Life By Design: Everyday Digital Culture An interdisciplinary graduate symposium
Ph.D. Program in Visual Studies University of California, Irvine April 10 -12, 2003
Life By Design: Everyday Digital Culture proposes an interdisciplinary exploration of the everyday impacts of digital culture. Starting with the premise that digital ...
"MADRID/EDITION, Temptations Fair" has finished its first edition last Sund= ay October 27th. The Fair has exceeded the expectatives about his high qual= ity in new artistic proposals.
During these four days of "MADRID/EDITION, Temptations Fair" ...
— "-IID42 Kandinskij @27+" <death@zaphod.terminal.org> wrote: > On Sun, 27 Oct 2002, josh zeidner wrote: > > > what the !@#$ does that mean? please forgive > mere > > simian mortals like myself if we cannot understand > > your worthless babeling. > > Nothing ...
"Portrait of the Artist as a Home Page" is pleased to announce its selection for the 3rd Biennale de Montreal, on view now through November 3, 2002.
Curator Anne-Marie Boisvert writes that "Portrait…" is "the latest step in the process of dissolution of individual identity… A 'self-portrait' made up of ...
From: "Max Herman" <maxnmherman@hotmail.com> > They saved 750. 90 dead. I had the idea of gas even before they did.
Almost all the 117 hostages who were killed when Russian troops stormed a Moscow theatre on Saturday died from gas poisoning, it has been admitted. Only one of ...
I'm nobody, rubbing hands over luscious pervasive curves of air. See my live webcam. I wait all day for the rubbery thread you started in lists to tremble; when it does, I swallow the vibrations. A string, plucked from lump sums of products; I'm the multiplicand, catty like a track ...
—– Original Message —– From: carlo zanni [a.k.a. beta] To: Undisclosed-Recipient:; Sent: Sunday, October 27, 2002 7:26 PM Subject: 2 interviews with zanni
1 one] — An interview with Carlo Zanni by Anne-Marie Boisvert, Curator of= the Web Art Section of the Biennale de Montreal 2002.
October 27, 2002 'Genius': The Hall of Fame By JUDITH SHULEVITZ
Few literary critics court ridicule as compulsively as Harold Bloom. His overproduction of doorstopping volumes of popularizing surveys of world literature feels more like brand extension than scholarship. His choice, for his latest book, of title ...