According to executive curator Raul Moarquech Ferrera-Balanquet, 'through the process of selecting themes, artists, projects, artworks and curators, the biennale interconnects these elements in a fluid variable geometry that articulates the dynamics of economic production of art in many regions of the world, the discursive formation of artistic practices, the constant erasure of these artists enacted by art history and the difficulties of curatorial practices outside the museum and government institutions. The grammar evolving as result of the curatorial process has its own discursive flow. The end results of the biennale, the conferences and the lab are the transformations of the initial intentions. As in a work of art, the moment when the physical interaction takes place denotes new positions even among the artists, scholars and critics involved in the project.'
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