Rhizome

discussion

Posted March 6 1997 20:00

the diversity thread unravels...

In reply to recent discussions of diversity in new media art, Mike
Tulloch wrote:

There is already "minority penetration" of the new medium. Heck, I don't
know the race of the individuals who might get this message. Nor does it
matter. There's tons of people out there on the Net ...

Details →

discussion

Posted March 5 1997 20:00

updating the 12hr ISBN-JPEG Project

Synopsis: The 12hr-ISBN-JPEG Project began December 30, 1994. A
`round-the-clock posting of sequenced hypermodern imagery by Brad Brace.
The hypermodern minimizes the familiar, the known, the recognizable; it
suspends identity, relations and history.

The 12-hour ISBN JPEG Project began December 30, 1994

Classic Hypermodern Imagery… posted/mailed every 12 hours… ...

Details →

discussion

Posted March 4 1997 20:00

Soda artists in two UK shows

About Soda

Soda is a British group of fine artists using digital technology
including computer programming in their work. Work by Soda artists is
currently being exhibited in two UK shows - at the Spacex Gallery where
four members of the group are showing new commissions on the notion of
Networking ...

Details →

discussion

Posted March 4 1997 20:00

Convergence: The Journal of Research into New MediaTechnologies

Convergence: The Journal of Research into New Media Technologies

Convergence is a paper journal. For further information and details of
back issues see our web site at http://www.luton.ac.uk/Convergence

Edited by Julia Knight and Alexis Weedon
Department of Media Arts,
University of Luton,
75 Castle Street ...

Details →

discussion

Posted March 4 1997 20:00

ISEA97 and Identity Politics

In reference to ISEA97's recently announced decision to promote
diversity, Tamas Banovich wrote:

I often have the feeling that the whole agenda of 'minority politics' is
also set up by the "man Murdoch", a good example would be the ascent of
Rev. Al Sharpton in New York. He (and his ...

Details →

discussion

Posted March 3 1997 20:00

6th International Vil

Intersubjectivity:
media metaphors, play & provocation

6th international Vil

Details →

discussion

Posted March 3 1997 20:00

lines open for ISEA97 discussion

In response to Pit Schultz's call for a mailing list to discuss issues of
diversity at ISEA97 [see "<a href="/cgi-local/query.cgi?action=grab_object&kt=kt0483">Representing
ISEA97</a>," RHIZOME CONTENTBASE, 3.2.97], Alain Mongeau wrote:

The mailing list mentioned above already exists. It was launched last
fall ...

Details →

discussion

Posted March 2 1997 20:00

CD-ROMs fielded for 1997 New York Film and Video Festival

NEW YORK FILM AND VIDEO FESTIVAL SOLICITATION (MULTIMEDIA)

* Curators for the The 1997 New York Film and Video festival are
currently seeking CD-ROMs for inclusion in two different exhibition
programs. The festival will take place in October 1997 at Lincoln Center
in New York City.

Program 1: Speed kills

Seeking ...

Details →

discussion

Posted March 2 1997 20:00

bigger fish to fry than ISEAHi everyone,

In "<a href="/cgi-local/query.cgi?action=grab_object&kt=kt0483">Representing
ISEA97</a>" [RHIZOME CONTENTBASE, 3.2.97] Pit Schultz wrote:

"You can put up your own server, which can get as many clicks as
MSN.com."

Really? And how much does a server cost? And how much does it ...

Details →

discussion

Posted March 1 1997 20:00

Representing ISEA97

Responding to ISEA97's recent "<a href="/cgi-local/query.cgi?action=grab_object&kt=kt0461">Initiative to
Promote Diversity</a>" [RHIZOME CONTENTBASE, 2.13.97], Pit Schultz wrote:

just a short and maybe provocative note.. I strongly doubt that the
model of representation helps in any way here. I doubt that 'the
cultural ...

Details →

discussion

Posted March 1 1997 20:00

incrementalism and difference (embrace and extend)

I had to laugh at Mike's (mtulloch@palmnet.net) little intervention into Pit
Schultz's discourse on the politics of representation in the field of new
media, but I also think Pit's comments are worth taking seriously [see "<a
href="/cgi-local/query.cgi?action=grab_object&kt=kt0483">Representing
ISEA97</a>," RHIZOME ...

Details →

discussion

Posted Feb. 28 1997 20:00

announcing SeaFair 97

Dear Friends,

The Center for Computer Arts which acts within the frameworks of the
Soros Center for Contemporary Arts - Skopje, Macedonia will premiere
SEAFair '97 (Skopje Electronic Arts Fair).

The Soros Center for Contemporary Arts - Skopje web site

http://www.soros.org.mk/scca.html

will be updated frequently and ...

Details →

discussion

Posted Feb. 27 1997 20:00

luxus cont. for 3.2.1997

luxus cont.
sunday, 3.2.1997
callanetics - contd - convex tv.

zuhause:
wolliner strasse 12
(hinterhaus) - 10435 berlin

17.00 -18.00: convex tv.
info-sphere/socio-sphere I:
(-> radiosalon / -> plug-in / -> real time
/ -> net / -> tea-bar)

ab 18.00: 'contd'
info-kit box:
(-> represento-kit / -> display / -> ascii
/ -> ...

Details →

discussion

Posted Feb. 27 1997 20:00

ghosts of the electronic netherworld

"OBITUARY." Jon Thomson & Alison Craighead.
30 Underwood St, London. March 7th - April 7th 1997.

Private view: 7.00pm-9.30pm, 7th March 1997
Seminar: 2.00pm-4.00pm 30th March 1997

contact: Simon Hedges +44 (0)171 336 0884 fax +44 (0)171 250 3045

PRESS RELEASE

Obituary is the ...

Details →

discussion

Posted Feb. 27 1997 20:00

TRANSLOCATIONS, curated by Displaced Data

TRANSLOCATIONS:
7 March - 19 April 1997.
14 March - 26 April 1997.

Curated by Displaced Data: Janice Cheddie, Keith Piper and Derek
Richards.

Recently we have seen much excitement generated about the limitless
possibilities of digital technologies in shifting the relationships
between art, technology and society. Technologies, which its
techno-celebrants claim ...

Details →

discussion

Posted Feb. 27 1997 20:00

Electronic Culture: Theory, Aesthetics, Practice

Division Call for Papers–Literature and Other Arts; 1997 MLA, Toronto

Session Title: Electronic Culture: Theory, Aesthetics, Practice

Description: Analysis of the theory, aesthetics, and/or practice of
electronic art and performance, video, hypertext, WWW, and their
cultural implications. Electronic or experimental formats welcome. 8-10
page papers by 15 March. Timothy ...

Details →