Orit Gat

Artist Profile: Olivia Erlanger

Artist Profile: Lilah Fowler

Artist Profile: Julia Weist

Has the Internet Changed Art Criticism? On Service Criticism and A Possible Future

Global Audiences, Zero Visitors: How to measure the success of museums’ online publishing

Unbound: The Politics of Scanning

To Bind and to Liberate: Printing Out the Internet

I Mean Business: the e-cigarette store and how we sell technology

Art Criticism in the Age of Yelp

What Could the Internet Be? Dia’s Online Projects

The Book as Interface: WYSIWYG

Today: #Downing_St, a Twitter Play by Eva Weinmayr

Internet Real Estate, Art and Power: The cases of Artsy and .art

Jill Magid: Effective Storytelling

Harper Reed: Changing Politics and Technology

Screen. Image. Text.

Artist Profile: Juliette Bonneviot

Recommended Reading: Interventions, Issue 2—Framing the Internet

Artist Profile: Jason Eppink

Artist Profile: Ofri Cnaani

Artist Profile: Rene Abythe

Artist Profile: Anna Lundh

"Cosineve and the Old Internet": Ed Halter in Red Hook, Journal for Curatorial Studies

Projected Projects: Slides, PowerPoints, Nostalgia, and a Sense of Belonging

Artist Profile: Steve Bishop

Virtual Spectacle: A Conversation with Wafaa Bilal

"Performance Anxiety" at Stadium Gallery

A Thousand Eyes: Media Technology, Law and Aesthetics

Performa 11

The Piracy Project

Performance, Public, and Online Presence: Gretta Louw's Controlling_Connectivity

Artist Profile: Simon Denny

Artist Profile: Keren Cytter

Artist Profile: Krist Wood

Another Book on the Bookmarks Shelf: BooksOnLine

In need of a Heroine: Angela Washko's "Heroines with Baggage (How Final Fantasy Shaped My Unrealistic Demands for Love and Tragedy)"

Frank Benson’s “Human Statue (Jessie)” at Taxter & Spengemann

Artist Profile: Marina Zurkow

E-flux Talks About the Book Coop at the New York Art Book Fair

(Recent) History Class: Paul Ryan Interviews for Grey Room

Artist Profile: Paul Slocum

Before the New York Art Book Fair