after emmett

a
dispersion
of
ninetiles

contemplate a typofantastic epic eye voyage by Miekal And

http://net22.com/qazingulaza/joglars/afteremmett/bonvoyage.html

after emmett was created during april 1998 using selected letters from
the following fonts: albatross, arial, attic, avant garde, bodoni,
cochin, contraband, cooper black, courier, exocet heavy ...

C R A S H M E D I A #2

Where Media Reaches its Critical Mass
call for contributions

Beyond the Electronic Frontier–a Wilderness?
Transistor Culture/Cultural Transistors
Coffee-Code-Coda
Penny Papers–Media Spaces in the Semiopolis
Mutiny on the Mouse Pad
Galleries Without Walls
Lounge Lizards/Salon Savvies
Set-Top Semtex ...

Matthew Barney–Cremaster V

The fifth episode in Matthew Barney's five part video/film series opened
in San Francisco and Seattle this past week. I was able to watch
Cremaster V in both cities and had the chance to speak with Mr. Barney
about the Cremaster project in general and Cremaster ...

BATTLE of TANG'S 3-COLOR GLAZE
at *CANDY FACTORY 4/3-5/3/98

Our works are always based on other people's heritage.

Our works will be labeled ethnic. But we think all art belongs to the
same single "domestic" culture. Traditionally, the idea of art is
whatever belongs to the dominant ...

In response to RHIZOME's recent shift to non-profit status, robin murphy
wrote:

Of course, I'm very happy that Mark, Rachel and Alex found a solution to
their problem but, at the same time, something about it was bugging me
and I couldn't quite put my finger on it.

Several questions ...

First and foremost, Blinks 1997 is explicitly an homage to, a re-reading
of, Vito Acconci's Blinks 1969. Moreover, Blinks 1997 is an homage to a
specific way of understanding the artistic work, and an acknowledgement
of the critical and artistic possibilities an intentionally amateur use
of any new technology for ...

-You are invited to joint us to a french electronic opening-

FABRICE MONIER
ELECTRONIQUE ARCHITECTURE
photo credit: YAEL LEVRAM

PURPLE ARCHITECTURE ISSUE
Opening reception: April 5, all day
//spill.net/purple

BM New Media Cafe

What is a frontier more creativity today, when we are without a
definitive map? At the turn of the millenium, this situation still
applies to cyberspace. On occasion, a search without landmarks through
the numerous art sources, discussions can be facilitated. Anatolia 2000
project will make ...

The Internet already has enough flame wars and communication breakdowns,
right? Wrong! Janet Cohen, Keith Frank, and Jon Ippolito, aka
Cohen/Frank/Ippolito, announce the launch of http://www.three.org, a Web
site dedicated to arguing points of view, throwing things at each other,
and other forms of adversarial ...

David Hunt is a San Francisco-based writer whose work can be found in
Flash Art, Sculpture, World Art, Wirednews, and Artweek. "The Alchemical
Imaginary–Magic, Technology, and Digital Media" was a lecture given
last week by Peter Lunenfeld, as part of UC Berkeley's Art, Technology,
and Culture Colloquium.

+ + +

"From the 9th ...

ADRIFT performance–Saturday, March 28th at 3pm est.
(http://www.turbulence.org/Adrift) or (http://www.nirvanet.fr/adrift/)

ADRIFT is a supurb example of the latest in Telecommunication Art. An
evolving Internet performance event, it is streamed live from multiple
locations to audiences on the Internet and in separate geographical ...

Call for submissions: Fluid: Deadline 7th April.

Fluid: 10 years out of the freezer.

Fluid: an artists' initiative open exhibition of contemporary art to be
held in London in November 1998: 10 years after "freeze."

The exhibition aims to map changes in the contemporary art pratice in
the 10 ...

DEAF98 - The Unreliability of Accidents
Rotterdam, 17 - 29 November 1998

DEAF, the Dutch Electronic Art Festival, is a bi-annual event that deals
with the inter-relations between art, technology and society. Through
its presentation of independent and interdisciplinary artistic and
scientific projects, DEAF seeks to stimulate a critical discussion about
social ...

Simon Lewandowski on his work "The ReBabeliser: Eyes of March"

Its very exciting for me to have this piece in the Lux gallery [Hoxton
Square, London] for two weeks–it was first developed back in 1996 for
the International Symposium of Shadows, then refined into its current
state for the ROOTless ...

In January 1996, Furnace (Mike Mayhew's performance art company) moved
into BrockHall, an ex-inebriates institute now undergoing massive
redevelopment by Brockhall Development Ltd. Furnace's aim was to
establish "MyHouse & YourHouse," as an environment for artists to live,
work, eat and sleep. For 18 months Furnace and 30 other ...

An exhibition of 14 large format digital photomontages

"Recording the Environment–The Hermeneutical Maze"

Colville Place Gallery
1 Colville Place, London W1P 1HN
3nd - 21st April 98
Private view 2 April 98, 6-9pm

+ + +

Is there art and life after post-modernism? Can digital art learn from
the painter? Is philosophy for artists ...