<br />RHIZOME DIGEST: October 29, 2004<br /><br />Content:<br /><br />+announcement+<br />1. Rachel Greene: Fwd: POSTSCRIPT [part one] Portuguese live art in the age<br />of scripted reality<br />2. matthew fuller: Open source 3D (Blender) and audio (Ardour) workshop at<br />DEAF?04<br /><br />+opportunity+<br />3. Kevin McGarry ...
from where else - Hollywood! 'Cause cops need to watch more TV. Bet the Surveillance Camera Players could have a successful franchise here with all the aspiring 'talent.'
sorry to keep moaning – I really do have an up-to-date system (mac os 10.3.5, and the latest java engine) but the applet will not load. Or is it just me?
Geert (http://nznl.com) On 28-okt-04, at 21:18, Rhizome.org wrote:
I have finished my undergraduate work, and am exploring possible graduate schools. My interests are obviously the whole spectrum of art from visual to audio, and digital or virtual to analog or meatworld. What are the premier graduate schools for art and technology: form robotics and software art to interactive ...
> From: Sara DeRose <sarad@creativetime.org> > Date: October 28, 2004 3:47:16 PM EDT > To: Press List <sarad@creativetime.org> > Subject: <no subject> > > URGENT MEDIA ALERT - Thursday, October 28, 2004 > > Jenny Holzer Projects Poetry on The Hotel Pennsylvania ...
Tokyo-based Nibroll brings its latest spectacular, multi-layered work to The Kitchen…
Nibroll: Dry Flower (U.S. Premiere)
Nibroll, the Tokyo-based interdisciplinary art collective, makes its debut at The Kitchen with the U.S. premiere of Dry Flower. Founded in 1997 by choreographer Mikuni Yanaihara, the company draws equally from the ...
> From: Discordia Collective <discordia@discordia.us> > Date: October 28, 2004 9:36:32 AM PDT > To: Undisclosed recipients: ; > Subject: Discordia celebrates … > > Samhain/Halloween/Dias de los Muertos/Allerheiligen … > > Take your pick and come by from October 29 ...
I am an artist: an information provider and interpreter. I am part of a group of people who are masters of the search, often drawing on intuition and practice to reveal the ambiguous and the inexplicable. As an artist I have learned to examine issues critically. I dismiss the obvious ...