RHIZOME DIGEST: 01.20.06

discussion

Posted Jan. 19 2006 19:00

RHIZOME DIGEST: 01.20.06

RHIZOME DIGEST: January 20, 2006 ++ Always online at <a rel="nofollow" href="http://rhizome.org/digest">http://rhizome.org/digest</a> ++ Content: +opportunity+ 1. Joel Slayton: ISEA2006_Call_Extended 2. Linda Lauro-Lazin: Call for Participation - SIGGRAPH 2006 - Boston 3. Felicia Rice: UC Santa Cruz MFA Call for Applications 4. Sherry Hocking: Finishing Funds 2006 - Grants to NYS Media and New Media Artists +work+ 5. Martin Rieser: Hosts : a major digital art event in Bath Abbey 6. rick silva: SATELLITE JOCKEY +announcement+ 7. Turbulence.org: Turbulence Spotlight: "No Animals Were Hurt" by Peter Brinson 8. Marisa Olson: Update on Steve Kurt'z case 9. Kate Armstrong: Upgrade Vancouver 10. Christiane_Paul@whitney.org: DATABASE OF VIRTUAL ART – new affiliation + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Rhizome is now offering Organizational Subscriptions, group memberships that can be purchased at the institutional level. These subscriptions allow participants at institutions to access Rhizome's services without having to purchase individual memberships. For a discounted rate, students or faculty at universities or visitors to art centers can have access to Rhizome?s archives of art and text as well as guides and educational tools to make navigation of this content easy. Rhizome is also offering subsidized Organizational Subscriptions to qualifying institutions in poor or excluded communities. Please visit <a rel="nofollow" href="http://rhizome.org/info/org.php">http://rhizome.org/info/org.php</a> for more information or contact Lauren Cornell at LaurenCornell@Rhizome.org + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 1. From: Joel Slayton <joel@well.com> Date: Jan 17, 2006 3:23 PM Subject: ISEA2006_Call_Extended ISEA2006 Symposium Call for Papers, Posters and Artist Presentations Deadline Extended to January 30th More information on the Call for Participation to come! Joel Slayton Chair, ISEA2006/ZeroOne San Jose Steve Dietz Director, ISEA2006/ZeroOne San Jose + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 2. From: Linda Lauro-Lazin <LLAUROLA@pratt.edu> Date: Jan 17, 2006 11:53 AM Subject: Call for Participation - SIGGRAPH 2006 - Boston The SIGGRAPH 2006 Art Gallery is accepting submissions for artwork which uses digital technology in creative/innovative ways and explores new territories and crosses traditional boundaries. DEADLINE Jan 27, 2006 5 PM Pacific time The SIGGRAPH 2006 Art Gallery is considering (but not limited to) the following types of work: ? Interactive Art Installations and Environments Artworks that involve electronically mediated spaces, kiosks where the environment is part of the art, and art that expands beyond the frame. ? Fusion Works Works that combine innovative technology and creative art expression. ? Interactive Electronic Art Sculptures, Objects, Robotics Sensor-driven art, robotics, found-object art, constructed interfaces. ? Interactive Audio Installations Experimental interactive music, digital sound environments. ? CD/DVD-ROM and Web-based Work (on the monitor) Screen-based work, database art, web art, interactive programs. ? 2D Still Images Digital painting, digital imaging, prints, and mixed-media works. ? 3D Still Images Framed still-image artwork created using 3D software or algorithms. ? 4D Wall-hung Work Works that reside in a frame or on the wall but move. For instance, a plasma screen with a slowly evolving image, or a projection onto a frame on the wall. These types of work typically require electricity and possibly special equipment. ? Interactive Electronically Mediated Performance Digital art happenings, small-scale dance, music, theatrical, performance art and/or hybrid works that uses technology in a creative/innovative way. ? Art Animations (submitted to the Computer Animation Festival) Artistically expressive, experimental, narrative or non-narrative. ? Art Talks and Sketches (submitted to Sketches) Thought-provoking ideas, works in progress, ideas behind the artwork, theoretical paper presentations, "the making of" the artwork, etc. ? Art Papers Theoretical papers that deal with contemporary, historical, and conceptual issues in digital art. If your artwork is thought-provoking, explores ideas in innovative ways, address contemporary issues, interactively engages the viewer in the unfolding of meaning, and captivates the viewer's intellectual and creative self, then you should submit your work online at the SIGGRAPH 2006 website: <a rel="nofollow" href="http://www.siggraph.org/s2006">http://www.siggraph.org/s2006</a> Click Call for Participation - Art Gallery SIGGRAPH 2006 will be held in Boston, Massachusetts, USA July 30 - Aug 3. The absolute deadline for submissions is Jan 27, 5:00 Pacific time. Bonnie Mitchell SIGGRAPH 06 Art Show Chair "Intersections", Boston, MA USA July 30 - August 3 <a rel="nofollow" href="http://www.siggraph.org/s2006">http://www.siggraph.org/s2006</a> art@siggraph.org + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Support Rhizome: buy a hosting plan from BroadSpire <a rel="nofollow" href="http://rhizome.org/hosting/">http://rhizome.org/hosting/</a> Reliable, robust hosting plans from $65 per year. Purchasing hosting from BroadSpire contributes directly to Rhizome's fiscal well-being, so think about about the new Bundle pack, or any other plan, today! About BroadSpire BroadSpire is a mid-size commercial web hosting provider. After conducting a thorough review of the web hosting industry, we selected BroadSpire as our partner because they offer the right combination of affordable plans (prices start at $14.95 per month), dependable customer support, and a full range of services. We have been working with BroadSpire since June 2002, and have been very impressed with the quality of their service. + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 3. From: Felicia Rice <fsrice@ucsc.edu> Date: Jan 17, 2006 10:00 AM Subject: UC Santa Cruz MFA Call for Applications The Digital Arts and New Media (DANM) MFA Program at UC Santa Cruz is currently accepting applications. New Technologies have profoundly changed contemporary culture and inevitably altered the role of the arts in society. The Digital Arts and New Media MFA Program serves as a center for the development and study of digital media and the cultures they have helped create. Faculty and students are drawn from a variety of backgrounds such as the arts, computer engineering, humanities, the sciences, and social sciences to pursue interdisciplinary artistic and scholarly research and production, in the context of a broad examination of digital arts and cultures. To learn about the application process and faculty: <a rel="nofollow" href="http://digitalarts.ucsc.edu">http://digitalarts.ucsc.edu</a> . To explore the inner workings of the program and the proposed program revision for 06-07: <a rel="nofollow" href="http://danm.ucsc.edu">http://danm.ucsc.edu</a>. Always happy to respond to your inquires, Felicia Rice Program Manager, Digital Arts and New Media MFA Program Porter D-121, UC Santa Cruz Phone: (831) 459-1554 Fax: (831) 459-3535 Email: fsrice@ucsc.edu + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 4. From: Sherry Hocking <etc@experimentaltvcenter.org> Date: Jan 19, 2006 11:04 AM Subject: Finishing Funds 2006 - Grants to NYS Media and New Media Artists The EXPERIMENTAL TELEVISION CENTER is pleased to announce FINISHING FUNDS 2006 FINISHING FUNDS provides individual artists with grants up to $2,000 to help with the completion of diverse and innovative moving-image and sonic art projects, and works for the Web and new technologies. Eligible forms include media as single or multiple channel presentations, computer based moving-imagery and sound works, installations and performances, interactive works and works for new technologies, CD ROM, multimedia and the Web. We also support new media, and interactive performance. Work must be surprising, creative and approach the various media as art forms; all genres are eligible, including experimental, narrative and documentary art works. Individual artists can apply directly to the program and do not need a sponsoring organization. Applicants must be residents of New York State; students are not eligible. The application requires a project description, resume and support materials, including a sample of the proposed project. Selection is made by a peer review panel. About $25,000 is awarded each year. Announcement is made in late May. The program is supported in part by public funds from the New York State Council on the Arts, a public agency, and by mediaThe foundation. Postmark Deadline: March 15, 2006 Guidelines and applications are available on the web at <a rel="nofollow" href="http://www.experimentaltvcenter.org/">http://www.experimentaltvcenter.org/</a> in the ETC News Section or by mail or email. Sherry Miller Hocking, Program Director + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Rhizome ArtBase Exhibitions <a rel="nofollow" href="http://rhizome.org/art/exhibition/">http://rhizome.org/art/exhibition/</a> Visit "Net Art's Cyborg[feminist]s, Punks, and Manifestos", an exhibition on the politics of internet appearances, guest-curated by Marina Grzinic from the Rhizome ArtBase. <a rel="nofollow" href="http://www.rhizome.org/art/exhibition/cyborg/">http://www.rhizome.org/art/exhibition/cyborg/</a> + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 5. From: Martin Rieser <martin.rieser@gmail.com> Date: Jan 14, 2006 4:34 PM Subject: Hosts : a major digital art event in Bath Abbey PRESS RELEASE HOSTS An Interactive Cinema work for Bath Abbey Supported by Bath Film Festival 2005 Dates: Bath Abbey Church 9th-27th February 2006 Monday-Saturday 10am-6.00pm Description HOSTS is an ambitious project inspired by the motif of Jacob's Ladder on the West front of Bath Abbey. Bristol-based media artist Martin Rieser will hang five giant screens at strategic points of the Abbey space. Wearing a special ultra-sound badge and wireless earphones, the participant in HOSTS triggers the presence of a variety of evanescent projected video characters. As the participant approaches a screen, these individual characters or messengers appear to move forwards from a deep space and come into focus. If the participant then moves on, the characters too pass onwards from screen to screen, keeping pace with them. In this way, once a participant has entered the installation they become part of the story space. By standing in front of a screen they will eventually be paired with and addressed directly through a series of aphorisms by their individual messenger. Concept HOSTS combines poetry performance, animation and cinema in a unique blend. The words of the spoken and animated aphorisms are apparently those of humans, fraught with ambiguity and misunderstanding. Perverse and fragile, the aphorisms hover between the portentous and the mundane, inflected over and over into different meanings by the messengers. We are captured by the messengers and hurled into their drama in the same way that an unwilling passenger in a train can be given someone's life story. This is not always a comfortable experience. HOSTS is intended as a spiritually enhancing experience for a broad audience, not usually drawn to a media art gallery. HOSTS is a major multidisciplinary exercise involving film-makers, animators, programmers, electronic engineers, lighting /cameramen, professional actors, and social scientists. The sensor developments have already been made in partnership with Bath University's Wearables Group. Support has been given to the project by Bath Spa University under their research enhancement funding, since this project lines up with the work of the CTOL research group (Critical Topologies of Landscape) and with an AHRB Study award. Bath Abbey and The Bath Film Festival are also supporting the Project. HOSTS represents a step-change in the way cinema can be made interactive for a mobile audience. It combines the latest technology with innovative creative ideas. A disk of supporting visual material (Jpegs and QuickTime) is available on CD by request Contact Details: Martin Rieser Tel: 0117 9731041 Mob: 09766766429 e-mail: martin.rieser@gmail.com Websites: www.martinrieser.com/Hosts.htm www.sof.org.uk – Martin Rieser Professor of Digital Arts Bath Spa University Sion Hill, Lansdown Bath BA1 5AF 0044[0]1225 875875 <a rel="nofollow" href="http://www.mobileaudience.blogspot.com">http://www.mobileaudience.blogspot.com</a> <a rel="nofollow" href="http://www.martinrieser.com">http://www.martinrieser.com</a> <a rel="nofollow" href="http://www.sof.org.uk">http://www.sof.org.uk</a> 20 Elliston Road Redland Bristol BS6 6QE UK Tel:0044[0]1179731041 + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Rhizome.org 2005-2006 Net Art Commissions The Rhizome Commissioning Program makes financial support available to artists for the creation of innovative new media art work via panel-awarded commissions. For the 2005-2006 Rhizome Commissions, eleven artists/groups were selected to create original works of net art. <a rel="nofollow" href="http://rhizome.org/commissions/">http://rhizome.org/commissions/</a> The Rhizome Commissions Program is made possible by support from the Jerome Foundation in celebration of the Jerome Hill Centennial, the Greenwall Foundation, the Andy Warhol Foundation for the Visual Arts, and the New York City Department of Cultural Affairs. Additional support has been provided by members of the Rhizome community. + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 6. From: rick silva <rick@ricksilva.net> Date: Jan 19, 2006 12:08 PM Subject: SATELLITE JOCKEY <a rel="nofollow" href="http://satellitejockey.net/">http://satellitejockey.net/</a> satellite jockey uses the software google earth like a dj or vj would use turntables or a video mixer. capturing satellite video of pixilated landscapes and glitchy fly-overs and using them as source material for live audio/visual performances and installations. +2 vids now online at <a rel="nofollow" href="http://satellitejockey.net/video.htm">http://satellitejockey.net/video.htm</a> ++think locally act globally + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 7. From: Turbulence.org <turbulence@turbulence.org> Date: Jan 13, 2006 9:07 AM Subject: Turbulence Spotlight: "No Animals Were Hurt" by Peter Brinson January 13, 2006 Turbulence Spotlight: "No Animals Were Hurt" by Peter Brinson <a rel="nofollow" href="http://turbulence.org/spotlight/brinson/index.htm">http://turbulence.org/spotlight/brinson/index.htm</a> Needs Flash Player "No Animals Were Hurt" is a short film about Alan Turing. The more views the film receives, the closer it gets to telling his story. The picture plays too quickly while the sound plays at normal speed, but with each visitor the picture slows. After enough visitors, the sound and picture will play at equal speeds, allowing the story to finish. It is indeed short, but it gets longer with every 50 unique visitors. It'll reach its full length upon receiving nearly 5000 unique views. Whether it is at the movie theater or at home, we make decisions when we see a film. We decide to go, and we decide whether or not we recommend it to others. "No Animals Were Hurt" plays on these choices in order to highlight the relative imbalance of which facts are and are not well known about Turing. He is the father of modern computing, an accomplishment that's impact on culture has few rivals. But even many of his biggest fans do not know how and why he died. So if you want to see the end, tell a friend. BIOGRAPHY Peter Brinson is a filmmaker, game developer, and educator living in Los Angeles. His work considers the narrative possibilities found in animal protagonists, bot behavior, emergent systems, and game-play. His films, internet technologies, and computer games have shown at home and abroad. Brinson attended the University of North Carolina and the California Institute of the Arts, and currently teaches at the University of Southern California and the University of California at San Diego. For more information about Turbulence Spotlights, please visit <a rel="nofollow" href="http://turbulence.org/spotlight">http://turbulence.org/spotlight</a> Jo-Anne Green, Co-Director New Radio and Performing Arts, Inc.: <a rel="nofollow" href="http://new-radio.org">http://new-radio.org</a> New York: 917.548.7780 . Boston: 617.522.3856 Turbulence: <a rel="nofollow" href="http://turbulence.org">http://turbulence.org</a> New American Radio: <a rel="nofollow" href="http://somewhere.org">http://somewhere.org</a> Networked_Performance Blog: <a rel="nofollow" href="http://turbulence.org/blog">http://turbulence.org/blog</a> Upgrade! Boston: <a rel="nofollow" href="http://turbulence.org/upgrade">http://turbulence.org/upgrade</a> + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 8. From: Marisa Olson <marisa@rhizome.org> Date: Jan 17, 2006 2:46 PM Subject: Update on Steve Kurt'z case -PLEASE FORWARD WIDELY- January 17, 2006 Dear supporters of Steve Kurtz and Critical Art Ensemble, Your support is needed now more than ever. Whereas the hopes for dismissal of Steve?s case were high last fall, on Thursday we received bad news on the recommendation concerning the pre-trial motions. Although it has been over 18 months since Steve was charged with ?mail fraud? and ?wire fraud??charges carrying a maximum possible sentence of 20 years in jail?he will now have to wait at least 8 months, and possibly much longer, for the final decision on these motions. (Please see <a rel="nofollow" href="http://www.caedefensefund.org">http://www.caedefensefund.org</a> for more about the case.) Magistrate H. Kenneth Schroeder recommended that all our motions for dismissal of the case and suppression of evidence be denied, with one exception: there will be a hearing on the suppression of statements made while Steve was illegally detained. (Schroeder?s recommendations also include a footnote stating that since Steve?s co-defendant Robert Ferrell is gravely ill at this point, Ferrell?s case is being held in dormancy.) Magistrate Schroeder's recommendations will next go to the Federal District Court to be heard by Judge John T. Elfvin, who will make the final ruling on the pre-trial motions, thereby determining whether or not the case will go to trial. If the motions are denied by Elfvin, Steve can choose to appeal to the next higher federal court, or go directly to trial. LEGAL DETAILS AND TIMELINE Schroeder?s recommendation cited legal precedent that ?An indictment returned by a legally constituted and unbiased grand jury? if valid on its face, is enough to call for trial of the charge? [even if] ?the grand jury acted on the basis of inadequate or incompetent evidence.? (Please see <a rel="nofollow" href="http://www.caedefensefund.org/announcements/order1.12.06.pdf">http://www.caedefensefund.org/announcements/order1.12.06.pdf</a> for the full text of the recommendation.) In other words, once the legal machine is turned on, it is very difficult to turn off. Therefore, supporters should prepare for the likelihood that Steve?s case will go to trial. Within the next 10 days Steve?s lawyer, Paul Cambria, will file an appeal of Schroeder's recommendations. Steve?s lawyers will then get a hearing for their appeal of all of Schroeder?s recommendations in Judge Elfvin's court. There, Cambria will make essentially all the same arguments as at the hearing last spring before Schroeder. (For the press release detailing those arguments and more information about the case, please see <a rel="nofollow" href="http://www.caedefensefund.org/releases/051705_Release.html">http://www.caedefensefund.org/releases/051705_Release.html</a>) <<a rel="nofollow" href="http://www.caedefensefund.org/releases/051705_Release.html%29">http://www.caedefensefund.org/releases/051705_Release.html%29</a>> This appeal hearing will probably happen in mid-summer of 2006. We will then have to wait once again for Elfvin?s final ruling on all the motions for dismissal and suppression. (There is no date for the other hearing, on the suppression of statements, but it will happen sometime within the next 60 days.) SUPPORT NEEDED MORE THAN EVER Although any actual trial is still far off, your continued support has made, and continues to make, all the difference in this case. Without your support, Steve would probably be in jail now awaiting trial. As we know, justice in politically motivated trials is won in the court of public opinion as much as in the court of law. Because of your support, we have raised the more than $200,000 necessary for Steve and Robert Ferrell?s defense. Due to the overwhelming success of this fundraising effort, there are 3 main forms of support that we now need: 1) Publicizing this precedent-setting case and its implications for artists, intellectuals, researchers and others?particularly in outlets that will reach the Buffalo population. In this regard, we are still hoping for a real investigative story into the DoJ?s and prosecuting District Attorney William Hochul?s motivations in this case. Anyone who is interested or knows such a journalist?particularly one who could spend some time in the Buffalo area?is encouraged to contact the Defense Fund at: media (at) caedefensefund.org 2) Publicizing this case wherever possible. Anyone interested in helping to publicize this case through creative means at the College Art Association Annual Conference (February 22-25 in Boston) please contact the Defense Fund at: media (at) caedefensefund.org 3) At the time of the actual trial, should one occur, helping to mobilize support for a massive demonstration in Buffalo, NY. Thank you once again for your continued support. In solidarity, The CAE Defense Fund media @ caedefensefund.org + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 9. From: Kate Armstrong <kate@katearmstrong.com> Date: Jan 18, 2006 5:09 PM Subject: Upgrade Vancouver Join us Thursday, January 26th at 8pm for a discussion with Kenneth Newby, Martin Gotfrit, Aleksandra Dulic and Dinka Pignon, who will show us One River (running) and talk about their work with the Computational Poetics Research Group. As always, we will adjourn after the talk to the Whip Gallery [209 east 6th avenue] for a drink and some chatter. One River (running) is an interactive, immersive audio environment designed to create both a visual and audio experience of rivers using a complex system of moving sound, moving images, and a physical structure also designed to echo the river¹s undulating geographic form. The artwork¹s images originate from digital photographs of people¹s mouths whom the team interviewed. These still images were then algorithmically programmed. The mouths recognize the voices, and move as though they are speaking the words they hear. The artists created a voice recognition software program to do this synchronization. The video is listening and responding to the audio. The piece was recently exhibited at the Surrey Art Gallery. Kenneth Newby, Martin Gotfrit and Aleksandra Dulic are part of the Computational Poetics Research Group, a research project that works at the intersections of art, culture and computation and aims to articulate some of the features of an emergent poetics of digital art performance while developing a tool-set to enable artists working in the computational medium to create, present and document their work. A key objective of their work is to share the compositional process and the issues that arise in the work of interdisciplinary computational media performance. Contemporary computational techniques enable creative and performing artists to enter into new collaborative relationships with encoded systems. When: Thursday, January 26 at 8pm Where: Western Front, 303 East 8th Avenue, Vancouver, Canada FREE! Everyone welcome. URL: <a rel="nofollow" href="http://www.katearmstrong.com/upgrade/vancouver/">http://www.katearmstrong.com/upgrade/vancouver/</a> On NowPublic: <a rel="nofollow" href="http://www.nowpublic.com/node/27770">http://www.nowpublic.com/node/27770</a> + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 10. From: Christiane_Paul@whitney.org <Christiane_Paul@whitney.org> Date: Jan 20, 2006 8:20 AM Subject: DATABASE OF VIRTUAL ART – new affiliation DEAR COLLEAGUES AND DATABASE OF VIRTUAL ART USERS, We are happy to announce the new affiliation with improved and long term support provided by the department for Cultural Studies of the Danube University Krems, Austria, which will assure preservation and growth of the Database of Virtual Art. D V A As pioneer in the field, the Database of Virtual Art has been documenting the rapidly evolving field of digital installation art since 1999. It is supported by the German Research Foundation and various other institutions. Our research-oriented, complex overview of immersive, interactive, telematic and genetic art has been developed in cooperation with renowned media artists, researchers and institutions. The database is based on open-source-technologies and allows individuals to post material themselves. Currently it contains hundreds of work descriptions including several thousand digital documents, videos, technical data, institutions and bio-bibliographical information. As one of the richest resources online, with a freshly implemented scientific Thesaurus the database responds to the demands of the field. www.virtualart.at We encourage your remarks and suggestions! DANUBE UNIVERSITY KREMS (DUK) The cultural studies department in Krems contains, in addition to the program in image science, contains also film, contemporary music and intercultural studies programs - so that the approach is already multimedial, like the subject of Media Art History. With our international faculty members we will continue offering new global programs in the field of media art, collection, curation, preservation and image management. Center for Image Sciences: www.donau-uni.ac.at/cis DUK NEWSLETTER: <a rel="nofollow" href="http://www.donau-uni.ac.at/zbw/engnewsletter">http://www.donau-uni.ac.at/zbw/engnewsletter</a> PERFECT COMBINATION Beside the Database of Virtual Art - the Goettweig Print Collection (collection database online soon), which contains 30.000 original prints from Renaissance to Barock until now, allows in-depth research into its large resources. We are glad to report that Danube University is able to provide our field soon with an open archive contextualizing media art in art and image history. NEW ADVISORY BOARD At the same time, we are also excited to inform the field of researchers, artists, scholars, students who have found the database a value to their studies, that we have a newly formed advisory board who will help guide the Database of Virtual Art in the future. Their contributions to the field and their importance to the ongoing developments of media art as the art of our times needs no introduction, but further biographical can be found under: <a rel="nofollow" href="http://www.virtualart.at/common/advisoryBoard.do">http://www.virtualart.at/common/advisoryBoard.do</a> We welcome Roy Ascott, Beryl Graham, Erkki Huhtamo, Jorge La Ferla, Gunalan Nadarajan, Christiane Paul, Martin Roth, and Steve Wilson as advisors to the Database of Virtual Art. + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Rhizome.org is a 501©(3) nonprofit organization and an affiliate of the New Museum of Contemporary Art. Rhizome Digest is supported by grants from The Charles Engelhard Foundation,  The Rockefeller Foundation, The Andy Warhol Foundation for the Visual Arts, and with public funds from the New York State Council on the Arts, a state agency. + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Rhizome Digest is filtered by Marisa Olson (marisa@rhizome.org). ISSN: 1525-9110. Volume 11, number 3. Article submissions to list@rhizome.org are encouraged. Submissions should relate to the theme of new media art and be less than 1500 words. For information on advertising in Rhizome Digest, please contact info@rhizome.org. To unsubscribe from this list, visit <a rel="nofollow" href="http://rhizome.org/subscribe">http://rhizome.org/subscribe</a>. Subscribers to Rhizome Digest are subject to the terms set out in the Member Agreement available online at <a rel="nofollow" href="http://rhizome.org/info/29.php">http://rhizome.org/info/29.php</a>. + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +