"Optimism,", the newest exhibition organized by independent curator Michael Connor takes on the not-so-small task of exploring "the dreams and realities of making progress and changing the world." As everything seems to be crashing all around us, it can be hard--and even risky--to maintain a glass-half-full attitude toward things. Even more challenging is the prospect of making political art that doesn't simply aestheticize politics or that actually makes an impact, rather than simply preaching to the choir of those who already share the artist's beliefs. The work of Becca Albee, Ghana Thinktank Collaborative (John Ewing, Matey Odonkor & Christopher Robbins), Matt Keegan, Zoe Leonard, Tara Mateik, Walid Raad, and Paul Shambroom fleshes-out this tricky conundrum while offering productive and hopeful gestures. The common factor in their work is a frank assessment of a situation and an informed, if humble move to take matters into their own hands--an act which implies a belief in the possibility of change. At times these efforts manifest in almost humorous explorations of failure and impossibility, while at other times they are more explicitly activist and/or hopeful. The exhibit is on view at the Westport Arts Center through November 30th, effectively meaning that it will continue even after the current presidential campaigns hinging on the prospect of change have ceased. While the notion of optimism is often dismissed as Pollyanna, Connor says the show offers an alternate take on the concept, laying out strategies for proactive political engagement and means of future-improving. He suggests, "The glass is not yet half-full, but it will be, once the wine is poured." - Marisa Olson

Image: Matt Keegan, Without touch, we can't connect. Without skin, we can't touch, 2008

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