"TechnoSphere is a 3D virtual world that is accessed via the Internet. It has a World Wide Web interface that allows people to construct artificial life-forms from component descriptions and place them in the world. The life-forms grow and evolve over time and regularly send messages ...
The atomic wind catches your wings and you are propelled backwards into the future, an entity time travelling through the late C20th, a space case, an alien angel maybe, looking down the deep throat of a million catastrophes.
screenflash of a millionmillion conscious machines
Entities are broken down into their constituent parts. The components and the relationships between components are put into a list. The entities are then put into competition with each other and those which compete most succesfully are mated with each other and their ...
With Can You Digit? as the title of the gallery exhibition, the general audience is actively addressed and presented with two bifurcating questions. The first, queries the audience as potential users of digital computers and through a kind of poetic license, transforms the adjective digital ...
Shulea Cheang and Beth Stryker did an installation for the Mix show at Anthology a couple of years a go… it was a mixture of cyber art re:AIDS and was down the funky stairs lit by a single neon (thanks Dan Flavin) strand which circled the room and made ...
I've not seen "Can you Digit?", but my impression is that it is largely a screen based exhibition. Whilst I recognise that screen based work is a relatively standardised and cheap option for a gallery or curator it is also the case that it has severe limitations. If as ...
We are giving the Internet community a gift: an egg; a garden-variety, non-digital, fertile chicken egg. In addition, we are creating a machine which makes it possible for the Internet user to visit the egg, observe it, and after 21 days to care for ...
Look up Miroslav Rogala's homepage: Mirek has been taking home prizes from ZKM and elsewhere; currently preparing large-scale outdoor interactive site in Chicago; excellent homepage with some proprietorial software well worth a visit
Perhaps works in public like these need to pay attention to the nature of public space - to interact with that space in some way. Video didn't work that well in galleries either.
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Date: 4.8.96 From: Perry Hoberman (hoberman@bway.net) Subject: neither sculpture nor installation
I have yet to visit Simon Biggs' site – an Australian artist working in Europe, author of recent The Book of Shadows CD-ROM and several excellent largescale intercative public artworks. Like Rogala, Biggs is in a space where old and new media interface – dance, gardening… –; both seem to ...
One thing that is important to consider when discussing any medium is not just its physical nature, which obviously conditions how it is read, but also the social and praxis context within which it exists. Example - the cinema is more than film, light, dark space and big pictures. It exists ...
Every presence in the network was created by a person at some point. Even "bots" and "agents" were put in motion by human hands. Some people even purposefully inhabit numerous personas when they're on-line.
Because of these factors, it's been said that there are far more presences on-line than there ...
"Can You Digit?" was an exhibition of digitally-based art held at Postmasters Gallery from March 16 to April 13, 1996.
The show featured approximately 40 works, many by West Coast artists and designers with close ties to Silicon Valley. According to the show's organizers - Tamas Banovich and Ken Coupland ...
Just checked out pop~TARTS (http://www.ix.de/TP/issue196/fpoptarts.htm), a section of the new Telepolis Web site, by Kathy Rae Huffman and Margarete Jahrmann. Looks really good. It's vitally important that we take up issues around gender and new media, and I think Kathy and Margarete's ...