In-process screenshot of Ryder Ripps's Facebook, courtsey of the artist
Last week, we kicked off our annual Community Campaign with the announcement of a new program for Rhizome members called The Download. Through The Download, Rhizome members are invited to get a first look at a new and significant artwork by one artist every month. Artworks will come in a variety of ubiquitous file formats such as .gifs, .html, .mov, and .jpegs. All works will be delivered as a .zip via The Download page. Once the artwork is downloaded, it is yours to collect, share with friends, and display on the screen of any suitable device. The Download is a premier opportunity to become a collector of great digital art!
For the first Download, we are highlighting a new work by conceptual artist Ryder Ripps (Internet Archaeology, dump.fm and OKFocus). Ryder Ripps's Facebook (2011) is a copy of his entire personal Facebook history including all of his photos, private messages, chats, and wall posts. The viewer is invited to explore all of Ripps's Facebook activity, exposing some of the most intimate and private information. As with previous works, this project confronts issues of privacy, Facebook, and fetishization of technology. Read more about Ripps's work on The Download page.
Next month, we will feature a new work by video artist Sabrina Ratté including music by Roger Tellier-Craig, aka Le Révélateur. Look out for more information about upcoming featured artists in the next few months.
The Download is supported by the Artist Fund, a pool of financial support generated by our members that is divided evenly among the participating artists. You can learn more about The Download and the Artist Fund on the FAQ page.
If you would like to be able to receive The Download first-hand and directly support artists, please contribute to Rhizome's Community Campaign and the Artists Fund today!
Neither this post nor Joanne McNeil's paragraphs describing The Download mention that Ryder Ripps has deleted his Facebook account and this download of all his data is connected to that. That's kind of a big deal, especially since Ripps has been a Facebook love/hate supporter for some time. McNeil mentions that an artist named Kevin Bewersdorf deleted his data from his site once and murkily suggests that Ripps' The Download has something to do with that. This isn't even a case of "burying the lead"–hiding it, more like. But why?
All the best,
Tom Moody
Thanks Tom, that's a valid point – we've updated The Download page.
wheres the chat.html
hey rene (love),
i dont really use fb chat,, but i think they are saved in messages,,
all on view here as well http://ryder-ripps.com/facebook/html/profile.html
rr
Since Ryder has reactivated his Facebook account the download of his data now seems like a bit of a hollow stunt. We're back to Joanne McNeil's meditations on temporality as the justification for this artwork but now she's taken her name off those paragraphs!