> "Heavy Tools for Berlin" von Liesl Ujvary
>
> Sonntag, 1. September 2002, O1, Literaturstudio 23.05 h
>
> "Heavy Tools for Berlin" ist ein Audiokunstwerk, das ein mythisches
> Berlin als Ubungsplatz thematisiert - auf sprachlicher, akustischer
> und musikalischer Ebene. Der Text laviert zwischen mehrdeutigen
> Anspielungen ...

notes on PNG ("ping")

[ first, if you have no idea what PNG is, check this out:
http://www.libpng.org/pub/png/pngintro.html ]

PNG - the Portable Network Graphics format

The most important feature of PNG for web artists and designers, in
my opinion, is the alpha channel. it allows ...

While you make pretty speeches
I'm being cut to shreds
You feed me to the lions
A delicate balance

And this just feels like spinning plates
I'm living in cloud cuckoo land
And this just feels like spinning plates
My body is floating down the muddy river

- thom yorke

++++++++++++++++++++++++++++++++++++++++++

So ...

Creepy and sullen and running out of room
in my little tomb, my little tomb,
I'll plant a seed there to remember you
at the may fair with your long ass curly hair.
We had a pirate band, a tear for every grain of sand,
and I was fighting with ...

Faith, you're driving me away
You do it everyday
You don't mean it
But it hurts like hell
My brain says I'm receiving pain
A lack of oxygen
From my life support
My iron lung

We're too young to fall asleep
Too cynical to speak
We are losing it
Can't ...

i'm so close
i'm almost inside
it won't be long
before the mystery is mine

i'm so close
i'm almost inside
but there were times
i hung my head and cried

i'm so close
i'm almost inside
i'm so close
racing the tide

i'm so close
i'm almost inside
a ...

Lines form on my face and hands
Lines form from the ups and downs
I'm in the middle without any plans
I'm a boy and I'm a man

I'm eighteen
and I don't know what I want
Eighteen
I just don't know what I want
Eighteen
I gotta get away ...

On Tue, 20 Aug 2002, Ivan Pope wrote:
>
> I think IID42 is a bot.
>
> Ivan

It's true.

`, . ` `k a r e i' ? ' D42

The following project: 9_11_2001_netMemorial
http://www.navasse.net/netMemorial
was specifically developed for submission at "Art on the Net 2002"
hosted by Machida City Museum of Graphic Arts, Tokyo.
(http://art.by.arena.ne.jp/mcmogatk/2002/).

After finishing the piece, I realized that I should present this work to ...

Maybe Zaphod is saying that only non-egotistical geniuses can radiate love in
any real way, only those who have survived the death of ego can even express
love well enough to resist the force of fascism.

Love is easily conventionalized so expressions must have "the power of love"
in order ...

"You can see beauty looking at a urinal, or playing chess, that sort of
thing"
–Marcel Duchamp

Game by Herman
Tuesday
chessclub.com
Retep 1500 v. Herman

1. d4 Nf6
2. Nf3 e6
3. c4 Be7
4. Bg5 d5
5. e3 Nbd7
6. Nc3 b6
7. cxd5 exd5
8. Bd3 ...

In a message dated 8/20/2002 2:38:50 PM Central Daylight Time,
death@zaphod.terminal.org writes:


> It's true.

I think Death is a brat (wurst).

Here's a genius game I just won on ICC chess:

1. e4 d5
2. d4 dxe4
3. f3 exf3
4. Nxf3 ...

To whomever it concerns:

I have known bea for 8 months and have been working with her on nungu's surveillance project commissioned by rhizome. I've been working on this project as asst. graphic designer.
It has been a shock to read vishal's malicious accusations.

Bea is the founder of nungu ...

— postfixE <postfixE@nerdtronica.com> wrote:
> Date: Mon, 19 Aug 2002 23:50:35 -0700
> From: "postfixE" <postfixE@nerdtronica.com>
> To: <postfixe@nerdtronica.com>
> Subject: warpornTVprotestmusic
>
>
> ?The artist must elect to fight for freedom or
> slavery. I have made my choice. I ...

ahhh… we'll snort with pleasure
ahhh… we'll forego washing
we'll hold a holiday of love
I'm a green tree you're the air
I'll follow you there
I'll follow you

engulf me lover

ahhh… we'll take a tumble
ahhh… down in the gravel
I'll take your hand to lead me over ...

At 0:06 -0400 8/20/02, Net Art News wrote:
Shouting into the Void

'Hello' by Yael Kanarek derives strength from its simplicity.
Requiring minimal user input, Hello transforms the computer screen
into an object for contemplation rather than a tool for interaction.
Hello consists of one static image ...