We tend to regard our own memories as private representations of our living experiences. In turn, we say that we "share" such representations with others. It seems no accident that our language for describing the workings of human memory bears close similarity ...
If today we find this sense of digital media in any way familiar, not to mention appealing, it is perhaps because we have come to regard its artifacts as ephemeral and consistent with a sense of passing time, a momentariness to which we ...
In my work I am concerned with a number of issues arising around two ideals: the analog and the digital. Though these modes today are considered technically and somehow sensorially different, I doubt the sustainability of their distinction. My doubt arises from the ...
VANCOUVER, BC–Last weekend played host to the Third Annual Vancouver Electronic Arts Festival, here in Canada's frontier town. A five day event, the festival brought together new media artists from Canada and around the world to share in workshops, exhibitions, performances and lectures. Several arts spaces joined forces to produce ...
RHIZOME discussions of "degraded" aesthetics in the digital realm haven't pointed to many satisfying projects. But recently, RHIZOME found "Golden Shoes," a beautiful animation by artist Dame Darcy and illustrator Adam Gravois, that yokes together the handmade and the technological in an innovative way.
An excellent Boston area video artist, Roberto Arevalo, does award winning raw video with urban youth. The work has been shown internationally and nationally. This is powerful video, because it hasn't been polished for the commercial or liberal market. It's shot by teens who ...
Everything, everywhere, all at once in a rhizomatic web of communication : this, I'm sure you would agree, is our current Zeitgeist (spirit of the age) which, according to Hegel, ensures a similar complexion in all the activities of a period, from art and science to literature to music.
In a follow up to the discussion of degraded art forms in RHIZOME DIGEST (and on the Tech90s BBS at www.tech90s.net), I'd like to announce that the SINATRICON is now online at:
Artist Doug Aitken has been featured in the 1997 Whitney Biennial, the 1996 New York Film Festival, the 1996 International Festival of New Film and Video (Croatia) and the 1995 Telluride Film Festival. His Web project with ada 'web, "loaded 5x," is available at http://adaweb.com ...
The final fragment of convergence has fallen into place.
convergence:moonshot
is the chronicle of 15 days in the life of the moon from today, 22nd May (full moon) to Thursday 5th June (new moon) and the nominal rebirthday of the project.
This is to notify you of the existence of a new on-line journal for all aspects of media and communication studies. At present, papers may be submitted without regard to any more specific ...
As a "vr artist" I would like to react to the comments of Barbara London (see http://www.tech90.net) - which challenged a response:
Current vr activity appears to be preoccupied with simulating reality in a parallel manner to pre-20thC painters trying to realise realistic copies of landscapes, portraits etc ...
Harvestworks Presents LISTEN IN with Lisa Karrer and David Simons Friday May 30 6 - 8 pm Suggested Donation: $5.00
Harvestworks is pleased to present a Listen-In on Friday evening May 30 from 6 - 8 PM featuring Artists-In-Residence Lisa Karrer and collaborator David Simons and invited artist Jeff Gompertz of ...
Disneyfication, Privatization of the Public Domain… Turn the Planet into a Strip-Mall and Theme Park…..
Hear the realaudio netcast of Infinity Factory Hosted by Richard Metzger of Disinfo.com talking with Paul Garrin about name.space and the future of the net.