after emmett was created during april 1998 using selected letters from the following fonts: albatross, arial, attic, avant garde, bodoni, cochin, contraband, cooper black, courier, exocet heavy ...
Where Media Reaches its Critical Mass call for contributions
Beyond the Electronic Frontier–a Wilderness? Transistor Culture/Cultural Transistors Coffee-Code-Coda Penny Papers–Media Spaces in the Semiopolis Mutiny on the Mouse Pad Galleries Without Walls Lounge Lizards/Salon Savvies Set-Top Semtex ...
The fifth episode in Matthew Barney's five part video/film series opened in San Francisco and Seattle this past week. I was able to watch Cremaster V in both cities and had the chance to speak with Mr. Barney about the Cremaster project in general and Cremaster ...
BATTLE of TANG'S 3-COLOR GLAZE at *CANDY FACTORY 4/3-5/3/98
Our works are always based on other people's heritage.
Our works will be labeled ethnic. But we think all art belongs to the same single "domestic" culture. Traditionally, the idea of art is whatever belongs to the dominant ...
In response to RHIZOME's recent shift to non-profit status, robin murphy wrote:
Of course, I'm very happy that Mark, Rachel and Alex found a solution to their problem but, at the same time, something about it was bugging me and I couldn't quite put my finger on it.
First and foremost, Blinks 1997 is explicitly an homage to, a re-reading of, Vito Acconci's Blinks 1969. Moreover, Blinks 1997 is an homage to a specific way of understanding the artistic work, and an acknowledgement of the critical and artistic possibilities an intentionally amateur use of any new technology for ...
What is a frontier more creativity today, when we are without a definitive map? At the turn of the millenium, this situation still applies to cyberspace. On occasion, a search without landmarks through the numerous art sources, discussions can be facilitated. Anatolia 2000 project will make ...
The Internet already has enough flame wars and communication breakdowns, right? Wrong! Janet Cohen, Keith Frank, and Jon Ippolito, aka Cohen/Frank/Ippolito, announce the launch of http://www.three.org, a Web site dedicated to arguing points of view, throwing things at each other, and other forms of adversarial ...
David Hunt is a San Francisco-based writer whose work can be found in Flash Art, Sculpture, World Art, Wirednews, and Artweek. "The Alchemical Imaginary–Magic, Technology, and Digital Media" was a lecture given last week by Peter Lunenfeld, as part of UC Berkeley's Art, Technology, and Culture Colloquium.
ADRIFT is a supurb example of the latest in Telecommunication Art. An evolving Internet performance event, it is streamed live from multiple locations to audiences on the Internet and in separate geographical ...
DEAF98 - The Unreliability of Accidents Rotterdam, 17 - 29 November 1998
DEAF, the Dutch Electronic Art Festival, is a bi-annual event that deals with the inter-relations between art, technology and society. Through its presentation of independent and interdisciplinary artistic and scientific projects, DEAF seeks to stimulate a critical discussion about social ...
Simon Lewandowski on his work "The ReBabeliser: Eyes of March"
Its very exciting for me to have this piece in the Lux gallery [Hoxton Square, London] for two weeks–it was first developed back in 1996 for the International Symposium of Shadows, then refined into its current state for the ROOTless ...
In January 1996, Furnace (Mike Mayhew's performance art company) moved into BrockHall, an ex-inebriates institute now undergoing massive redevelopment by Brockhall Development Ltd. Furnace's aim was to establish "MyHouse & YourHouse," as an environment for artists to live, work, eat and sleep. For 18 months Furnace and 30 other ...