RHIZOME DIGEST: 10.22.04

<br />RHIZOME DIGEST: October 22, 2004<br /><br />Content:<br /><br />+announcement+<br />1. juha huuskonen: PixelACHE 2005 : Dot Org Boom!<br /><br />+opportunity+<br />2. Nita Sturiale: Faculty Search - CONTEMPORARY MEDIA ARTIST<br />3. Kevin McGarry: Johns Hopkins New Media Center Video Opening<br />4. Kevin McGarry: Job – creative capital TECHNICAL SERVICES MANAGER nyc<br />5. Rachel Greene: Fwd: SLAB job advert please circulate…<br /><br />+work+<br />6. Rhizome.org: Just added to the Rhizome ArtBase: EMS (Edition Message<br />Samplers) by Jacob Masters<br />7. ryan griffis: Fwd: For Immediate Release: The Bush Poll<br />8. Rhizome.org: Just added to the Rhizome ArtBase: the.year.dot by Keith<br />Whittle<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />1.<br /><br />Date: 10.22.04<br />From: juha huuskonen &lt;juhuu@juhuu.nu&gt;<br />Subject: PixelACHE 2005 : Dot Org Boom!<br />PixelACHE 2005<br />Electronic art and subcultures festival<br />14-17 April, Helsinki<br />www.pixelache.ac<br /><br />:—-<br /><br />CALL FOR PROJECTS<br /><br />PixelACHE explores again the fringe areas of electronic art. The festival<br />program consists of concerts, clubs, project showcases, workshops and panel<br />discussions.<br /><br />We invite artists and designers, engineers and architects, researchers and<br />activists, professionals and students - all kinds of people involved in<br />experimenting with new and old technologies - to send us project<br />descriptions and ideas! The deadline for proposals for PixelACHE 2005<br /> is November 15th 2004! More information about the submission<br /> process is available on the PixelACHE website at www.pixelache.ac.<br /><br />:—-<br /><br />THEME 2005 : DOT ORG BOOM<br /><br />* The Boom that happened when the media wasn't listening *<br /><br />The years around the turn of the millennium were the glory days of the dot<br />coms. New media industry promised a shiny future and acted as a platform<br />for a great gamble which involved fantastic sums of real and virtual money.<br />These days seem like a distant past when one listens to the news today -<br />reports of downsizing and fear of economic depression have replaced the once<br />optimistic views of the future.<br /><br />Hidden from the radar of the mainstream media, another boom has been<br />silently growing and gaining a stronger position in the development of<br />media, technology and culture. Dot Org Boom is the non-profit, cultural<br />version of the dot com boom. It brings together voluntary efforts of a<br />massive amount of individual people and is based on the ideology<br />of sharing instead of the ideology of owning.<br /><br />:—-<br /><br />PIXELACHE SUBTHEMES<br /><br />PixelACHE festival program will be based on a new structure this year. In<br />addition to the program which is based on the annual theme (Dot Org Boom),<br />we have decided to include some additional program categories. These<br />categories are:<br /><br />- Experimental sound &amp; interaction and electronics<br />- VJ culture<br />- Interactive and participatory cinema<br />- Grassroot networks and politics of media / technology<br /><br />The projects in these categories do not necessarily have to be related to<br />the Dot Org Boom theme - we are interested in all kinds of innovative and<br />experimental projects. In the same way as before, we also take into<br />consideration project concepts which are still in the early planning stage.<br /><br />:—-<br /><br />PIXELACHE WORKSHOPS<br /><br />PixelACHE festival will feature several workshops organized together with<br />both local and international collaborators. Currently confirmed workshops<br />are the particle/wave hybrid radio workshop, PixelACHE goes Television<br />workshop and VJ culture and audiovisual performance tools workshop.<br /><br />particle/wave hybrid radio workshop explores the interface between the<br />creative traditions of terrestial radio broadcasting and emerging practices<br />of internet radiomaking. particle/wave rethinks community radio practices<br />through distributed and participatory networks of sonic exchange, open<br />content models and new radiomaking tools. It examines the dual nature of<br />radio as wave/packet, network/sound, transmission/reception. particle/wave<br />is coordinated by Sophea Lerner and organised in collaboration with Sibelius<br />Academy, Centre for Music &amp; Technology.<br /><a rel="nofollow" href="http://aura.siba.fi/particlewave">http://aura.siba.fi/particlewave</a><br /><br />VJ culture and audiovisual storytelling workshop explores the connections<br />between VJ culture, filmmaking and theatre. The workshop tutors include<br />theatre directors, audiovisual designers and participants from the piksel04<br />event (www.piksel.no), an annual workshop which specializes in developing<br />open source audiovisual performance software. The workshop also connects to<br />the PixelACHE goes Television workshop.<br /><br />Pixelache goes Television workshop will search for new and fresh approaches<br />to an old medium. The local television channel called Dina in Arabia<br />district of Helsinki is open for projects to be broadcasted. The area of<br />Arabia is the Art and Design campus of Helsinki, consisting of four design<br />schools and a Jazz academy. Most of the residents of the area are closely<br />connected to art, design and entertainment industries. The projects for Dina<br />channel during Pixelache 2005 are expected to push the boundaries of<br />traditional television. The workshop will be hosted by Teijo Pellinen,<br />lecturer of interactive television production at University of Art and<br />Design Helsinki.<br /><br />:—-<br /><br />PIXELACHE ARTIST RESIDENCY<br /><br />PixelACHE Helsinki also features a two-month long artist residency in<br />collaboration with NIFCA, Nordic Institute for Contemporary Art. Artists can<br />apply for the residency with the PixelACHE 2005 project submission form.<br /><br />:—-<br /><br />CONTACT INFORMATION<br /><br />More information about PixelACHE 2005 and previous<br />PixelACHE editions available at www.pixelache.ac<br /><br />Address:<br />Pikseli&#xC4;HKY // PixelACHE festival<br />Laivurinrinne 1<br />00120 Helsinki<br />Finland<br /><br />e-mail: contact at pixelache.ac<br />tel +358-9-622 79 667 - fax +358-9-622 79 669<br /><br />:—-<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />2.<br /><br />Date: 10.15.04<br />From: Nita Sturiale &lt;nsturiale@massart.edu&gt;<br />Subject: Faculty Search - CONTEMPORARY MEDIA ARTIST<br /><br />CONTEMPORARY MEDIA ARTIST<br />Massachusetts College of Art<br /><br />Established in 1873, Massachusetts College of Art (MassArt) was the first<br />and remains the only freestanding public college of art and design in the<br />US. The college is nationally known for offering broad access to a quality<br />professional arts education, accompanied by a strong general education in<br />the liberal arts. A major cultural force in Boston, MassArt offers public<br />programs of innovative exhibitions, lectures and events.<br /><br />The Studio For Interrelated Media (SIM) program within the Media and<br />Performing Arts Department is seeking a highly motivated Contemporary Media<br />Artist for a full-time, tenure track position beginning Fall, 2005. SIM is a<br />multimedia program with a strong emphasis on critique and conceptual<br />foundations. The SIM curriculum is built upon a Major Studio class<br />comprising weekly student-run presentations and productions where students<br />select, schedule and technically support their colleagues' presentations; as<br />well as idea-centered art-making; team teaching; and individualized<br />advising. Students work in all media, with a concentration on<br />interdisciplinary practice and innovative technologies. Please visit<br /><a rel="nofollow" href="http://sim.massart.edu">http://sim.massart.edu</a> for more information.<br /><br />Applicants should possess appropriate experience and commitment to teaching<br />and advising a diverse student body, a strong portfolio, and<br />multi-disciplinary knowledge (including some combination of the following -<br />interactive media, video, sound, live performance, installation). Experience<br />with web-based applications and/or computer programming a plus. Applicants<br />should have a demonstrated vision for 21st century Art-making. Experience<br />with team teaching is essential. Position includes administrative and<br />departmental responsibilities. MFA or equivalent degree is required.<br /><br />Review of applications will begin December 1, 2004. Position open until<br />filled. Send letter, CV, and statement of teaching philosophy to:<br /><br />SIM Search Committee<br />Human Resources <br />Massachusetts College of Art<br />621 Huntington Ave.<br />Boston MA 02115<br /><br />or<br /><br />jobs@massart.edu <br /><br />DO NOT SEND PORTFOLIO MATERIALS OR RECOMMENDATIONS<br />UNLESS REQUESTED BY THE SEARCH COMMITTEE.<br /><br />The Massachusetts College of Art is an equal opportunity/affirmative action<br />employer. Members of underrepresented groups and those committed to working<br />in a diverse cultural environment are encouraged to apply.<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />Rhizome is now offering organizational subscriptions, memberships<br />purchased at the institutional level. These subscriptions allow<br />participants of an institution to access Rhizome's services without<br />having to purchase individual memberships. (Rhizome is also offering<br />subsidized memberships to qualifying institutions in poor or excluded<br />communities.) Please visit <a rel="nofollow" href="http://rhizome.org/info/org.php">http://rhizome.org/info/org.php</a> for more<br />information or contact Rachel Greene at Rachel@Rhizome.org.<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />3.<br /><br />Date: 10.18.04<br />From: Kevin McGarry &lt;Kevin@rhizome.org&gt;<br />Subject: Johns Hopkins New Media Center Video Opening<br />Begin forwarded message:<br /><br />&gt; From: Joan Freedman &lt;freedman@jhu.edu&gt;<br />&gt; Date: October 17, 2004 9:45:14 AM EDT<br />&gt; To: freedman@jhu.edu<br />&gt; Subject: Johns Hopkins New Media Center Video Opening<br />&gt;<br />&gt; Please post or forward to appropriate lists/professional organizations.<br />&gt;<br />&gt; The Johns Hopkins University (Baltimore Maryland) Digital Media Center<br />&gt; (DMC) seeks a Digital Video/Multimedia Artist.&#xA0; Please view the<br />&gt; official job description for job number 17899 and apply online at<br />&gt; <a rel="nofollow" href="https://hrnt.jhu.edu/jhujobs">https://hrnt.jhu.edu/jhujobs</a>.<br />&gt;<br />&gt; The DMC is a non-academic lab located on the Hopkins Homewood campus<br />&gt; in the Mattin Arts Center.&#xA0; In addition to supporting students in<br />&gt; their use of multimedia technology we develop extra-curricular<br />&gt; programs that provide opportunities to integrate art and science.&#xA0;<br />&gt; Please view our web site at <a rel="nofollow" href="http://digitalmedia.jhu.edu.&#xA0">http://digitalmedia.jhu.edu. </a>; This 28-hour<br />&gt; per week professional position has full benefits and the salary is<br />&gt; enough to cover basic expenses in Baltimore leaving the artist enough<br />&gt; free time and flexibility to pursue their own creative projects.&#xA0;<br />&gt; Baltimore has a growing contemporary arts community<br />&gt; <a rel="nofollow" href="http://www.bop.org/">http://www.bop.org/</a>.<br />&gt;<br />&gt; General Job Description:<br />&gt; Set-up and maintenance of digital video equipment, instruct students<br />&gt; in the use of digital video and multimedia hardware and software,<br />&gt; conduct non-credit workshops and organize special projects and events.<br />&gt; This 28-hour per week position (with full benefits) requires some<br />&gt; evening and weekend hours.<br />&gt;<br />&gt; Qualifications:<br />&gt; Related college courses and 4-5 years experience (Bachelor's or<br />&gt; Master's with emphasis in multimedia preferred and may be substituted<br />&gt; for some experience); proven work experience and excellent knowledge<br />&gt; of digital video hardware and software, cameras, lighting,<br />&gt; audio-recording, script writing, project management and planning,<br />&gt; video editing and output such as printing, CD, DVD, and streamed<br />&gt; media. Familiarity with animation, 3-D modeling and graphic design<br />&gt; software such as Flash, After Effects, InDesign, Quark, 3-D Studio,<br />&gt; Maya.&#xA0; Troubleshooting and system-level knowledge of both Macs and PCs<br />&gt; a must.&#xA0; Need to be able to learn new information quickly; possess<br />&gt; strong written and verbal communication skills with the ability to<br />&gt; work with artists' technicians and to assist students in the creation<br />&gt; of inter-disciplinary multi-media works or art. This position requires<br />&gt; some evening and weekend hours and must be available for &quot;on-call&quot;<br />&gt; duties for lab monitors.&#xA0; The successful candidate will be outgoing,<br />&gt; comfortable speaking in public, and able to promote the Digital Media<br />&gt; Center and our programs.<br />&gt;<br />&gt; If you are interested in this position please apply online at<br />&gt; <a rel="nofollow" href="https://hrnt.jhu.edu/jhujobs">https://hrnt.jhu.edu/jhujobs</a>.<br />&gt; – <br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />4.<br /><br />Date: 10.20.04<br />From: Kevin McGarry &lt;Kevin@rhizome.org&gt;<br />Subject: Job – creative capital TECHNICAL SERVICES MANAGER nyc<br /><br />CREATIVE CAPITAL FOUNDATION<br />TECHNICAL SERVICES MANAGER<br />JOB DESCRIPTION: Reports to the Communications Director. Works with staff<br />and technical consultants to oversee the administration, maintenance, and<br />improvement of our technological services both in-office and online. This<br />includes management of web services for three websites: Creative Capital,<br />The Multi-Arts Production Fund, and The Professional Development Program;<br />and facilitating the use of communications software by employees. The person<br />in this position must be motivated by a fast paced environment, be capable<br />of creative problem solving, and balancing different tasks under a series of<br />deadlines.<br />Creative Capital Foundation acts as a catalyst for the development of<br />adventurous and imaginative ideas by supporting artists in the performing<br />and visual arts, film and video, and in emerging fields. The organization is<br />committed to working in partnership with the artists whom it funds,<br />providing advisory services and professional development assistance along<br />with multi-faceted financial aid and promotional support throughout the life<br />of each Creative Capital project.<br /><br /> <br />Responsibilities: <br /><br />&#xB7; Acts as primary technical contact with the web server hosts<br />(Rackspace and Eurekanet;) and with allied companies which contribute<br />services to the web site;<br /><br />&#xB7; organizes site structure to reflect the needs of Creative Capital<br />applicants, grantees, and staff, and works with staff to improve online<br />services;<br /><br />&#xB7; posts new material on the websites including grantee and staff events<br />and updates. (Creative Capital&#xB9;s websites are integrated with a MySQL<br />database which is maintained by a Creative Capital consultant);<br /><br />&#xB7; convert media for use on the website (images, streaming video and<br />audio)<br /><br />&#xB7; processes the maintenance/updating/accessing of the grantee info<br />solicitation form;<br /><br />&#xB7; creates web version of application forms in conjunction with database<br />for the different phases of the grant application process;<br /><br />&#xB7; works with Creative Capital's MySQL consultant to ensure that any<br />technical issues or problems with the live application are addressed<br />quickly.<br /><br />&#xB7; establishes and maintains email accounts hosted on<br />creative-capital.org and mapfund.org. (troubleshooting problems with email<br />and DSL line);<br /><br />&#xB7; performs diagnostics and upgrade of office computers, software &amp;<br />network;<br /><br />&#xB7; performs general troubleshooting of website, hardware, and software<br />problems when they occur;<br /><br />&#xB7; helps maintain computer data back-up systems;<br /><br />&#xB7; keeps abreast of organizational needs &amp; use technology to improve<br />Creative Capital's efficiency;<br /><br />&#xB7; counsels Creative Capital staff on implementation of new software and<br />assesses potential of technology to improve their programs and to extend<br />Creative Capital's impact;<br /><br />&#xB7; works with staff to determine grantees' needs in order to improve<br />access to their work and heighten awareness of their projects;<br /><br />&#xB7; works on special projects as needed.<br /><br />Requirements: <br /><br />&#xB7; A Bachelor&#xB9;s Degree (or equivalent experience);<br /><br />&#xB7; a demonstrated commitment to the arts;<br /><br />&#xB7; minimum of two years&#xB9; experience working with current technology and<br />software, including: Microsoft Office X, Filemaker Pro, Macromedia<br />Dreamweaver, Flash 5, Adobe Illustrator, Adobe Photoshop, Mac OS X,<br />Retrospect Backup, and Discreet Cleaner. Fluent in HTML, prepares graphics,<br />and writes some text;<br /><br />&#xB7; strong problem solving skills and an appreciation for detail;<br /><br />&#xB7; capable of multi-tasking;<br /><br />Terms: This is a temporary, part-time position; 15 to 18 hours per week<br />starting at the mid $20&#xB9;s per hour, from January 1, 2005, through December<br />31, 2005.<br /><br />To apply: Send Resume and cover letter to: TECHNICAL SERVICES MANAGER<br />Position, 65 Bleecker Street, 7th Floor, New York, New York, 10012 (No phone<br />calls please)<br /><br /> <br />DEADLINE for resumes: October 29, 2004<br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br />For $65 annually, Rhizome members can put their sites on a Linux<br />server, with a whopping 350MB disk storage space, 1GB data transfer per<br />month, catch-all email forwarding, daily web traffic stats, 1 FTP<br />account, and the capability to host your own domain name (or use<br /><a rel="nofollow" href="http://rhizome.net/your_account_name">http://rhizome.net/your_account_name</a>). Details at:<br /><a rel="nofollow" href="http://rhizome.org/services/1.php">http://rhizome.org/services/1.php</a><br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />5.<br /><br />Date: 10.21.04<br />From: Rachel Greene &lt;rachel@rhizome.org&gt;<br />Subject: Fwd: SLAB job advert please circulate…<br />Begin forwarded message:<br /><br />From: Beryl Graham &lt;beryl.graham@sunderland.ac.uk&gt;<br />Date: October 21, 2004 7:23:25 AM EDT<br />To: Beryl Graham &lt;beryl.graham@sunderland.ac.uk&gt;<br />Subject: SLAB job advert please circulate…<br /> <br />Please find below some details of a new job at Sunderland (NB: this is not a<br />job with CRUMB, but we do have connections with this project, and our<br />offices are just upstairs).<br />————— <br /><br />School of Arts, Design, Media &amp; Culture<br /><br />Research Fellow in Fine Art (Digital Media Art)<br />Fixed Term to 31st December 2007<br />&#xA3;21,640 per annum <br /><br />You will establish, develop and run a research unit for digital<br />media art housed within the area of Fine Art. It is expected that<br />this will involve a programme of research/professional practice<br />activity with researchers/artists of national and international<br />standing. <br /><br />The research unit will have a focus on co-operative opportunities<br />from within Art and Design and will also seek to work<br />collaboratively with other institutions and artists in the UK and<br />abroad. <br /><br />You will also be expected to carry out personal research within<br />the context of the unit and to contribute to the teaching of Fine Art<br />(2 days per week at undergraduate and/or postgraduate levels).<br /><br />For enquiries please contact Eric Bainbridge, tel: (0191) 515 3772<br />or email eric.bainbridge@sunderland.ac.uk<br /><br />Ref No: ADR001/01 <br /><br />The University of Sunderland application form and Role Profile for<br />these posts can be obtained by contacting the Human Resources<br />Department on 0191 515 2057 or <a rel="nofollow" href="http://mysunderland.ac.uk/web/">http://mysunderland.ac.uk/web/</a><br />services/hr/recruitment<br /><br />Closing Date: 12th November 2004<br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />Rhizome is now offering organizational subscriptions, memberships<br />purchased at the institutional level. These subscriptions allow<br />participants of an institution to access Rhizome's services without<br />having to purchase individual memberships. (Rhizome is also offering<br />subsidized memberships to qualifying institutions in poor or excluded<br />communities.) Please visit <a rel="nofollow" href="http://rhizome.org/info/org.php">http://rhizome.org/info/org.php</a> for more<br />information or contact Rachel Greene at Rachel@Rhizome.org.<br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br />6.<br /><br />Date: 10.18.04<br />From: &quot;Rhizome.org&quot; &lt;artbase@rhizome.org&gt;<br />Subject: Just added to the Rhizome ArtBase: EMS (Edition Message Samplers)<br />by Jacob Masters<br /><br />Just added to the Rhizome ArtBase …<br /><a rel="nofollow" href="http://rhizome.org/object.rhiz?28490">http://rhizome.org/object.rhiz?28490</a><br />+ EMS (Edition Message Samplers) +<br />+ Jacob Masters +<br /><br />EMS (Edition Message Samplers)<br />EMS is a mobile phone craft project created for the New Forms Festival 2004<br />by Kate Pemberton. Designs have been created that can be accessed using your<br />mobile phone, and as patterns to cross stitch.<br /><br />+ + +<br /><br />Biography<br /><br />Artists Bio available @ <a rel="nofollow" href="http://endfile.com">http://endfile.com</a><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br />7.<br /><br />Date: 10.21.04<br />From: ryan griffis &lt;grifray@yahoo.com&gt;<br />Subject: Fwd: For Immediate Release: The Bush Poll<br /><br />&gt; From: Bush Poll &lt;bushpoll@bushpoll.com&gt;<br />&gt; Date: October 18, 2004 9:54:52 PM PDT<br />&gt; To: bushpoll@bushpoll.com<br />&gt; Subject: For Immediate Release: The Bush Poll<br />&gt;<br />&gt; October 18, 2004<br />&gt; FOR IMMEDIATE RELEASE<br />&gt;<br />&gt; The Bush Poll<br />&gt; Speaking to the George Bushes of the United States<br />&gt; <a rel="nofollow" href="http://Bushpoll.com">http://Bushpoll.com</a><br />&gt;<br />&gt; There are 153 persons named George Bush in the United States phone<br />&gt; directory. 2 persons named George Bush are current and former<br />&gt; presidents of the United States. The Bush Poll surveyed them in order<br />&gt; to determine their political cohesiveness, their polarization over<br />&gt; political issues, and their potential reflection of an American people<br />&gt; divided over their Presidential representation.<br />&gt;<br />&gt; Are the George Bushes Dying?<br />&gt;<br />&gt; One of the interesting results of the poll was the findings about the<br />&gt; age of the George Bushes of the United States. Of the 47 George Bushes<br />&gt; we spoke to, 12, or 26% were too ill to speak, bedridden, or deceased.<br />&gt; This trend is mirrored in the age statistics of the healthy George<br />&gt; Bush population, where 83% of all George Bushes are over the age of<br />&gt; 55. Reflecting their age demographics, the George Bushes have an<br />&gt; extremely high turnout ratio, with nearly 90% having voted in 2000,<br />&gt; and the same number planning on voting in 2004.<br />&gt;<br />&gt; &quot;My ethnicity is I am a Christian,&quot; George L. Bush, Lexington, KY<br />&gt;<br />&gt; Equally interesting is the uniformity of ethnicity, with 89% of all<br />&gt; George Bushes identifying as White. The remaining 11% either<br />&gt; identified as &quot;American&quot; or &quot;Christian.&quot; There were no George Bushes<br />&gt; who identified as Black or African American, Latino, Asian, American<br />&gt; Indian, Pacific Islander.<br />&gt;<br />&gt; Low Approval, but High Support<br />&gt;<br />&gt; The George Bushes generally reflect the greater population in their<br />&gt; political party, approval of the President's job performance (55%),<br />&gt; the war in Iraq (50%), and his ability to relate to the average<br />&gt; American (38%). Yet they support him in much higher numbers at the<br />&gt; poll: 69% of the George Bushes of the United States voted for George<br />&gt; W. Bush in 2000, and 66% are projected to vote for him in 2004. So<br />&gt; why would this group break their party affiliations, and break with<br />&gt; their own views, to vote for George W. Bush? Do they identify with<br />&gt; him? Do they admire him? Does it make them happier to see a man with<br />&gt; their name on the TV daily?<br />&gt;<br />&gt; &quot;No, he's not like me,&quot; George W. Bush, Jasper, TX<br />&gt;<br />&gt; Despite this apparent identification of the George Bushes of the<br />&gt; United States with the President, they are polarized over the idea<br />&gt; that they are similar. When asked if they hold George W. Bush's<br />&gt; values, 67% Agree, 0% are neutral, and 33% disagree. Yet when asked<br />&gt; if they are like George W. Bush, the George Bushes of the United<br />&gt; States flip the other direction: only 22% agree, 17% are neutral, and<br />&gt; 61% disagree. They identify with his values, but if they identify<br />&gt; with him, they might loose their individuality.<br />&gt;<br />&gt; &quot;I've been picked on about it, but not judged. It is fun being George<br />&gt; Bush.&quot;<br />&gt; George D. Bush, Bonham TX<br />&gt;<br />&gt; Nearly half of all of the George Bushes of the United States said they<br />&gt; were pre-judged by others because of their name. Two out of three<br />&gt; said that the other person had viewed them negatively. Despite this<br />&gt; apparent loss of control over their own representation, 83% said that<br />&gt; this did not undermine their sense of individuality. It is as if they<br />&gt; are saying that to be one of the George Bushes of the United States<br />&gt; you have to be resolute, ignore what others say, and be prepared to<br />&gt; protect and defend your identity as your own, regardless of namesake.<br />&gt;<br />&gt; SEE THE FULL RESULTS: <a rel="nofollow" href="http://bushpoll.com">http://bushpoll.com</a><br />&gt;<br />&gt; FOR FURTHER INQUIRIES: <a rel="nofollow" href="mailto:bushpoll@bushpoll.com">mailto:bushpoll@bushpoll.com</a><br />&gt;<br />&gt;<br />&gt; ***<br />&gt;<br />&gt;<br />&gt; &quot;My name's George Bush, of course I voted for him!&quot;<br />&gt; George T. Bush, Cape Coral FL<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />8.<br /><br />Date: 10.21.04<br />From: &quot;Rhizome.org&quot; &lt;artbase@rhizome.org&gt;<br />Subject: Just added to the Rhizome ArtBase: the.year.dot by Keith Whittle<br /><br />Just added to the Rhizome ArtBase …<br /><a rel="nofollow" href="http://rhizome.org/object.rhiz?28533">http://rhizome.org/object.rhiz?28533</a><br />+ the.year.dot +<br />+ Keith Whittle +<br /><br />the.year.dot features six specially-commissioned artists' works inspired by<br />a set of random search results culled from the world wide web and based on<br />words in the Book of Revelations.<br /><br />+ + +<br /><br />Biography<br /><br />Film and Video Umbrella is one of Britain's leading agencies for the<br />commissioning and production of artists' film, video and new media work.<br /><br />The organisation has commissioned and curated numerous artists' projects<br />including new works by well-known British and international artists' such<br />as Isaac Julian, Jane and Loiuse Wilson and Dryden Goodwin.<br /><br />Film and Video Umbrella's curatorial activities also extend to the<br />production and promotion of artists' works for the Internet, CD Rom and DVD.<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />Rhizome.org is a 501©(3) nonprofit organization and an affiliate of<br />the New Museum of Contemporary Art.<br /><br />Rhizome Digest is supported by grants from The Charles Engelhard<br />Foundation, The Rockefeller Foundation, The Andy Warhol Foundation for<br />the Visual Arts, and with public funds from the New York State Council<br />on the Arts, a state agency.<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />Rhizome Digest is filtered by Kevin McGarry (kevin@rhizome.org). ISSN:<br />1525-9110. Volume 9, number 42. Article submissions to list@rhizome.org<br />are encouraged. Submissions should relate to the theme of new media art<br />and be less than 1500 words. For information on advertising in Rhizome<br />Digest, please contact info@rhizome.org.<br /><br />To unsubscribe from this list, visit <a rel="nofollow" href="http://rhizome.org/subscribe">http://rhizome.org/subscribe</a>.<br />Subscribers to Rhizome Digest are subject to the terms set out in the<br />Member Agreement available online at <a rel="nofollow" href="http://rhizome.org/info/29.php">http://rhizome.org/info/29.php</a>.<br /><br />Please invite your friends to visit Rhizome.org on Fridays, when the<br />site is open to members and non-members alike.<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />