Please find here information about "Debates & Credits" - Dutch-Russian project which is going to be an art intervention into public spaces as well as into public communication media of three cities: Amsterdam, Moscow, Yekaterinburg. You can follow the program, events, and visual documentation via D&C web journal wich will ...
When I first began my fascinating study on the effects of local rainfall on genital shape and compaction, thousands tethered like cattle, herded like sheep, appeared to me in pre-dawn drowse- dreams, wherein the silent room and the breath of my mate mixed in a drizzle of soliloquoy with vague ...
I work with collections within an art institution so i deal with 'hands-on' with your issue…. but as an artist, I think your question is a good one. >From the museological side of my life though, the answer is complicated. The first issue is that technologies are always changing. This ...
Well, I signed up for one of those OpenMouse shows at FUN for Nov. 16, 2000, because I wanted to get to NYC before the end of the millennium and show G2K.
My original plan was to have a printer, internet, and a little spot to print stuff and receive ...
Kandinskij, I am growing quite fond of you - always so irritable.
I look inside myself and I find fear. Like a schoolboy facing his first day of school, I wake each day wondering what I should do next. I don't pretend to find a "truth" or "formula for success" that ...
Tuesday 17/09, there is the opening of the 3rd Festival International Art\_outsiders at: Maison Europeenne de la Photographie 82 rue francois Miron 75004 Paris
Participating artists: Sawad Brooks, Mary Flanagan, Alex Galloway, John Klima, Golan Levin, Kevin McCoy, Mark Napier, Brad Paley, Scott Snibbe, Camille Utterback, Martin Wattenberg, Maciej Wisniewski
>From: "Max Herman" <maxnmherman@hotmail.com> >Reply-To: "Max Herman" <maxnmherman@hotmail.com> >To: list@rhizome.org >Subject: RHIZOME\_RAW: Paper >Date: Mon, 16 Sep 2002 16:45:57 -0500 > > > >Also, I have some works on paper that I really try to protect ...
Also, I have some works on paper that I really try to protect, and wouldn't give away unless I was assured of preservation:
www.geocities.com/genius-2000/whynot.JPG shows my 4'x6' print of "the dots", called "Untitled #1", mounted on housewrap tekfoam, made on a big printer at Kinko's ...
*Please note, the sender's email address has not been verified.
fyi
********************
If you are having trouble with any of the links in this message, or if the URL's are not appearing as links, please follow the instructions at the bottom of this email.
The Paper Chase: Why do Many of Today's Leading Media Artists and Curators Choose to Present Works on Paper? Postmasters Gallery Tuesday, September 17 7pm 459 West 19th Street (at 10th Avenue) New York, NY 10011 Telephone 212 727 3323
On the idea of meanness, I agree in part. Of course, there are some on the list who would argue that any list should not have any focus except whatever any one person on the list feels like talking about, that the limitation of that is a halt to 'free ...
All I remember is the fragment, the box springs of the head. The weather was broken and lying in several sequences of looped man- action (javelin throw, drunken vomiting, coitus) on my desk. I picked up the pieces and moved on. You must have bought new furniture while I slept ...