/ChessNotChessStrawManAlite%5B1%5D.pdf
The current page on The Drawing Research Network will show they simultaneously published 15 of my articles, also on the Rhizome site onDiscussions you will find these as journals. The double hermeneutic of Trace and Rhizome thus made ...

https://ia601503.us.archive.org/29/items/Octv2MOrphicJournal1/Octv2MOrphicJournal%5B1%5D.pdf
There Being IdioSchematics of Times Other Other Explosion, Intercept and Construct
Times Other Intercept of Explosion, Intercept and No-Space
In this journal the material spectrum accruing to virtuality in which the meta levels diegetic of generativity, immersion and ...