Rhizome

discussion

Posted Sept. 24 2000 21:00

NonAmbient

New Media Scotland and The Changing Room present:

NonAmbient - a new audio work by Alistair Gentry

30 September to 18 November 2000, The Changing Room, Stirling

"Artists like Alistair Gentry are producing the only true insights into
and reflections of our messed-up, noise-fuelled life" - Time Out

NonAmbient is an infinite ...

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discussion

Posted Sept. 23 2000 21:00

4th international browserday NYC - call for entries

INTERNATIONAL BROWSERDAY, NEW YORK CITY
WWW.INTERNATIONALBROWSERDAY.COM

OCT 10: ORGANIZATION DAY: KATIE MURPHY AUDITORIUM, FASHION INSTITUTE OF
TECHNOLOGY, NEW YORK CITY JAN 19: BROWSERDAY SHOW AND AWARDS,
HAMMERSTEIN BALLROOM, NEW YORK CITY

INTERNATIONAL COMPETITION CALLS FOR NEXT GENERATION COMMUNICATION
DESIGN: IMAGINATION, INSIGHT AND TOPSIGHT NEEDED

We cordially invite you ...

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discussion

Posted Sept. 22 2000 21:00

Art and Technology - A Disunity

A response to Joseph Nechvatal.

Joseph Nechvatal's analysis of the roots of a certain aspect of art and
technology, traced back through the Bauhaus, was lucid and well
researched…but only uncovers part of the picture. Like most things,
art and technology, cyber culture, digital art, media art, whatever you
want ...

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discussion

Posted Sept. 22 2000 21:00

What Did You Expect? Biotech Panel Discussions in New York

This past Wednesday (September 20th), the Gene Media Forum, a
non-profit, non-partisan organization dedication to public discussion of
biotech issues, hosted a panel of "renowned leaders in the genetic
revolution." Titled "What Can We Expect?" the panel intended to gather
researchers, CEOs, technologists, and bioethicists to answer a ...

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discussion

Posted Sept. 21 2000 21:00

m e t a . f m r e f r e s h

new video :

http://meta.fm/image/video/

wire.dna.00.mov

wire.dna.01.mov

precursor data :

http://meta.fm/image/still/wire.alpha/0000.html

http://meta.fm/image/still/dna.nonsym/0000.html

"We are orienting ourselves in places yet unformed. our map: a habitat
which is real ...

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discussion

Posted Sept. 21 2000 21:00

"polar" Carsten Nicolai-Marko Peljhan

ARTLAB10 "polar"

Artists: Carsten Nicolai and Marko Peljhan

Date: October 28(sat)-November 6(mon)
11:00-21:00(till 19:00 on the last day)*reservation needed.
call ARTLAB(03-5410-3611) (8 participants can interact in one hour)

Location: Hillside Plaza(29-10 Sarugaku-cho, Shibuya-ku, Tokyo)
????*basement of the parking lot of ...

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discussion

Posted Sept. 21 2000 21:00

All 'bout Flash / resource

Flash Sites…

http://www.furniture.com
http://www.cybercollege.de/
http://www.at-vision.be/
http://www.specport.com/
http://www.bytemonster.com/
http://www.3riversweb.com/
http://www.usatriathlon.org/
http://www.gr8.com
http://www.aqa-d.se/
http://www.robusttech.com/
http://www.nextdimension.de/
http://www.flashcentral.com ...

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discussion

Posted Sept. 20 2000 21:00

http://meta.fm/

/ s o u n d - t o n e
- o c t a v e
- r h y t h m
- d a t a

/ i m a g e - s t i l l
- v i d e o
- l o o p
- c o r e

/ n e ...

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discussion

Posted Sept. 18 2000 21:00

An open letter to David Ross, director of SFMOMA

Dear Mr. Ross:

On August 27, 2000 an unauthorized installation took place at SFMOMA.
Photos and description of this event are online at:

http://www.geocities.com/~genius-2000/SFMOMA82700.html

I'm interested in hearing your reactions to this installation. In
particular, could you compare this installation to the lecture you ...

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discussion

Posted Sept. 17 2000 21:00

Axis of Life // net.art.archive

PASSWORD(S): ARCHIVES AND RE-LOCATION

If the Internet with its WWW is a specific community, where millions are
wired, searching for new information, desires and sites or trying to
discover possible interfaces, new shifts and paths, one of the questions
we have to pose, as artists, social activists and cyborg-political ...

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discussion

Posted Sept. 16 2000 21:00

Through the Looking Glass--an interview with Patrick Lichty

Alex Galloway: Your show "Through the Looking Glass"
(http://www.voyd.com/ttlg/) premiered in April at the Beachwood Center
in Ohio, and it continues today in an online form. Can you talk about
how this show was different from recent online exhibitions like Steve
Dietz's "Beyond Interface" or the ...

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discussion

Posted Sept. 16 2000 21:00

SIGGRAPH 2000--A less Objective Viewpoint

In attending Siggraph 2000, one is amazed by all of the new technologies
on display for use by the computer graphics and interactive media
industry. 25,000 people converge on this annual Mecca of pixel-pushing
to see the next big thing in graphics that will catapult their company
into the ...

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discussion

Posted Sept. 16 2000 21:00

LIQUID HACKING Laboratory

LIQUID HACKING Laboratory

Three-part experimental setting by artist Cornelia Sollfrank:
at Kunstverein Nurnberg

The theme of the project will be 'hacking strategies and art practice'.
A classical computer hacker is defined as a person who enjoys exploring
the details of programmable systems and discovering how to stretch their
capabilities; a ...

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discussion

Posted Sept. 16 2000 21:00

The Master of Web Monsters--Millennial Snacks of Mark Amerika

All you wanted to know about the Net is in knowing a single person. His
name is Mark Amerika, but could well be Loch Nettie–because he is the
monster of net creativity that assumes various shapes and incarnations:
he's been Kafka's chronicles, he's been Grammatron, he's been the info-
shaman ...

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discussion

Posted Sept. 15 2000 21:00

New Media Art in Korea

+ "Media City Seoul" http://www.mediacity.seoul.kr/ is a "new media"
festival that will take place beginning in September. Korea likes big
events, Korean artists like big art, and the Korean government doesn't
mind spending big money on big events with "big" artists that might grab
the attention of ...

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discussion

Posted Sept. 14 2000 21:00

Interview with Stephen Vitiello

[For years Stephen Vitiello has focused on sounds that might be
called ambient, environmental or incidental. His work has
combined field recordings with digital processing to create
slowly evolving, sonically-rich soundscapes. For example, the
first track on his CD Light of Falling Cars is composed from
manipulated sounds of a ...

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