<br />RHIZOME DIGEST: February 03, 2006<br /><br />++ Always online at <a rel="nofollow" href="http://rhizome.org/digest">http://rhizome.org/digest</a> ++<br /><br />Content:<br /><br />+opportunity+<br />1. Marjan van Mourik: ART TECH MEDIA 06<br />2. Lee Wells: Correction -PERPETUAL ART MACHINE CALL FOR VIDEO AND THEORY<br /><br />+work+<br />3. Michael Szpakowski: new QuickTimes & vlog<br /><br />+announcement+<br />4. Turbulence: Turbulence Winter/Spring News<br />5. Lee Wells: FW: Nam June Paik passed away<br />6. marc garrett: Open Vice/Virtue: The Online Art Context. Andy Deck at<br />HTTP Gallery.<br />7. Lauren Cornell: Net Aesthetics 2.0 panel – February 6th<br />8. bob sweeny: adding insult to imagery?<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />Rhizome is now offering Organizational Subscriptions, group memberships<br />that can be purchased at the institutional level. These subscriptions<br />allow participants at institutions to access Rhizome's services without<br />having to purchase individual memberships. For a discounted rate, students<br />or faculty at universities or visitors to art centers can have access to<br />Rhizome?s archives of art and text as well as guides and educational tools<br />to make navigation of this content easy. Rhizome is also offering<br />subsidized Organizational Subscriptions to qualifying institutions in poor<br />or excluded communities. Please visit <a rel="nofollow" href="http://rhizome.org/info/org.php">http://rhizome.org/info/org.php</a> for<br />more information or contact Lauren Cornell at LaurenCornell@Rhizome.org<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />1.<br /><br />From: Marjan van Mourik <webmaster@targetfound.nl><br />Date: Jan 28, 2006<br />Subject: ART TECH MEDIA 06<br /><br />www.artechmedia.net<br /><a rel="nofollow" href="http://www.artechmedia.net/menu_en.htm">http://www.artechmedia.net/menu_en.htm</a><br /><br />ART TECH MEDIA 06 is a Meeting of Artists, Museum Directors, Art Centres,<br />Media Lab, Thinkers, Curators, Gallery owners, Collectors, Cultural<br />Agents, Politicians and Society, in many cases, confused by the methods<br />and concepts which are so different from the traditional ways of producing<br />of art, its exhibition, collecting, and way of contemplating.<br /><br />ART TECH MEDIA 06 was born with the intention of reflecting, analyzing and<br />viewing art produced using new technologies in Spain within an<br />international context, and the impact that our polyhedric altered reality<br />has on their widespread use.<br /><br />It will be developed in different sections: Lectures, Round Tables,<br />official announcements for video artists from all over the world, and<br />exhibitions in the participating venues.<br /><br />artists call<br /><br />ART TECH MEDIA 06<br />OFFICIAL ANNOUNCEMENT<br /><br />Calling on all artists of the world to participate in ART TECH MEDIA 06<br />and exhibit their works in a variety of Spanish Museums.<br /><br />Artworks will be accepted from the following categories:<br /><br /> - Video art<br /> - Net-art<br /> - Computer Animation<br />ENTRY<br />All submissions must be received by February 15th, 2006.<br /><br />Headquarters' Program. Spain<br /> - The Canary Islands (Tenerife) . From March 13th to 18th, 2006.<br /> - Museo de Arte Contemporáneo Unión Fenosa (A Coruña): From March 23rd to<br />April 23rd, 2006.<br /> - Museo Da2 (Salamanca ): From March 27th to April 2nd, 2006 .<br /> - Museo Vasco Artium (Vitoria ): From April 4th to 9th, 2006 .<br /> - BilbaoArte (Bilbao): From April 17th to 23rd, 2006.<br /> - Centro Párraga (Murcia): Del 8 al 21 de mayo.<br /> - Museo Nacional Centro de Arte Reina Sofía (Madrid): october, 2006.<br /> - Other Museums not confirmed yet<br />PRESENTATION ART TECH MEDIA<br />FERIA DE ARTE CONTEMPORÁNEO ARCO<br />9th february 2006. 18 to 19.30 h<br />THE ASSEMBLY HALL<br />Sala N-115<br />1st. floor of Centro de Convenciones Norte<br /><br />artechmedia@artechmedia.net<br />Thanks MOntse Arbelo and Joseba Franco<br />www.montsearbelojosebafranco.com<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />2.<br /><br />From: Lee Wells <lee@leewells.org><br />Date: Jan 29, 2006<br />Subject: Correction -PERPETUAL ART MACHINE CALL FOR VIDEO AND THEORY<br /><br />Invitation to Participate<br /><br />Cinema-scope and IFAC are seeking video art submissions for:<br />PAM - The Perpetual Art Machine<br />to be premiered as a featured project at the<br />-Scope New York Art Fair March 10-13, 2006.<br /><br />PAM is an interactive video display installation and network designed to<br />aid in the curatorial process by allowing artists and the viewer to play a<br />more active roll in its outcome.<br /><br />PAM is an international survey of cutting edge and progressive film, video<br />and new media art.<br /><br />PAM is looking for looking for screen based works up to three minutes in<br />length and created after 2001.<br /><br />Writers and Curators encouraged to take part as well.<br /><br />Deadline: February 20, 2006, sooner the better<br /><br />Step 1: Register at <a rel="nofollow" href="http://www.perpetualartmachine.com">http://www.perpetualartmachine.com</a><br />Once you have received your confirmation you will be able to set up your<br />profile (contact, bio, etc) and have access to other community tools in<br />the site.<br /><br />Step 2: Submit Your Video<br /><br />NTSC video only (Quicktime .MOV or .MPEG or DVD)<br />Best case rendering :<br />Quicktime , 16-bit Integer (Big Endian), Stereo (L R), 44.100 kHz, Photo -<br />JPEG, 720 x 480, Color, Medium Quality, 15fps.<br /><br />Include five keywords that describe your piece<br />Please have disk and materials properly marked with artist name and<br />artwork information, Name, year, duration.<br /><br />There are three ways to submit your video.<br /><br />Mail your on CD or DVD to:<br />Lee Wells (IFAC) c/o NYCRS<br />462 Broadway Suite 540<br />New York, NY 10013<br />T 917 723 2524<br /><br />OR<br /><br />Email us a link to your high resolution video at<br />perpetua@perpetualartmachine.com <<a rel="nofollow" href="mailto:perpetua@perpetualartmachine.com">mailto:perpetua@perpetualartmachine.com</a>><br />Please include the five keywords describing your piece<br /><br />OR<br /><br />Login to post your video directly to the Perpetual Art Machine website<br />—<br /><br />Please include a self addressed stamped envelop if you would like your entry<br />returned.<br /><br />Please contact us if you have any question at<br />perpetua@perpetualartmachine.com <<a rel="nofollow" href="mailto:perpetua@perpetualartmachine.com">mailto:perpetua@perpetualartmachine.com</a>><br />or by phone at 917 723 2524.<br />We look forward to seeing your work.<br /><br />–<br />Lee Wells<br />Brooklyn, NY 11222<br /><br /><a rel="nofollow" href="http://www.leewells.org">http://www.leewells.org</a><br />917 723 2524<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />Support Rhizome: buy a hosting plan from BroadSpire<br /><br /><a rel="nofollow" href="http://rhizome.org/hosting/">http://rhizome.org/hosting/</a><br /><br />Reliable, robust hosting plans from $65 per year.<br /><br />Purchasing hosting from BroadSpire contributes directly to Rhizome's<br />fiscal well-being, so think about about the new Bundle pack, or any other<br />plan, today!<br /><br />About BroadSpire<br /><br />BroadSpire is a mid-size commercial web hosting provider. After conducting<br />a thorough review of the web hosting industry, we selected BroadSpire as<br />our partner because they offer the right combination of affordable plans<br />(prices start at $14.95 per month), dependable customer support, and a<br />full range of services. We have been working with BroadSpire since June<br />2002, and have been very impressed with the quality of their service.<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />3.<br /><br />From: Michael Szpakowski <szpako@yahoo.com><br />Date: Jan 31, 2006<br />Subject: new QuickTimes & vlog<br /><br />Hi<br />I've been making little movies since 2003 now & there's nearly 100 of them.<br />In the meantime vlogging has really taken off, so it seems like a natural<br />thing to present the sequence so<br />far in this format, with any new ones I make in the meantime interspersed<br />amongst the old.<br />For about the next hundred days or so I'll post pretty much everyday and<br />afterwards as and when.<br />You can see the first five ( two of which, 'bicycle' & 'counting -cell<br />phone and strings remix', are new) at<br /><br /><a rel="nofollow" href="http://www.somedancersandmusicians.com/vlog/ScenesOfProvincialLife.cgi">http://www.somedancersandmusicians.com/vlog/ScenesOfProvincialLife.cgi</a><br /><br />If you've enjoyed my work in the past, &/or you like what you see here,<br />maybe you'd like to subscribe:<br /><br /><a rel="nofollow" href="http://feeds.feedburner.com/ScenesOfProvincialLife">http://feeds.feedburner.com/ScenesOfProvincialLife</a><br /><br />best<br />michael<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />4.<br /><br />From: Turbulence <turbulence@turbulence.org><br />Date: Jan 27, 2006<br />Subject: Turbulence Winter/Spring News<br />|<| FLOATING POINTS 3: UBIQUITOUS COMPUTING [02.08.06 + 03.15.06] |>|<br />|<<| RELATIONALITY VS AUTONOMY IN MEDIA ART [02.23.06] |>>|<br />|<<<| UPGRADE! BOSTON: MARISA S. OLSON [02.24.06] |>>>|<br />|<<<<| NET ART AND NETWORKED HYBRID ART COMPETITION [NOW UNTIL 02.28.06]<br />|>>>>|<br />|<<<<<| UPGRADE! BOSTON: BROOKE A. KNIGHT [03.02.06] |>>>>>|<br />|<<<<<<| TURBULENCE FUNDRAISER [NOW] |>>>>>>|<br /><br />|<| FLOATING POINTS 3: UBIQUITOUS COMPUTING |>|<br />In partnership with Emerson College<br /><a rel="nofollow" href="http://institute.emerson.edu/floatingpoints/">http://institute.emerson.edu/floatingpoints/</a><br />February 8 and March 15, 7:00 p.m.<br /><br />Floating Points 3 will address the subject of "Ubiquitous Computing" or<br />"Ubicomp," where computing and wireless capabilities are so integrated<br />into the fabric of everyday life (clothing, cars, homes, and offices) that<br />the technologies recede into the background and become indistinguishable<br />from everyday activities. Panel 1 will focus on responsive environments<br />and systems, and Panel 2 will concentrate on networked devices such as<br />barcodes and RFID tags and creative strategies to subvert the<br />ever-enlarging practice of surveillance and data mining.<br /><br />|<<| FROM DATABASE AND PLACE TO BIO-TECH AND BOTS: RELATIONALITY VS AUTONOMY<br />IN MEDIA ART |>>|<br />Turbulence's Helen Thorington, Panelist<br />College Arts Association, Boston<br /><a rel="nofollow" href="http://conference.collegeart.org/2006/sessions/thu/">http://conference.collegeart.org/2006/sessions/thu/</a><br />February 23, 2006, 12:30-2:00 p.m.<br /><br />Moderator: Marisa Olson<br />Panelists: Tad Hirsch, Warren Sack, Brett Stalbaum, and Helen Thorington<br /><br />|<<<| UPGRADE! BOSTON: MARISA S. OLSON |>>>|<br />In partnership with Art Interactive<br /><a rel="nofollow" href="http://www.turbulence.org/upgrade/archives/02_06MSO.html">http://www.turbulence.org/upgrade/archives/02_06MSO.html</a><br />February 24, 7:00 p.m.<br /><br />Marisa S. Olson is a San Francisco-based artist and is also Editor &<br />Curator at Large of Rhizome. She has most recently performed or exhibited<br />at the Whitney Museum of American Art, the New Museum of Contemporary Art,<br />the Berkeley Art Museum/Pacific Film Archive, New Langton Arts, Southern<br />Exposure, Pond, Foxy Productions, Debs & Co, and the international<br />Futuresonic, Electrofringe, Machinista, and VIPER festivals. While Wired<br />has called her both funny and humorous, the New York Times has called her<br />"anything but stupid."<br /><br />|<<<<| TURBULENCE NEW ENGLAND INITIATIVE II: NET ART AND NETWORKED HYBRID<br />ART COMPETITION |>>>>|<br />In partnership with Art Interactive; funded by the LEF Foundation<br /><a rel="nofollow" href="http://www.turbulence.org/ne2/guidelines.html">http://www.turbulence.org/ne2/guidelines.html</a><br />Deadline: February 28<br /><br />|<<<<<| UPGRADE! BOSTON: BROOKE A. KNIGHT |>>>>>|<br />In partnership with Art Interactive<br /><a rel="nofollow" href="http://www.turbulence.org/upgrade/archives/03_06BK.html">http://www.turbulence.org/upgrade/archives/03_06BK.html</a><br />March 2, 7:00 p.m.<br /><br />Brooke A. Knight is an artist and educator who has been working with<br />digital media for over a dozen years. His current areas of interest<br />include webcams, the landscape, and text in all forms. He is an Assistant<br />Professor in the Department of Visual and Media Arts at Emerson College in<br />Boston, where he teaches classes in interactive media. He received his MFA<br />in photography from CalArts in 1995.<br /><br />|<<<<<<| TURBULENCE FUNDRAISER |>>>>>>|<br /><a rel="nofollow" href="http://www.turbulence.org/fundraiser_05/index.html">http://www.turbulence.org/fundraiser_05/index.html</a><br />It's not too late to contribute!<br /><br />Thanks for your Support.<br /><br />Jo and Helen<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />Rhizome ArtBase Exhibitions<br /><br /><a rel="nofollow" href="http://rhizome.org/art/exhibition/">http://rhizome.org/art/exhibition/</a><br /><br />Visit "Net Art's Cyborg[feminist]s, Punks, and Manifestos", an exhibition<br />on the politics of internet appearances, guest-curated by Marina Grzinic<br />from the Rhizome ArtBase.<br /><br /><a rel="nofollow" href="http://www.rhizome.org/art/exhibition/cyborg/">http://www.rhizome.org/art/exhibition/cyborg/</a><br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />5.<br /><br />From: LEE WELLS <lee@leewells.org><br />Date: Jan 30, 2006<br />Subject: FW: Nam June Paik passed away<br /><br />Lee Wells<br />Brooklyn, NY 11222<br /><br /><a rel="nofollow" href="http://www.leewells.org">http://www.leewells.org</a><br />917 723 2524<br /><br />—— Forwarded Message<br />From: "elastic group" <info@elasticgroup.com><br />Date: Mon, 30 Jan 2006 13:33:13 +0100<br />To: <lee@leewells.org><br />Subject: Nam June Paik passed away<br /><br /> I am very sad to announce the death of Nam June Paik who passed away at<br />around 8 p.m.( ET. 29th Jan) in his apartment in Florida. The news was<br />brought to my attention by Ken Paik( the manager of Nam June/ Nam June's<br />Nephew) about an hour ago. Nam June's Body will be brought to New York<br />by tomorrow afternoon and the funeral will take place sometime this<br />weekend. Iris Moon Please join us for a moment of silence at the<br />second opening of Moving Time. Moving Time is the last exhibition Nam<br />June had participated while alive. Moving Time: A tribute to Nam June<br />Paik at the Korean Cultural Service New York present Nam June Paik's<br />seminal video works from the 60s and 70s. The exhibition will also<br />feature recent work of 30 international artists representing different<br />generations and different cultural perspectives: Rene Sultra & Maria<br />Barthelemy, Terry Berkowitz, Krista Birnbaum, Jonathan Brainin, Hong<br />Buhm, Damien Keller & Adriadna Capasso, Graciela Fuentes, Mariam Ghani,<br />Elastic Group, Sigrid Hackenberg, Kye Ryoon Han, Claudia Joskowicz, Jung<br />Kang, Jeong Han Kim,Tae Jin Kim, Mayumi Kimura, Hyun Jean Lee, Hyunsoo<br />Joy Lee, Joo Young Lee, Seung June Lee, Carlos Motta, Wanda Ortiz, Jaye<br />Rhee, Sang Ho Shin, Molly Stevens, Jeanne Susplugas,Traci Tullius,<br />Shiying Vicki Yang, Lin Yilin, Jorge Calvo. The curators of this<br />exhibition give thanks to 30 most innovative, supportive and generous<br />artists who have agreed in joy to pay humble but heartfelt tribute to Nam<br />June Paik who has been influential in every area of video art since he<br />unleashed it in1965. It is an honor to have Nam June Paik-the father of<br />video art-as the special guest artist in Moving Time.<br /><br /> Thursday 2th february there'll be the opening of the second part of the<br />exhibition<br /><br />General Information<br />Location: Korean Cultural Service NY, 460 Park Ave., 6th Fl. New York, NY<br />10022 Website: www.koreanculture.org<br /> Telephone: 212-759-9550<br /> Fax: 212-688-8640<br /> Point of contact: Yu Jin Hwang, Jee Yun Kim, Inhee Iris Moon<br /> Email: nyarts@koreanculture.org <<a rel="nofollow" href="mailto:nyarts@koreanculture.org">mailto:nyarts@koreanculture.org</a>><br />sthfun@hanmail.net <<a rel="nofollow" href="mailto:sthfun@hanmail.net">mailto:sthfun@hanmail.net</a>> inheemoon@hotmail.com<br /><<a rel="nofollow" href="mailto:inheemoon@hotmail.com">mailto:inheemoon@hotmail.com</a>> KCS NY Gallery Hours: 10:00 am =AD 7:00 pm<br />Monday through Friday, 10:00 am =AD 4:00 pm Saturday, closed on the 20th of<br />February observing President's Day.<br /><br /> Gallery Korea<br /> Korean Cultural Service in NY<br /> www.koreanculture.org <<a rel="nofollow" href="http://www.koreanculture.org">http://www.koreanculture.org</a>><br /> nyarts@koreanculture.org<br /> Tel:212-759-9550<br /> Fax:212-688-8640=20=20<br /><br /> I will keep you posted,<br /> Iris Moon<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />Rhizome.org 2005-2006 Net Art Commissions<br /><br />The Rhizome Commissioning Program makes financial support available to<br />artists for the creation of innovative new media art work via<br />panel-awarded commissions.<br /><br />For the 2005-2006 Rhizome Commissions, eleven artists/groups were selected<br />to create original works of net art.<br /><br /><a rel="nofollow" href="http://rhizome.org/commissions/">http://rhizome.org/commissions/</a><br /><br />The Rhizome Commissions Program is made possible by support from the<br />Jerome Foundation in celebration of the Jerome Hill Centennial, the<br />Greenwall Foundation, the Andy Warhol Foundation for the Visual Arts, and<br />the New York City Department of Cultural Affairs. Additional support has<br />been provided by members of the Rhizome community.<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />6.<br /><br />From: marc garrett <info@furtherfield.org><br />Date: Jan 31, 2006<br />Subject: Open Vice/Virtue: The Online Art Context. Andy Deck at HTTP Gallery.<br /><br />HTTP [House of Technologically Termed Praxis] presents Open Vice/Virtue:<br />The Online Art Context<br />by Andy Deck.<br /><br />?Open Vice/Virtue: The Online Art Context? is an exhibition and public<br />production space featuring real-time, online collaboration and<br />interventions in public and private spaces by software artist Andy Deck.<br />HTTP Gallery is pleased to present this solo show by American artist Andy<br />Deck, as part of NODE.London season of media arts. For this, his first<br />exhibition in London UK, Deck uses the Internet, the gallery and public<br />space to challenge corporate control over communication, tools and<br />software, and by extension the social imagination.<br /><br />'The giantism of media corporations and the ongoing deregulation of media<br />consolidation (Ahrens), underscore the critical need for independent media<br />sources. If it were just a matter of which cola to drink, it would not be<br />of much concern, but media corporations control content. In this<br />hyper-mediated age, content – whether produced by artists or journalists<br />– crucially affects what people think about and how they understand the<br />world. Content is not impervious to the software, protocols, and chicanery<br />that surround its delivery. It is about time that people interested in<br />independent voices stop believing that laissez faire capitalism is<br />building a better media infrastructure.' Andy Deck<br /><br />Glyphiti is an online collaborative drawing project resented uniquely at<br />HTTP. A large-scale projection forms an evolving graffiti wall and<br />visitors to the space are invited to edit and add graphical units or<br />'glyphs', which compose the image, in real time. The marks made by each<br />person, combine with others and are shown as a time-lapse image stream.<br />Hanging fabrics being shown here for the first time provide a tactile<br />document of recent years? of Glyphiti. Unlike most image software<br />available on the Internet, Glyphiti functions through most corporate<br />firewalls by using standard Web server requests. For the artist,<br />penetrating firewalls acts as a metaphor to graffiti making: both<br />activities necessitate the appropriation of privatised space for visual<br />play.<br /><br />For more information about the exhibition please visit the link below:<br />Press Page: <a rel="nofollow" href="http://www.http.uk.net/docs/exhib9/exhibitions9.htm">http://www.http.uk.net/docs/exhib9/exhibitions9.htm</a><br /><br />Private View: Thursday 9th March 2006 7-9pm<br />Exhibition: 9th March ? 22nd April 2006<br />Gallery Opening Hours: Friday- Sunday: 12noon-5pm<br />Screening and presentation of works at Science Museum's Dana Centre 8th<br />March 5.30-8-30pm<br /><a rel="nofollow" href="http://www.danacentre.org.uk/">http://www.danacentre.org.uk/</a><br /><br />HTTP [House of Technologically Termed Praxis]<br /><a rel="nofollow" href="http://www.http.uk.net/">http://www.http.uk.net/</a><br /><br />Getting to HTTP<br /><a rel="nofollow" href="http://www.http.uk.net/docs/gettingto.htm">http://www.http.uk.net/docs/gettingto.htm</a><br /><br />contact: info@http.uk.net<br /><br />Supported by NODE.London<br />Season of media arts, March 2006.<br /><a rel="nofollow" href="http://nodel.org/">http://nodel.org/</a><br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />7.<br /><br />From: Lauren Cornell <laurencornell@rhizome.org><br />Date: Jan 31, 2006<br />Subject: Net Aesthetics 2.0 panel – February 6th<br /><br />Hello,<br /><br />If you will be in the NYC area on the evening of February 6th, please come<br />out for Net Aesthetics 2.0 – a panel that will consider current<br />expressions of Internet art in light of larger technological and social<br />shifts. Artists Wolfgang Staehle, Cory Arcangel, Michael Bell-Smith and<br />Marisa Olson will be in conversation with curators Michael Connor and<br />Caitlin Jones. The panel is co-presented by Electronic Arts Intermix<br />(<a rel="nofollow" href="http://www.eai.org">http://www.eai.org</a>), and will be moderated by yours truly.<br /><br />This event is open to Members and non-members.<br /><br />The full release, as well as event details, can be found here:<br /><br /><a rel="nofollow" href="http://rhizome.org/events/net_aesthetics_2_0/">http://rhizome.org/events/net_aesthetics_2_0/</a><br /><br />It would be nice to meet active, NYC-based participants face to face if<br />you can make it.<br /><br />Lauren<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />8.<br /><br />From: bob sweeny <bob@untwine.net><br />Date: Feb 2, 2006<br />Subject: adding insult to imagery?<br /><br />adding insult to imagery? artistic responses to censorship and mass media<br /><br />january 17-february 16, 2006<br />kipp gallery, indiana university of pennsylvania<br /><br />curated by robert w. sweeny, assistant professor of art/art education<br /><br />featuring works in three areas by:<br />GALLERY<br />Mauricio Arango<br />Martin John Callanan<br />Jim Costanza<br />Daniel Jasper<br />Andrew Johnson<br />Richard Lou and Bill Fisher<br />Jason Lujan<br />Doug Flint and Preston Poe<br />Billie Lynn<br />Damon Sauer<br />Julie Weitz<br /><br />VIDEO<br /><br />Carole Ashley/ Artists Against the War<br />Sarawut Chutiwongpeti<br />Juan DelGato<br />Paul LeRoy Gehres<br />Grace Graupe-Pillard<br />Score: Elizabeth Grajales And Billy Annaruma<br />Lane E. Last<br />Alexander Reyna<br />Larissa Sansour<br />Paz Tornero<br />So Young Yang<br /><br />net.art<br /><br />Martin Allman<br />Grégory Chatonsky<br />Conglomco Media Network<br />atomicelroy<br />Christina Hung Nguyen<br />Zev Robinson<br />Robert Spahr<br />xtine<br /><br />this exhibit will travel to central missouri state university in fall<br />2006. supported by grants from americans for democracy project,<br />citizenship and civic engagement initiative.<br /><br />www.addinginsulttoimagery.net<br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />Rhizome.org is a 501©(3) nonprofit organization and an affiliate of the<br />New Museum of Contemporary Art.<br /><br />Rhizome Digest is supported by grants from The Charles Engelhard<br />Foundation,  The Rockefeller Foundation, The Andy Warhol Foundation for<br />the Visual Arts, and with public funds from the New York State Council on<br />the Arts, a state agency.<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />Rhizome Digest is filtered by Marisa Olson (marisa@rhizome.org). ISSN:<br />1525-9110. Volume 11, number 5. Article submissions to list@rhizome.org<br />are encouraged. Submissions should relate to the theme of new media art<br />and be less than 1500 words. For information on advertising in Rhizome<br />Digest, please contact info@rhizome.org.<br /><br />To unsubscribe from this list, visit <a rel="nofollow" href="http://rhizome.org/subscribe">http://rhizome.org/subscribe</a>.<br />Subscribers to Rhizome Digest are subject to the terms set out in the<br />Member Agreement available online at <a rel="nofollow" href="http://rhizome.org/info/29.php">http://rhizome.org/info/29.php</a>.<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br />
