On May 2nd, I was very pleased to have the opportunity to post a Whitney Artport commission. Incase you have not seen it please point your graphical WWW browser to: http://www.whitney.org/artport [and be prepared for some META refresh banner ad action].
Independent Exposure - A Monthly Microcinema Screening Program of International Short Films, Videos and Digital Works
The Independent Exposure microcinema-screening program began in 1996 in Seattle and was held every month until October of 2001. During that time, Independent Exposure presented the short film, video and digital works of over 700 ...
This was just too funny… next year the "Net.Art Neurotic" cruise. Maybe this could be a way to pay for net.art. :) John, Mark, Liza, Max, etc are you up for it? :)))))) I could do a little tap dancing to entertain…can anybody sing?
I would be obliged if you could forward information about the Urban Raw open submission (please see below) to any digital artists that you have on your data base.
Zone 9 Art Events is proud to present Ted McCann's short video, "La Macchina di Cervello" plus still images in week number 6's "52(W): Pop-Up Gallery Show".
Ted McCann's straight shot, no edit technique presents a raw context to the image presented. "La Macchina di Cervello" represents man in ...
BlankAnyone know of any business (Art) angels who might be interested in fu= nding furtherfield out there? We are in the UK and we need some cash that d= oes not rely on art funders due to the explorative content ...
This article from NYTimes.com has been sent to you by nmherman@aol.com.
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read_me 1.2 software art / software art games http://www.macros-center.ru/read_me/ on-line: October-February 2001-2002 off-line: 18-19 of May, Moscow Macros-center, Moscow
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The jury (Amy Alexander, Florian Cramer, Cue P. Doll, RTMark and Alexei Shulgin) voted to award prizes to three projects: DeskSwap, ScreenSaver, and Textension. The term "software ...
It's a pretty cool piece, but $18K a crack? He must be seriously well-loved, a genius. Nevertheless, he is using documentary or documentarism very much in the same venue as called for by the ESMOML, but not nearly as ...
note: the title of this work is the total length in minutes and seconds of its performance.
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