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Posted July 26 2004 22:59

rotten fucking art

http://www.lewislacook.com/xanaxpop/
Sometimes I love the way my arms are shaped so much I rub them in my sleep.




***************************************************************************

Lewis LaCook

net artist, poet, freelance web developer/programmer

http://www.lewislacook.com/

XanaxPop:Mobile Poem Blog>> http://www.lewislacook.com/xanaxpop/

Stamen Pistol: http://stamenpistol.blogspot.com ...

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discussion

Posted July 26 2004 19:22

updated: F5

updated:
www.escaner.cl/artepostal/f5

It are already in Internet all the works for "F5" up to now.

expo: September 8 2004 . CAVS. Santiago de Chile.

You are invited to participate.


F5 - Reload
Isabel Aranda (yto.cl) 2004

********************************
mail art & digital art
********************************

CALL



Isabel Aranda * yto.cl * (visual ...

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discussion

Posted July 26 2004 19:15

my mission://updates - artists' statements

my mission://update —>27 July 2004
.
Contents:
://New entries
://"My mission" on Biennale for Electronic Art Perth/Australia
://Call for entries
~~~~~~~~~~~~~~~~~~~
.
—> "My Mission"
The ongoing collection of textual self-representations in form of artistic
statements —-> as part of
"{self}_representation 2003" -
the new show on Le Musee ...

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discussion

Posted July 26 2004 18:31

Set 4: The Brakhage Pack

The fourth set of Synesthetic Bubble Gum Cards is now available:
http://computerfinearts.com/collection/cloninger/bubblegum/brakhage/

Source visuals by Stan Brakhage
Source audio by Sigur Ros

Previous sets may be gotten at:
http://computerfinearts.com/collection/cloninger/bubblegum/

peace,
curt

_
_

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discussion

Posted July 26 2004 17:28

jargon

jim, i think yer looking for love in all the wrong places…
vernacular is a well-established wrench…
personnally, i don't think computers are metaphorical.
the simplicity we avoid kinda explains too much.
hows that fer jargon?

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discussion

Posted July 26 2004 17:12

slipped-shod

yup, but you might want to check out terry eagleton: the gatekeeper…
alot of rhetoric on the left remembers the bad old days and attempts to
assume it's always ever the same…
assuredly, mine own brain has locked too many times south of incongruity.
the fizzle of freedom demands the ...

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opportunity

Posted July 26 2004 15:16

CALL FOR SUBMISSIONS

This is an invitation to collaborate in

FIELD OF VISION: NEW YORK

@
The Lab Gallery
New York
13 - 18 September 2004

DESCRIPTION
FIELD OF VISION: NEW YORK is a combined internet / live art event about New York. Artists and non-artists worldwide are invited to send their work for inclusion by ...

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event

Posted July 26 2004 12:38

ACM SIGCHI DIS2004 Exhibits

The conference Exhibits will open to the general public, with free admission on Tuesday August 03, 2004 from 3:30pm to 7:30pm. The exhibition is located at the Kendall Marriott Hotel, Salon 4, 2 Cambridge Center, Cambridge, MA 02139.

———————————
http://www.sigchi.org/DIS2004/

‘Spaces, Screens, Sounds, and ...

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discussion

Posted July 26 2004 11:51

Art vs. Ashcroft Panel Discussion

News Release
July 26

Orlo Presents Art vs. Ashcroft Panel Discussion/ Keith Yurdana Closing
Party
Saturday, July 31, 7 p.m.
Orlo Exhibition Space
2516 NW 29th Ave Bldg. #9 Portland, OR
FREE
503-242-1047

"Art vs. Ashcroft," a community forum about recent attacks on
artists and their civil rights ...

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discussion

Posted July 26 2004 09:42

Fwd: Eyebeam presents Christian Marclay

Begin forwarded message:

> From: Eyebeam Info <info@eyebeam.org>
> Date: July 26, 2004 3:10:36 PM EDT
> To: Friends of Eyebeam <rachel@rhizome.org>
> Subject: Eyebeam presents Christian Marclay
>
>
>
> Focal Point Series presents
> Christian Marclay
>
> July 28, 2004 ...

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discussion

Posted July 26 2004 09:33

[OT] gigs in the UK

I have a gig on September the 29th at YAH festival in Nottingham. I am look=
ing for more gigs in the UK. I play free improvisation on self-modified ele=
ctronics during the projection of a video loop. AudioCDr, playable CD, pic,=
bio and press are available. If you feel ...

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discussion

Posted July 26 2004 09:24

[Leonardo/ISAST Network] Leonardo Electronic Almanac CFP: Global Crossings (GX)

LEA Gallery cfp: Global Crossings (GX)

** Worldwide Call for Submissions **

Please feel free to spread the word widely:

LEA Gallery Special: Global Crossings (GX)
Guest Curators: Dennis Summers and Choy Kok Kee (gxgallery@astn.net)

The Leonardo Electronic Almanac Gallery
(http://mitpress2.mit.edu/e-journals/LEA/LEA2004/gallery.htm) is ...

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discussion

Posted July 26 2004 08:40

RE: netbehaviour: Jargon-busters pick top offenders after 25 years of rewriting history

very interesting. reminds me of George Orwell's 1946 essay "Politics and the
English Language" in which he argues for the politics of clear writing.

"In our time, political speech and writing are largely the defense of the
indefensible. Things like the continuance of British rule in India, the
Russian purges ...

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discussion

Posted July 26 2004 08:07

intelligent agent Vol. 4 No. 2: new articles --- copyright / free cooperation / embodiment

intelligent agent - Vol. 4 No. 2: copyright / free cooperation / embodiment

New articles from Vol. 4 No. 2 are now available at
http://www.intelligentagent.com

intelligent agent is published in a modular format:
*3 thematic threads
Threads of Vol. 4 No. 2:
//copyright//
//free cooperation//
//embodiment//
*reviews of games, exhibitions ...

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event

Posted July 26 2004 06:09

Re: 'Kill the patriarch, not net art - you muppets...'

Dear All,

A s i said net.art is term invented by some guy which is corresponding to one specific context and time which are over today.
Like I said in the same text it doesn't mean that produceing art with internet is over also ! but that is emaing that ...

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event

Posted July 26 2004 05:57

Re: Re: Re: After net.art on 1998, my personal view...

Dear Mark;

That is the point !

perfectly understood ! this is the second meaning layer of these project, a way to criticize it as I said in my text:
"paintings are perfect dead flat stuff…"
they becaome alive through the meaing given by its context, modernism, capital fetichism….
as you said ...

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