RHIZOME DIGEST: 6.7.02

discussion

Posted June 6 2002 20:00

RHIZOME DIGEST: 6.7.02

RHIZOME DIGEST: June 7, 2002 Content: +announcement+ 1. Wolfgang Staehle: Auction for the Thing 2. Beverly Tang: LA Siggraph + Rhizome.LA Party [6/14] 3. Pierre Robert: | a r c h é e | 05_2002 | sommaire +opportunity+ 4. Joan Freedman: Position at Hopkins Digital Media Center +work+ 5. Barbara Lattanzi: HF Critical Mass software 6. Eryk Salvaggio: Net.Art Portrait of Edie Sedgwick + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 1. Date: 6.6.02 From: Wolfgang Staehle (wolfgangsta@thing.net) Subject: AUCTION FOR THE THING AUCTION FOR THE THING Online art auction at <a rel="nofollow" href="http://auction.thing.net">http://auction.thing.net</a> JUNE 6 - JUNE 16, 2002 Participating artists as of June 5, 2002: 0100101110101101.org, Cory Arcangel, Peter Coffin, Vuk Cosic, Christoph Draeger, Ken Feingold, Peter Fend, Rainer Ganahl, Janine Gordon, Johan Grimonprez, Noritoshi Hirakawa, Heidrun Holzfeind, Simone Huelser, Serge Kliaving, Richard Kongrosian, Joseph Kosuth, Philipp Lachenmann, Joerg Lohse, Miltos Manetas, Paul Myoda, Stephan Pascher, Gabriele Picco, Cesare Pietroiusti, Walid Raad, Erwin Redl, Karin Sander, Max Schumann, Frank Schroder, John Simon, Beat Streuli, Gwenn Thomas, Oliver Wasow, Lawrence Weiner, David West, Hartmut Wilkening and Carlo Zanni. Since 1991 THE THING has provided an ongoing venue for developing, supporting, and presenting innovative media art and criticism. >From sponsoring a prescient electronic edition by the noted artist Peter Halley in 1993, the ranks of artists who were among the earliest to explore the possibilities of electronic networks through THE THING include Beat Streuli, Mariko Mori, Rainer Ganahl, Craig Kalpakjian and Daniel Pflumm. Similarly, notable curators such as Benjamin Weil and Jordan Crandall undertook many of their foundational projects in conjunction with THE THING. THE THING has served as a workplace with access to production and network facilities for visiting artists, cultural workers, and technicians; as a space for ad hoc gatherings, events, and exhibitions; and as the publisher and maintainer of a series of arts-oriented newsletters and publicly accessible websites, most notably the THE THING BBS at <a rel="nofollow" href="http://bbs.thing.net">http://bbs.thing.net</a>. Please contribute to this ongoing, innovative cultural project. <a rel="nofollow" href="http://auction.thing.net">http://auction.thing.net</a> + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 2. Date: 6.3.2002 From: Beverly Tang (b@sublimina.com) Subject: LA Siggraph + Rhizome.LA Party [6/14] Friday, june 14th, 2002 Giddy Up & Code L.A. Siggraph and Rhizome.la present Giddy Up & Code a networking extravaganza hosted by Discreet featuring DJ Wolfie, DJ Jason Seville, & DJ Reverend Dan sound artists: Inerex, F100, j.frede, Marleah Tobin, Josh Russell, and DJ Zhao and more performers plus our 2nd annual BYOV (Bring Your Own Video) screening of original digital animation shorts by local artists the program: No Host Bar! 7pm-8pm social hour with Chipotle's Guacamole Bar 8pm-8:30pm the 2nd Annual BYOV showcase 8:30pm-2am DJ's, sound artists and performers throughout the night location: The Pool Room at the Hollywood Athletic Club (enter thru gated patio on Sunset Blvd.) 6525 W. Sunset Blvd. (between Highland Ave. and Vine St.) the parking: (parking fee from $7-$10) two parking lots are on Schrader Blvd. (side street just west of the club) - one lot is the club's parking lot - the other is across the street from club's parking lot admission: free to L.A. ACM SIGGRAPH members members get priority entry at 7pm $10 for non-members dressed in southwestern attire $15 for non-members if not dressed in southwestern attire doors open for non-members at 7:30pm early entry is one of the benefits of membership visit our website for more information: www.la.siggraph.org <a rel="nofollow" href="http://www.la.siggraph.org">http://www.la.siggraph.org</a> + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 3. Date: 6.4.2002 From: Pierre Robert (pierre.robert@archee.qc.ca) Subject: | a r c h é e | 05_2002 | sommaire Actualisez la page d'accueil !!! <a rel="nofollow" href="http://archee.qc.ca/">http://archee.qc.ca/</a> ——- Bienvenue aux nouveaux abonnés! Merci aux fidèles amis-es d'a r c h é e! ———————— Internet au service d'une nouvelle triangulation dynamique «artiste-oeuvre-spectateur »: Nouvelles médiations et nouveaux critères de légitimation « Âge, clivages sexuels, origine. nombreux sont les "caractères secondaires" des auteurs qui oblitèrent encore souvent la reconnaissance d'une oeuvre en agissant comme critères de validation ou d'invalidation du travail artistique. Internet semble aujourd'hui pouvoir pallier ces discriminations, notamment par la réorganisation des conditions de visibilité et de légitimation du travail des artistes. » Un texte d'Elsa Olu | <a rel="nofollow" href="http://archee.qc.ca/ar.php4?btn=texte&no=185&note=ok">http://archee.qc.ca/ar.php4?btn=texte&no=185&note=ok</a> +———————————————————–+ - > « Science Fair : Feminist Configurations in Cyberspace » Un compte rendu de Caroline Loncol Daigneault mettant en relief les travaux de huit artistes dans le cadre d'un projet thématique « art, science et femmes » produit par le Studio XX de Montréal, un organisme dédié aux femmes et aux nouvelles technologies. Un texte de Caroline Loncol Daigneault | <a rel="nofollow" href="http://archee.qc.ca/ar.php4?btn=texte&no=186&note=ok">http://archee.qc.ca/ar.php4?btn=texte&no=186&note=ok</a> +———————————————————–+ +-+ | |— > Statut documentaire et médiologie du spectacle vivant sur Internet Un développement théorique inédit portant,entre autres, sur la mutation cinématographique du théâtre sur le Web. Un texte de Jean-Claude Chirollet | <a rel="nofollow" href="http://archee.qc.ca/ar.php4?btn=texte&no=187&note=ok">http://archee.qc.ca/ar.php4?btn=texte&no=187&note=ok</a> +———————————————————–+ +-+ | |— > Cybercosme 5_2 Regard de Xavier Cahen 010101 : Art in Technological Times - SFMoMa Forty Flowers par Katinka Matson Edge Matière + Mémoire Le projet ADaM World-Information.org Arts Catalyst Par Pierre Robert | <a rel="nofollow" href="http://archee.qc.ca/ar.php4?btn=texte&no=188&note=ok">http://archee.qc.ca/ar.php4?btn=texte&no=188&note=ok</a> +———————————————————–+ ***** COLLABORATION ***** a r c h é e est toujours à l'affût de nouveaux collaborateurs. Où que vous soyez dans le cyberespace, nous accueillons vos propositions avec intérêt. Pour des informations supplémentaires consultez la page COLLABORATION : <a rel="nofollow" href="http://archee.qc.ca/collaboration.htm">http://archee.qc.ca/collaboration.htm</a> ou écrivez à la rédaction : <a rel="nofollow" href="mailto:redaction@archee.qc.ca">mailto:redaction@archee.qc.ca</a> Au plaisir de vous lire et de vous publier. >> p.s. Archée offre un cachet pour les articles inédits. Pierre Robert Directeur et rédacteur en chef <a rel="nofollow" href="http://archee.qc.ca/">http://archee.qc.ca/</a> <a rel="nofollow" href="http://archee.qc.ca/liste_envoi/inscription.htm">http://archee.qc.ca/liste_envoi/inscription.htm</a> + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 4. Date: 5.31.2002 From: Joan Freedman (freedman@jhu.edu) Subject: Digital Audio Specialist position at Hopkins Digital Media Center The Johns Hopkins University Digital Media Center is looking for a Digital Audio/Music Artist who is interested in assisting students with audio projects and teaching workshops. Please pass this job announcement on to anyone who may be qualified for this position. JOB TITLE: Digital Media Specialist (Audio) GRADE: 90 REQUISITION #: L02-7358 SALARY: Competitive HOURS: 28 hours per week including some evenings and weekends LOCATION: Mattin Center DEPARTMENT: Digital Media Center General Description: The Digital Media Specialist (Audio) will be responsible for the maintenance of digital audio studio and instruct students in the use of digital audio hardware and software. This position requires the incumbent to be able to work independently with little supervision; design and conduct workshops and tutorials; inspire and model creative use of technology in the creation of art; keep up with new technologies; be available for on-call back-up for lab monitors; assist with other duties as assigned. Qualifications: MS, MA, or MFA with emphasis in music or recording engineering. Incumbent must have superior people skills; ability to exercise good judgment; take initiative and handle multiple tasks; be able to learn new information quickly; have strong written and verbal communication skills; be organized, have superior knowledge of digital music hardware such as Kurzweil Synthesizer, Yamaha 12-channel mixer, Tascam DAT and CD recorder, MIDI Time AV; have superior knowledge of digital music software such as Digital Performer (with Librarian), Digidesign Pro Tools, Sound Designer II, Finale, MSP MAX. Incumbent must have the ability to work with guest artists and technicians and to assist students in the creation of inter-disciplinary, multi-media works of digital art. Preferred Qualifications: Experience with multimedia, web authoring (database/cold fusion), Photoshop; extensive system-level knowledge of both Macs and PCs; ability to read and write music. Please apply online at <a rel="nofollow" href="http://jobs.jhu.edu/">http://jobs.jhu.edu/</a> and send a resume to digitalmedia@jhu.edu – <a rel="nofollow" href="http://digitalmedia.jhu.edu">http://digitalmedia.jhu.edu</a> <a rel="nofollow" href="http://jobs.jhu.edu/">http://jobs.jhu.edu/</a> + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +ad+ **MUTE MAGAZINE NEW ISSUE** Coco Fusco/Ricardo Dominguez on activism and art; JJ King on the US military's response to asymmetry and Gregor Claude on the digital commons. Matthew Hyland on David Blunkett, Flint Michigan and Brandon Labelle on musique concrete and 'Very Cyberfeminist International'. <a rel="nofollow" href="http://www.metamute.com/mutemagazine/issue23/index.htm">http://www.metamute.com/mutemagazine/issue23/index.htm</a> + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 5. Date: 6.3.2002 From: Barbara Lattanzi (threads@pce.net) Subject: HF Critical Mass software =_ =_ =_ =_ =_ =_ =_= _ _ _ _ _H_F _ _ _ _ _ _C_R_I_T_I_C_A_L_ _ _ _ M_A _S _S _ _ v1.0 SOFTWARE HF CRITICAL MASS is freely available software, which is based on a 1971 film by Hollis Frampton titled "Critical Mass". HF CRITICAL MASS adopts the structure of the earlier film as an interface for improvising playback of digital video (quicktime movies). Mac and Windows versions for download at: <a rel="nofollow" href="http://www.wildernesspuppets.net/hfcm/">http://www.wildernesspuppets.net/hfcm/</a> =_ =_ =_ =_ =_ =_ =_= The films of the late Hollis Frampton spanned the late 1960s through the early 1980s. His work, Critical Mass, is one of a series of films collectively titled "Hapax Legomena" that investigate "the specific conditions of cinematic representation and the limitations and paradoxes of visual description and narrative." (description by Steve Polta - San Francisco Cinemateque, 2002) =_ =_ =_ =_ =_ =_ =_= Barbara Lattanzi <a rel="nofollow" href="http://www.wildernesspuppets.net">http://www.wildernesspuppets.net</a> <a rel="nofollow" href="http://www.wildernesspuppets.net/hfcm/">http://www.wildernesspuppets.net/hfcm/</a> + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 6. Date: 6.5.2002 From: Eryk Salvaggio (eryk@maine.rr.com) Subject: Net.Art Portrait of Edie Sedgwick Net.Art Portrait of Edie Sedgwick A Single-Page, Six Rule Compliant Work of Net.Art by Eryk Salvaggio <a rel="nofollow" href="http://www.salsabomb.com/edie/edie.html">http://www.salsabomb.com/edie/edie.html</a> As a note, I'd like to say that this piece develops slowly, and does more than you might expect at first glance. I've grown very fond of it aesthetically but sat on it for a while because it seems derivitive- JODI's code, Warhol's Photo- but I've grown to like it more for that exact reason. I just think it's a remarkably pretty piece, once it really gets going. Feedback Appreciated. Cheers, -e. <a rel="nofollow" href="http://www.salsabomb.com/edie/edie.html">http://www.salsabomb.com/edie/edie.html</a> + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +ad+ The time has arrived to pick up the new Leonardo Music Journal, (LMJ),Volume 11, including a double CD titled "Not Necessarily 'English Music.'" The journal and CD feature pieces from pioneering U.K.composers and performers from the late 60s through the mid-70s. Visit the LMJ website at <a rel="nofollow" href="http://mitpress2.mit.edu/Leonardo/lmj/">http://mitpress2.mit.edu/Leonardo/lmj/</a> + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Rhizome.org is a 501©(3) nonprofit organization. If you value this free publication, please consider making a contribution within your means. We accept online credit card contributions at <a rel="nofollow" href="http://rhizome.org/support">http://rhizome.org/support</a>. Checks may be sent to Rhizome.org, 115 Mercer Street, New York, NY 10012. Or call us at +1.212.625.3191. Contributors are gratefully acknowledged on our web site at <a rel="nofollow" href="http://rhizome.org/info/10.php3">http://rhizome.org/info/10.php3</a>. Rhizome Digest is supported by grants from The Charles Engelhard Foundation, The Rockefeller Foundation, The Andy Warhol Foundation for the Visual Arts, and with public funds from the New York State Council on the Arts, a state agency. + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Rhizome Digest is filtered by Rachel Greene (rachel@rhizome.org). ISSN: 1525-9110. Volume 7, number 23. Article submissions to list@rhizome.org are encouraged. Submissions should relate to the theme of new media art and be less than 1500 words. For information on advertising in Rhizome Digest, please contact info@rhizome.org. 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