Rhizome

discussion

Posted Jan. 24 2001 20:00

the Warhol Hijack

The Warhol Hijack
New York net artists hijack webcam voyeur site

When: Friday January 26th - Sunday January 28th 2001
Schedule: http://www.treasurecrumbs.com/verbal/wlip
Where: http://www.weliveinpublic.com

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Schedule for the Warhol Hijack.
(all New York times)

Friday 01/26/01

1:00 PM
Entering the loft ...

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discussion

Posted Jan. 24 2001 20:00

Conceptual Art in Relation to MTAA's Art Practice

tune into http://www.weliveinpublic.com at 8pm ET friday 1/26/01 for
the Live Demonstration

this 'lecture' was written with weliveinpublic.com chatters in mind
(assumed to have minimal knowledge of art history), hence it's
simplistic content.

peace out

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(formatted for chat)

An Art History Lecture by T ...

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discussion

Posted Jan. 24 2001 20:00

notes about 404.spam.machine

SHUT UP SPAM MAN

In this case, the man was a PHP script which send an email when a 404
error occur in x-arn.org website. The file that contain the broken link
is read by the script, and its URL is linked in the email. So, in fact,
the ...

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discussion

Posted Jan. 23 2001 19:00

RHIZOME DIGEST: 01.24.01

RHIZOME DIGEST: January 24, 2007 Content: +opportunity+ 1. Don Relyea: Siggraph Art Gallery Submission Deadline Extended until 5 pm 1-26-07 2. Jim Andrews: media arts curator position at the western front in vancouver - job posting 3. james: Ars Virtua Conference on Borders April 26-28<br ...

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discussion

Posted Jan. 22 2001 20:00

The Real and the Virtual--an interview with Char Davies

Formally a painter and filmmaker, Char Davies began working with 3D
digital media in the mid-eighties. She was a founding director of
Softimage Inc where she played various roles, including Vice-President
1988-1994 and Director of Visual Research 1994-1997. She left Softimage
[at the end of 1998] to found Immersence Inc ...

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discussion

Posted Jan. 21 2001 20:00

010101--SFMOMA Goes 'Hyperbolic'

"010101"
San Francisco Museum of Modern Art
http://010101.sfmoma.org/

"What if machines do have a subconscious?" asks Douglass Coupland in one
of the more ironic moments of "010101," the San Francisco Museum of
Modern Art's ambitious new showcase of online art. "If machines could
talk to ...

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discussion

Posted Jan. 21 2001 20:00

Breakthrough to the World Code--etoy's Concept of Net Architecture

[Please find below the second of my three etoy articles. This one
deals mostly with etoy's history. The first article is titled "How
the etoy Campaign Was Won" (http://rhizome.org/object.rhiz?1642),
and the third, "Blueprint for Toywar II"
(http://rhizome.org/object.rhiz?1752). This essay, "Breakthrough ...

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discussion

Posted Jan. 21 2001 20:00

ISEA 2000 - report

ISEA 2000 "REVELATION"
Inter Society of Electronic Art, Paris, December 7-10, 2000
http://www.isea2000.com/

The 10th International Symposium on Electronic Art organized by the
Inter-Society for the Electronic Arts (ISEA) and Art3000 took place for
the first time in Paris this past December. The theme of this annual ...

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discussion

Posted Jan. 17 2001 20:00

Zapatista Tribal Port Scan (ZTPS): A Demonstration Tool(Part 2)

[On December 2, 2000, subcomandante Marcos announced that the central
command of the Zapatista National Liberation Army (EZLN) will travel to
Mexico City in February, to lobby for passage of the San Andres Accords.
For Marcos and the Zapatista leadership, this will be their first public
appearance outside of Chiapas ...

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discussion

Posted Jan. 17 2001 20:00

Zapatista Tribal Port Scan (ZTPS): A Demonstration Tool(Part 1)

Zapatista Tribal Port Scan (ZTPS): A Demonstration Tool
By Electronic Disturbance Theater

Chiapas, Mexico - January 3rd, 2000 - the Zapatista Air Force
"bombarded" the federal barracks of the Mexican Army with hundreds of
paper airplanes. Each airplane carried a message for the soldiers
monitoring the border. In remembrance of this event ...

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discussion

Posted Jan. 15 2001 20:00

active/onBlur--an interview with Talan Memmott

[This year's winner of the trAce/Alt-X New Media Writing competition is
net artist Talan Memmott. Memmott is an artist/writer from San
Francisco, California. He is Vice President of the web development firm
Percepticon and has worked as producer, director, and in various other
capacities on more than 60 ...

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discussion

Posted Jan. 15 2001 20:00

metabolics#2

METABOLICS // STOFFWECHSEL#2

THU 18 JAN 2001 20:00 +0100 (MET)

More informations & Live Stream:
http://www.linksverkehr.net/metabolics

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RE: OPENING SOURCES

Guests: Marko Peljhan (Ljubljana/SI) and
0100101110101101.ORG (Bologna/IT)

The more the data streams of the networks broaden, the more difficult it
gets, to find ...

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discussion

Posted Jan. 14 2001 20:00

Radio Pirate--An Interview with Heath Bunting (Part One)

Mathew Kabatoff: Articles about you consistently mention pirate radio.
But the type of pirate radio is never specified. Were you only using the
airwaves? What was its context or content?

Heath Bunting: I guess my first contact with pirate radio was listening
to "Radio Caroline," which was a commercial ...

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discussion

Posted Jan. 14 2001 20:00

REGISTRATION DESKS ARE OPEN

THE REGISTRATION DESKS ARE NOW READY TO HANDLE YOUR DATA-CHECK IN
THE etoy.DATA- BASE:

LOGIN UNDER: http://www.etoy.com/gm2001/verification.html

the etoy.CORPORATION is proud to return compensation for the successful
business period 2000, trust and efforts during TOYWAR:

either 10 shares of eToys stock (NASDAQ ...

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discussion

Posted Jan. 14 2001 20:00

Radio Pirate--An Interview with Heath Bunting (Part Two)

Mathew Kabatoff: On your site Irational.org there are diagrams and
instructions showing how to set up a streaming radio and pirate radio
over the net (http://www.irational.org/radio/radio_guide/). Can you talk
about how this helps disseminate information about radio?

Heath Bunting: That part of the site ...

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discussion

Posted Jan. 12 2001 20:00

IDENTITY IS AN ADDRESS and A WAY OF BEING ALONE

IDENTITY IS AN ADDRESS IN THE TERRITORY OF APPEARANCE

One single critical problem emerges from this period of chaotic
transition. How can a work of art be continuously updated so it does not
lose its value in such a volatile information environment? Information
(and certainly art in an information age ...

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