Andrew Wanliss-Orlebar is a founder of totalny.com, the first designer of ada'web, and former Interface Director for WP Studios and the Primary Group. He is one of the youngest members of the New York Art Director's Guild.
I know Andrew from University – there he worked with computers, moonlighted ...
Just to alert everyone. A programmer friend tells me there is a group of people who get on mailing lists with the intention of destroying open discussion. Often they use totally plausible language and sometimes false names. This has happened on The Things messaging forum as ...
how was your trip to NY? What did you see? After the outing there was counting but you can think in other ways as well. Brute as the painter no think as the thinking painters thought. When is it ever worth it to not think as much as we can ...
Structures & Strategies in Developing Multimedia: On-line and Off-line in Cluj, Romania, December 9-12, 1997
+ + +
The long trip to Cluj started at 4 a.m. from Novi Sad, Yugoslavia. As the sole sleepy passenger in a large van, I found myself looking down a dark, narrow road heading towards Belgrade ...
The Guggenheim recently sent out a press release. Here is that release, along with some commentary from the RHIZOME community…
+ + +
Visitors to the Guggenheim this month should have an easier time orienting themselves even if they arrive from cyberspace. CyberAtlas, a new interactive feature of the Guggenheim's Web site, offers ...
In the December issue of Wired magazine we find amidst the pre-Christmas consumer spectacle of seductive scanners, professional sports watches, expensive liquors and scantily clad savy female computer nerds, a seductive spectacle of another shape. The current offering is a glossy close up of the ...
As part of a recent thread on the status of net.art and its critics, G.H. Hovagimyan referred to Michael Gibbs as an "impartial media type" (query http://www.rhizome.org/query for "Hovagimyan"). Here is the continuation of that thread, beginning with Michael Gibbs:
Concerning space 3D environments: pictorial, virtual and literal space.
> space in virtual environments has no absolute scale and no distance.XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX > Instead XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX scale and distance are relative measuremnts. This is also > true of pictorial space using the size of familiar objects. In an > abstract environment ...
This exhibit will probe the physical, conceptual, and psychological issues of touch–the tactility of the image, the responsiveness of an artwork through the sense of touch, or the ephemeral sensation of touch and ...
Well There are over 5,000 artists works up on the web. Of course Mr. Gibbs has done what every other impartial media type does [see Gibbs article available through http://www.rhizome.org/query]. Rather than look at the work on the web and research it and maybe find ...
In order to make sure that the Internet network really induces a universal and unprecedented type of commmunication, I invite you to the following address: http://www.mygale.org/06/ecrantot/
"Ecran Total" is an hypertextual, rhiz(o)m(at)ic text (but… in French…).
Eurostile. The typeface seems to be in a class of its own. It is distinctively bulky, bold, and has unique width-oriented proportions. Cool elegance. The sans Serif typeface has the aura of an airport entrance hall in 1963. The font is ideal for Logotypes, fashion and stylish designs. It has ...
The Opening of the ZKM Media Museum a report by Sonya Rapoport
On October 18, 1997 the ZKM (Center for Art and Media in Karlsruhe, Germany) opened the doors of its Media Museum, an electronic counterpart to the Louvre. The structure, originally conceived architectually as a glass cube to echo ...