<br />RHIZOME DIGEST: May 8, 2005<br /><br />Content:<br /><br />+announcement+<br />1. Midori Yasuda: ITP, NYU end of the year events<br />2. Lauren Cornell: Ignivomous presents ART!@*<>WORK<br /><br />+opportunity+<br />3. Kevin McGarry: (call) Memefest-International festival of<br />radicalcommunication<br /><br />+work+<br />4. Amy Alexander: Introducing Scream: Software + Activities<br />5. Eduardo Navas: FW: Art-Domains: new Domains on ebay - NETART 6 hours<br />left<br />6. Pall Thayer: New work: Autodrawn<br /><br />+commentary+<br />7. ryan griffis: Art Critic Misses Big Picture<br /> <br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />Rhizome.org 2005 Net Art Commissions<br /><br />The Rhizome Commissioning Program makes financial support available to<br />artists for the creation of innovative new media art work via panel-awarded<br />commissions.<br /><br />For the 2005 Rhizome Commissions, seven artists were selected to create<br />artworks relating to the theme of Games:<br /><br /><a rel="nofollow" href="http://rhizome.org/commissions/2005.rhiz">http://rhizome.org/commissions/2005.rhiz</a><br /><br />The Rhizome Commissioning Program is made possible by generous support from<br />the Greenwall Foundation, the Jerome Foundation, the Andy Warhol Foundation<br />for the Visual Arts, and the National Endowment for the Arts.<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />Rhizome is now offering organizational subscriptions, memberships<br />purchased at the institutional level. These subscriptions allow<br />participants of an institution to access Rhizome's services without<br />having to purchase individual memberships. (Rhizome is also offering<br />subsidized memberships to qualifying institutions in poor or excluded<br />communities.) Please visit <a rel="nofollow" href="http://rhizome.org/info/org.php">http://rhizome.org/info/org.php</a> for more<br />information or contact Kevin McGarry at Kevin@Rhizome.org or Lauren Cornell<br />at LaurenCornell@Rhizome.org.<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />1.<br /><br />Date: 5.03.05<br />From: Midori Yasuda <midori.yasuda@nyu.edu><br />Subject: ITP, NYU end of the year events<br /><br />ITP announces it's end of the year events!<br /><br />ITP is pleased to announce our Spring '05 end of the year show – and<br />related presentations – please join us for any or all! Events run<br />from April 29 through May 14. All events are free and open to the<br />public unless otherwise noted.<br /><br />The ITP Spring Show 2005 is the interactive extravaganza that you<br />have come to expect from our students – 80+ fascinating projects<br />ranging from experiments in physical computing to 3D environments to<br />sonic designs to big games – May 10 & 11 from 5 to 9 pm. Save the<br />dates, and bring a friend!<br /><br />A full calendar of events here: <a rel="nofollow" href="http://itp.nyu.edu/show">http://itp.nyu.edu/show</a><br /><br />Read on for information about Thesis Week presentations (which will<br />also be streamed live on the web), talks, and performances from our<br />Live Image Processing, Future of the Infrastructure and New<br />Interfaces for Musical Expression classes.<br /><br />We look forward to seeing you!<br /><br />—<br /><br />ITP Thesis Week 2005<br />Tuesday, May 3 through Saturday, May 7<br /><br />See <a rel="nofollow" href="http://itp.nyu.edu/thesis">http://itp.nyu.edu/thesis</a> for the updated schedule and list of<br />presenters<br /><br />ITP's Thesis Week 2005 gives graduating students the chance to<br />present their final thesis work to the ITP community. Each student<br />will have 20 minutes to present their research and projects they have<br />developed. <br /><br />All presentations will be held at ITP. While the public is invited<br />to attend the presentations, space is limited. Please note that ITP<br />will provide a live video stream of every presentation on the thesis<br />website.<br /><br />—<br /><br />ITP Spring Show 2005<br />Tuesday, May 10 from 5 to 9pm<br />Wednesday, May 11 from 5 to 9pm<br /><br />A two-day explosion of interactive sight, sound and technology from<br />the student artists and innovators at ITP. <a rel="nofollow" href="http://itp.nyu.edu/show">http://itp.nyu.edu/show</a><br /><br />An oversized Greenwich Village loft houses the computer labs,<br />rotating exhibitions, and production workshops that are ITP – the<br />Interactive Telecommunications Program. Founded in 1979 as the first<br />graduate education program in alternative media, ITP has grown into a<br />living community of technologists, theorists, engineers, designers,<br />and artists uniquely dedicated to pushing the boundaries of<br />interactivity in the real and digital worlds. A hands-on approach to<br />experimentation, production and risk-taking make this hi-tech fun<br />house a creative home not only to its 230 students, but also to an<br />extended network of the technology industry's most daring and<br />prolific practitioners.<br />Interactive Telecommunications Program<br />Tisch School of the Arts<br />New York University<br />721 Broadway, 4th Floor South<br />New York NY 10003<br /><br />Take the left elevators to the 4th Floor<br />These events are free and open to the public<br />No need to RSVP<br /><br />For questions: 212-998-1880<br />email: itp.inquiries@nyu.edu<br /><a rel="nofollow" href="http://itp.nyu.edu/show">http://itp.nyu.edu/show</a><br />– <br />Midori L. Yasuda<br />Admissions, Special Events, Alumni Coordinator<br />Interactive Telecommunications Program<br />Tisch School of the Arts<br />New York University<br />721 Broadway, 4th Floor<br />New York, NY 10003<br />phone: 212/998-1882<br />fax: 212/998-1898<br /><a rel="nofollow" href="http://itp.nyu.edu">http://itp.nyu.edu</a><br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />Rhizome Member-curated Exhibits<br /><br /><a rel="nofollow" href="http://rhizome.org/art/member-curated/">http://rhizome.org/art/member-curated/</a><br /><br />View online exhibits Rhizome members have curated from works in the ArtBase,<br />or learn how to create your own exhibit.<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />2. <br /><br />Date: 5.08.05<br />From: Lauren Cornell <laurencornell@rhizome.org><br />Subject: Ignivomous presents ART!@*<>WORK<br /><br />————-<br />May 2005, New York City ?Ignivomous, a non-profit arts organization<br />dedicated to nurturing and developing new genres, art forms and mediums<br />presents ART!@*<>WORK an art exhibition exploring the tension between the<br />art of doing work and the work of doing art.<br /><br />This show will take place in the cubicles of a midtown Manhattan office<br />space. Fifteen artists will transform and exhibit projects inspired by the<br />act of doing work and the spaces created for working. Visitors will be<br />invited to explore and interact with the space during ?office hours.?<br /><br />ARTIST?S WORK INCLUDES:<br />* Cat Mazza (microRevolt) recreating corporate logos with knitting,<br />machines, and needlepoint.<br />* Sabrina Gschwandtner sewing thread and paper drawings on the machine<br />installed in her cubicle.<br />* LoVid and Douglas Repetto producing patchwork of videos generated by an<br />installation of work clothes and electronic office supplies.<br />* Evan Greenfield and Erika Somogyi creating a shrine to lost free time<br />out of Sculpy clay and wax.<br />* Tony Luib transforming his cubicle into an abstract environment using<br />office supplies.<br />* Michelle Rosenberg?s installation will create a space for daydreaming.<br />* Yoav Bergner replacing the office?s furniture with his own artisan and<br />conceptual furniture.<br />* Elana Langer installing an audio piece complied of field recordings<br />taken from local office spaces.<br />* The group N.I.N.E will launch a new addition to their urban exploration<br />game HERE, HERE@Work.<br />* Visitors will be invited to take part in the game throughout the show.<br />* Irene Moon presenting a 4? tall microscope as well as photographs and a<br />video animation from her MS thesis in entomology.<br />* Brian Alfred will show a collage entitles Cubicles with a replication of<br />all the tools used to make the work out of paper.<br />* Tom Moody installing an old computer and drawing during visiting hours<br />portraits using the outdated software MSPaintbrush.<br />* Bengala will include their personal experiences from their jobs in a<br />mixed media installation.<br /><br />ART!@*<>WORK is made possible through Artists Space Independent Project<br />Grant.<br /> <br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />3.<br /><br />Date: 5.04.05<br />From: Kevin McGarry <kevin@rhizome.org><br />Subject: (call) Memefest-International festival of radicalcommunication<br /><br /> —— Forwarded Message<br /> From: "Oliver Vodeb" <oliver@memefest.org><br /> Reply-To: oliver@memefest.org<br /> Date: Tue, 3 May 2005 20:21:17 +0200 (CEST)<br /> To: republicart-list@t0.or.at<br /> Subject: [rep_art] (call) Memefest-International festival of radical<br /> communication<br /><br />::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::<br />Memefest -International Festival of Radical Communication:<br />Call for participation!<br />www.memefest.org<br />::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::<br /><br />Dear Friends,<br />For those of you who may not know, Memefest is an annual festival of<br />radical communications that is now four years old. It was started because<br />we feel that positive ideas- memes- can and should spread just as easily<br />as negative and commercial ones. But this can?t happen out of nowhere;<br />and so, every year, we ask students, artists, graphic designers,<br />activists, and anyone with an interest in counter-culture to put their<br />talents to good use. They (this means you!) can choose to submit your<br />works to one of our four categories: communication studies, sociology,<br />visual arts (all open to undergraduate and graduate students of any<br />discipline), and Beyond?, open to students and non-students alike. The<br />first two require a written response to a critical and current text in<br />cultural studies; visual arts asks for static, moving or interactive<br />works in response to another (different, though equally relevant, piece),<br />while Beyond?requests a response whose form breaches mainstream academic<br />and art conventions- it can be anything, so long as its message is<br />positive- and infectious!<br /><br />Please consider this a personal invitation for each and every one of you<br />to take part in this year?s festival in some way. The text for the<br />communication and sociology category is an excerpt from Douglas Rushkoff?s<br />?Nowhere to Hide,? which deals with the subversive attempts of advertisers<br />to stay ?one step ahead? of even the most conscious (and cynical)<br />consumer. The text for visual arts and Beyond? is ?The People?s<br />Communication Charter,? an insistent proclamation for an utopian society<br />where all citizens have equal access to communication.<br /><br />The jury for all four categories continues to be comprised of<br />world-renowned scholars, artists, and devoted activists. Beside<br />traditional Jury members like art critic, activist and translator Brian<br />Holmes and Adbusters? producer and art director Paul Shoebridge, new<br />additions this year include Chris Habib, Sonic Youth?s photographer and<br />designer, who was instrumental in New York?s Liberty Street Protest, and<br />is the co-founder of Protest Records, Claire Pentecost, who runs the<br />Critical Art Ensemble Defense Fund and new media artist and multimedia<br />essayist Giselle Beiguelman.<br><br><br /><br />Check out our site, and see what we?re about. And, check out pieces and<br />writing from students of the last few years. Memefest 2004 received more<br />than 350 entries, from 36 Countries and this year we hope to top that;<br />but, we need your help!<br />The contest is run completely on-line and all the required texts and<br />registration can be found at: www.memefest.org<br /><br />Also drop us an e-mail if you?ve got some ideas, some questions, or would<br />like to collaborate on the project. <memefest@memefest.org><br /><b>Deadline for submissions is May 20th, 2005.<br />Subvert, Create, Enjoy!<br />The Creators of Memefest 2005<br />www.memefest.org/en<br />We, the organizers of Memefest 2005, ask you to forward this e-mail to as<br />many people as possible. The media usually make it difficult for us to<br />get publicity by censoring, or ignoring Memefest, so please help us as an<br />?alternative? disseminator.<br /><br />——<br />The republicart mailing list functions as an open forum to post<br />announcements and exchange information on projects, events, publications<br />etc. related to participatory, interventionist and activist practices in<br />public art. <br />to post a message mail to: republicart-list@t0.or.at<br />info/archive/subscribe/unsubscribe:<br /><a rel="nofollow" href="http://mailman.t0.or.at/wwsympa.fcgi/info/republicart-list">http://mailman.t0.or.at/wwsympa.fcgi/info/republicart-list</a><br /><br />—— End of Forwarded Message<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />4. <br /><br />Date: 5.03.05<br />From: Amy Alexander <plagiari@plagiarist.org><br />Subject: Introducing Scream: Software + Activities<br /><br />Introducing Scream<br /><a rel="nofollow" href="http://scream.deprogramming.us">http://scream.deprogramming.us</a><br /><br />Scream is a software application to facilitate screaming.<br /><br />Scream sits quietly in your computer's system tray and automatically<br />springs into action when it detects a scream.<br /><br />Scream disturbs your Windows interface. But it isn't aimed just at<br />computer frustrations. In a world where "anger" is paired with<br />"management," Scream encourages the return to prominence of the lost art<br />of screaming. As Howard Beale said in 1976, "I don't have to tell you<br />things are bad…. all I know is that first you've got to get mad."<br /><br />But whereas Howard advised his viewers to turn their television sets off<br />to get mad, Scream proposes that you leave your computer on.<br /><br />Scream can be used in private. Or public. It can be used at home, at work,<br />or on the street; at a Fluxus-style Scream-in; at the mall or at your<br />favorite cafe. When your throat gets tired, Scream can double as an<br />unusual music visualizer - or as a new approach to digital filmmaking. Use<br />Scream to start a meme. Or simply as a random act of deprogramming.<br /><br />Scream - The Screaming Enhancer.<br />(Also indicated for use with door slams, domestic disputes, and police<br />helicopters.)<br /><br />More info, demo movies, software download and more at:<br /><a rel="nofollow" href="http://scream.deprogramming.us">http://scream.deprogramming.us</a><br /><br />For more Deprogramming software, VJ/musical performances, and more(?) visit<br />the <br />deprogramming.us homepage at:<br /><a rel="nofollow" href="http://deprogramming.us">http://deprogramming.us</a><br /><br />– <br />Note - Mail sent to the email address in the header may or may not actually<br />reach me! A current, fully-functional address for me can always be found at<br />the <br />bottom of the <a rel="nofollow" href="http://plagiarist.org">http://plagiarist.org</a> home page. Danke, gracias and thanks!<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />5.<br /><br />Date: 5.07.05<br />From: Eduardo Navas <eduardo@navasse.net><br />Subject: FW: Art-Domains: new Domains on ebay - NETART 6 hours left<br /><br /> —— Forwarded Message<br /> From: Peter Luining <email@ctrlaltdel.org><br /> Organization: ctrlaltdel<br /> Date: Fri, 06 May 2005 13:58:55 +0200<br /> To: email@ctrlaltdel.org<br /> Subject: Art-Domains: new Domains on ebay - NETART 6 hours left<br /><br />NETART.US current bid on ebay $ 1.75<br /><a rel="nofollow" href="http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&category=3767&item=5771116235&">http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&category=3767&item=5771116235&;</a>;<br />rd=1&ssPageName=WDVW<br /><br />NETART.US auction ends<br />Ends May-06-05 10:25:53 (PDT) Los Angeles<br />Ends May-06-05 19:25:53 (CET) Amsterdam, Berlin, Paris<br />New Art-Domains on ebay<br /><br />FLASHART.US<br /><a rel="nofollow" href="http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&category=3767&item=5772721737&">http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&category=3767&item=5772721737&;</a>;<br />rd=1&ssPageName=WDVW<br />CINDYSHERMAN.INFO<br /><a rel="nofollow" href="http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&category=3767&item=5772722492&">http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&category=3767&item=5772722492&;</a>;<br />rd=1&ssPageName=WDVW<br />TIMEBASEDARTS.COM<br /><a rel="nofollow" href="http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&category=11153&item=5772722771">http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&category=11153&item=5772722771</a><br />&rd=1&ssPageName=WDVW<br />The above domainnames are auctioned by Art-Domains a project by Peter<br />Luining.<br />For more info about the project visit <a rel="nofollow" href="http://www.ctrlaltdel.org">http://www.ctrlaltdel.org</a><br />For more art related domain names visit <a rel="nofollow" href="http://www.art-domains.com">http://www.art-domains.com</a><br />—— End of Forwarded Message<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />Support Rhizome: buy a hosting plan from BroadSpire<br /><br /><a rel="nofollow" href="http://rhizome.org/hosting/">http://rhizome.org/hosting/</a><br /><br />Reliable, robust hosting plans from $65 per year.<br /><br />Purchasing hosting from BroadSpire contributes directly to Rhizome's fiscal<br />well-being, so think about about the new Bundle pack, or any other plan,<br />today!<br /><br />About Broadspire<br /><br />Broadspire is a mid-size commercial web hosting provider. After conducting a<br />thorough review of the web hosting industry, we selected Broadspire as our<br />partner because they offer the right combination of affordable plans (prices<br />start at $14.95 per month), dependable customer support, and a full range of<br />services. We have been working with Broadspire since June 2002, and have<br />been very impressed with the quality of their service.<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />6.<br /><br />Date: 5.07.05<br />From: Pall Thayer <palli@pallit.lhi.is><br />Subject: New work: Autodrawn<br /><br />Autodrawn: Sketching landscapes seen through my windows<br /><a rel="nofollow" href="http://pallit.lhi.is/autodrawn">http://pallit.lhi.is/autodrawn</a><br />– <br />_______________________________<br />Pall Thayer<br />artist/teacher<br /><a rel="nofollow" href="http://www.this.is/pallit">http://www.this.is/pallit</a><br /><a rel="nofollow" href="http://pallit.lhi.is/panse">http://pallit.lhi.is/panse</a><br /><br />Lorna<br /><a rel="nofollow" href="http://www.this.is/lorna">http://www.this.is/lorna</a><br />_______________________________<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />7.<br /><br />Date: 5.02.05<br />From: ryan griffis <grifray@yahoo.com><br />Subject: Art Critic Misses Big Picture<br /><br />Since others were discussing the NYT review of the cyberarts festival,<br />i thought i'd post Steve Dietz's response from his blog. he rightly<br />criticizes the author not for a lack of knowledge about interactive art<br />per se, but contemporary art in general.<br /><a rel="nofollow" href="http://www.yproductions.com/WebWalkAbout/archives/000701.html">http://www.yproductions.com/WebWalkAbout/archives/000701.html</a><br /><br />Art Critic Misses the Big Picture<br /> It's not that Sarah Boxer is clueless. I don't believe that someone<br />has to "get" interactive art to write about it. Maybe some of the<br />artwork she skewers in her April 26 New York Times review of the Boston<br />Cyberarts Festival, Art That Puts You in the Picture, Like It Or Not,<br />is as "irritating" as she claims it is. What should concern her<br />readers, and even more so her editors, is her apparent lack of<br />perspective about contemporary art. Let us count the ways.<br />Boxer: Problem No. 1: potty-mouthed machines. "PS," by Gretchen<br />Skogerson and Garth Zeglin at the Stata Center, is an oval mirror with<br />a sign that bids you "lean in close." You do. A voice says, "I like to<br />masturbate in public." Ack. Did anyone else hear that?<br />Can anyone say Seedbed?<br /><br /> For his notorious and influential performance at Sonabend Gallery in<br />1972, Vito Acconci lay beneath the floorboards of a constructed ramp<br />masturbating while his fantasies about the visitors above him were<br />broadcast over loudspeakers. Ack.<br />Boxer: Problem No. 2: too much ritual, too little time. "1-Bit Love,"<br />by Noah Vawter, is a musical altar, a totem covered in foil and exuding<br />a synthetic rhythm (a one-bit wave form). The pillar has red velvet<br />knobs. People are supposed to lay hands on it and turn the knobs to<br />modulate the sound. No one wants to be the first to paw the idol. And<br />once you do, it's not clear what effect you are having. [emphasis<br />added]<br /> Compare: Nam June Paik, Participation TV, 1963 - 1966<br />[Participation TV I] concerns a purely acoustic-oriented type of , with<br />an integrated microphone. The later version serves a television showing<br />in the middle of its screen a colored bundle of lines which explosively<br />spread out to form bizarre-looking line formations the moment someone<br />speaks into the microphone or produces any other type of sound.<br />Depending on the sound¹s inherent quality or volume, the signals are<br />intensified by a sound-frequency amplifier to produce an endless<br />variety of line formations which never seem to repeat themselves or be<br />in any way predictable. [emphasis added] (via Media Art Net)<br />Boxer: [P]roblem No. 3: ungraciousness. Machines make no bones about<br />their own flaws, but are unbending about yours.<br /> Let's just stick to photography (another machine art). Gary Winogrand.<br />Diane Arbus. Lee Friedlander. Tina Barney. Lisette Modell. Shelby Lee<br />Adams. Susan Meiselas (Carnival Strippers). Bill Owens. Walker Evans.<br />Bruce Gilden. Nan Goldin, Richard Avedon (The American West). Stop me,<br />please.<br />Boxer: [P]roblem No. 4: moral superiority. Consider "Applause," by Jeff<br />Lieberman, Josh Lifton, David Merrill and Hayes Raffle. You stoop to<br />enter a curtained booth. (Already you're in the weak position.) There's<br />a movie screen divided into three parts, and in front of each is a<br />microphone. Clap vigorously into one of the microphones and the movie<br />screen in front of it comes to life, playing its movie. Stop clapping<br />and the action grinds to a halt.<br /><br /> Now, wouldn't it be great if you could get all three screens going at<br />once? You can! Just run from mike to mike, clapping in front of all<br />three. Now they're all going! Uh-oh. It's Hitler giving a speech. And<br />there you are clapping like crazy, you idiot.<br /> Compare: Paul McCarthy, Documents(1995-1999). "Selections of 8 x 10<br />photographs with images of Disneyland and other American pop items and<br />images from Nazi Germany, mounted and framed." (via) You should hear<br />the docents trying to explain that one without making the public feel<br />like idiots.<br /><br /> My point is not that the work at the Cyberarts Festival necessarily<br />compares favorably with these iconic works of contemporary art, but<br />Boxer's reasoning is lazy at best. And yet it is so commmonplace in the<br />mainstream press as to be almost not worth mentioning, except that this<br />hasn't always been true at the Times. To give Boxer credit, she does<br />not fixate on the cost, collectability, or technology of the works, but<br />neither does she provide even the most minimal sense of context, except<br />her own apparent discomfort at being in the picture. This despite<br />almost a half century of contemporary art that does just that from<br />Michelangelo Pistoletto to Bruce Nauman to Dan Graham to Andrea Fraser<br />to Janet Cardiff to …<br /><br /> I don't know whether to laugh or cry.<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />Rhizome ArtBase Exhibitions<br /><br /><a rel="nofollow" href="http://rhizome.org/art/exhibition/">http://rhizome.org/art/exhibition/</a><br /><br />Visit the third ArtBase Exhibition "Raiders of the Lost ArtBase," curated by<br />Michael Connor of FACT and designed by scroll guru Dragan Espenschied.<br /><br /><a rel="nofollow" href="http://rhizome.org/art/exhibition/raiders/">http://rhizome.org/art/exhibition/raiders/</a><br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />Rhizome.org is a 501©(3) nonprofit organization and an affiliate of<br />the New Museum of Contemporary Art.<br /><br />Rhizome Digest is supported by grants from The Charles Engelhard<br />Foundation, The Rockefeller Foundation, The Andy Warhol Foundation for<br />the Visual Arts, and with public funds from the New York State Council<br />on the Arts, a state agency.<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />Rhizome Digest is filtered by Kevin McGarry (kevin@rhizome.org). ISSN:<br />1525-9110. Volume 10, number 19. Article submissions to list@rhizome.org<br />are encouraged. Submissions should relate to the theme of new media art<br />and be less than 1500 words. For information on advertising in Rhizome<br />Digest, please contact info@rhizome.org.<br /><br />To unsubscribe from this list, visit <a rel="nofollow" href="http://rhizome.org/subscribe">http://rhizome.org/subscribe</a>.<br />Subscribers to Rhizome Digest are subject to the terms set out in the<br />Member Agreement available online at <a rel="nofollow" href="http://rhizome.org/info/29.php">http://rhizome.org/info/29.php</a>.<br /><br />Please invite your friends to visit Rhizome.org on Fridays, when the<br />site is open to members and non-members alike.<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br />
