<br />RHIZOME DIGEST: October 14, 2005<br /><br />Content:<br /><br />+note+<br />1. Ceci: New Media Arts Programs<br /><br />+opportunity+<br />2. Ceci: Multiple Faculty Openings @ University of South Carolina<br />3. maria miranda: Call for Submissions to SCAN online gallery<br />4. Pauline Jennings: Seeking Musicians for Intermedia Event<br /><br />+Work+<br />5. Jo-Anne Green: Turbulence Commission: "Le Nouveau Western" by Tal Halpern<br /><br />+announcement+<br />6. nat muller: TRACING UNDERCURRENTS: Sonic Routes Between Jerusalem and<br />Tel-Aviv<br />7. Valentina Tanni: Random Magazine gets (a little) bilingual<br />8. michelle handelman: Michelle Handelman\'s "This Delicate Monster"<br />9. Ryan Griffis: Fwd: [festival] Early warning SMF4<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />Rhizome is now offering Organizational Subscriptions, group memberships<br />that can be purchased at the institutional level. These subscriptions<br />allow participants at institutions to access Rhizome's services without<br />having to purchase individual memberships. For a discounted rate, students<br />or faculty at universities or visitors to art centers can have access to<br />Rhizome?s archives of art and text as well as guides and educational tools<br />to make navigation of this content easy. Rhizome is also offering<br />subsidized Organizational Subscriptions to qualifying institutions in poor<br />or excluded communities. Please visit <a rel="nofollow" href="http://rhizome.org/info/org.php">http://rhizome.org/info/org.php</a> for<br />more information or contact Lauren Cornell at LaurenCornell@Rhizome.org<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />1.<br /><br />From: Ceci <ceci@rhizome.org><br />Date: Oct 12, 2005 7:52 PM<br />Subject: New Media Arts Programs<br /><br />We at Rhizome are currently developing a list of<br />B.A./B.F.A./M.A./M.F.A./PhD programs relevant to new media art. We hope<br />this list will serve as a resource to our members. Please get in touch<br />with me if you would like to contribute to the list. I will need the name<br />of the University, the department, the location, the name of the<br />program/major/concentration/minor/etc., the program¹s website address, and<br />a brief description.<br /><br />Thank you so much!<br /><br />Ceci<br /><br />–<br />Ceci Moss<br />Sales Associate for Organizational Subscriptions, Rhizome.org<br />tel. 212.219.1288 x211<br />fax. 212.431.5328<br />email. ceci@rhizome.org<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />2.<br /><br />From: Ceci <ceci@rhizome.org><br />Date: Oct 11, 2005 6:06 PM<br />Subject: Multiple Faculty Openings @ University of South Carolina<br /><br />Repost from Screen-L<br /><br />Please forward and post [attached as a flier]:<br />====================================================== The University of<br />South Carolina, Columbia announces<br />MULTIPLE SEARCHES in FILM & MEDIA<br /><a rel="nofollow" href="http://www.cas.sc.edu/film">http://www.cas.sc.edu/film</a><br /><br />Assistant Professor of New Media Studies<br />The Film Studies Program and the Media Arts area of the Department of Art<br />seek a cutting-edge scholar of new/digital media and culture.  Teaching<br />duties include relevant courses in media theory, criticism, and /or<br />history at both the graduate and undergraduate levels.  An ideal candidate<br />might also bring expertise in television studies, film studies, global<br />media, and/or media production (new and/or traditional). Qualifications<br />include a PhD in media studies (or equivalent) with demonstrated<br />excellence in research and teaching.  Application review begins November<br />15, 2005.<br /><br />Assistant Professor of New Media Design<br />The Department of Art seeks a cutting-edge new media artist with creative<br />research in digital/new media, including computer animation, motion<br />graphics, web design, and/or other aspects of digital media production.<br />Teaching duties include courses in digital media production and design.<br />The successful candidate will bridge the disciplines of graphic design and<br />media production.  The ideal candidate might also bring expertise in<br />traditional media production (film, video, audio) or print-based<br />communication (typography, theoretical, and practical design and graphic<br />design history). Qualifications include an MFA or PhD in digital media (or<br />equivalent) with demonstrated excellence in research and teaching.<br />Application review begins November 15, 2005.<br /><br />Associate or Full Professor of Performance for Media<br />The Department of Theater and Dance seeks a master acting teacher to join<br />its professionally active faculty in a nationally competitive department.<br />Primary responsibility for teaching acting to advanced undergraduate and<br />MFA students with an emphasis in period styles.  Duties include classroom<br />instruction and coaching in the extensive production program that is<br />exceptionally well integrated into the curriculum.  Experience in<br />performance for media is needed, as the position will help develop an<br />interdisciplinary Center for Emerging Electronic Media.  MFA or equivalent<br />professional experience in acting and established and ongoing record of<br />professional activity required.  Interest in, and potential for, assuming<br />future leadership of the MFA Acting program desirable. Application review<br />begins December 5, 2005.<br /><br />Assistant, Associate, or Full Professor of Film Studies/History/Moving Image<br />Archiving<br />This is an interdisciplinary, open rank search for an innovative scholar<br />in one or more of the following areas: film/TV history; 20th century<br />cultural history, with an emphasis in moving image culture; moving image<br />archiving. The institutional configuration of this hire will be determined<br />by the strengths of the successful candidate, with a joint-appointment<br />shared among some combination of: the Film Studies Program; the Department<br />of History; the School of Library and Information Science; and/or the<br />Newsfilm Library, USC*s film archive.  Teaching duties will include<br />graduate as well as undergraduate courses.  We are also interested in<br />candidates whose research expertise complements the holdings of the<br />Newsfilm Library, which include the Fox Movietone News Collection (with<br />elements from the 1920s through the mid 1940s), local TV news (1960s-70s),<br />home movies, and science films by Roman Vishniac.  Depending upon<br />expertise, the scholar hired for this position might also work on these<br />collections in a curatorial/consulting capacity. The qualified applicant<br />might hold a PhD in Film Studies (or related discipline), History, or LIS,<br />with research emphasis in one or more of the above-specified areas.<br /> Application review begins October 31, 2005.<br /><br />The University of South Carolina is an Affirmative Action/Equal<br />Opportunity Institution.  Women and minorities are encouraged to apply.<br />COMPLETE ADS & APPLICATION INFORMATION at:  <a rel="nofollow" href="http://www.cas.sc.edu/film/">http://www.cas.sc.edu/film/</a><br /><br />Susan Courtney, Associate Professor<br />Film Studies and English<br />University of South Carolina<br />Columbia, SC 29206<br /><br />p: (803) 777-2361<br />f: (803) 777-9064<br />e: courtney@sc.edu<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />Rhizome ArtBase Exhibitions<br /><br /><a rel="nofollow" href="http://rhizome.org/art/exhibition/">http://rhizome.org/art/exhibition/</a><br /><br />Visit the fourth ArtBase Exhibition "City/Observer," curated by Yukie<br />Kamiya of the New Museum of Contemporary Art in New York and designed by<br />T.Whid of MTAA.<br /><br /><a rel="nofollow" href="http://rhizome.org/art/exhibition/city/">http://rhizome.org/art/exhibition/city/</a><br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />3.<br /><br />From: maria miranda <maria@out-of-sync.com><br />Date: Oct 12, 2005 1:21 AM<br />Subject: Call for Submissions to SCAN online gallery<br /><br />Scan Gallery is currently seeking submissions for its online Gallery. SCAN<br />is hosted by the Media Department of Macquarie University in Sydney and<br />hosts multimedia artworks on an ongoing basis.<br /><br />To view Scan Gallery<br /><a rel="nofollow" href="http://scan.net.au/scan/gallery/gallery.html">http://scan.net.au/scan/gallery/gallery.html</a><br /><br />Submissions will be assessed by the Scan Editorial Committee. Media art<br />works in all forms - including still and moving image, audio, interactive<br />formats - are suitable for submission to the Gallery.<br /><br />Please email submissions to:<br />jpotts@scmp.mq.edu.au<br />Dr John Potts<br />Media<br />Macquarie University<br /><br />Full guidelines here<br /><a rel="nofollow" href="http://scan.net.au/scan/about/about.html">http://scan.net.au/scan/about/about.html</a><br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />Rhizome.org 2005-2006 Net Art Commissions<br /><br />The Rhizome Commissioning Program makes financial support available to<br />artists for the creation of innovative new media art work via<br />panel-awarded commissions.<br /><br />For the 2005-2006 Rhizome Commissions, eleven artists/groups were selected<br />to create original works of net art.<br /><br /><a rel="nofollow" href="http://rhizome.org/commissions/">http://rhizome.org/commissions/</a><br /><br />The Rhizome Commissions Program is made possible by support from the<br />Jerome Foundation in celebration of the Jerome Hill Centennial, the<br />Greenwall Foundation, the Andy Warhol Foundation for the Visual Arts, and<br />the New York City Department of Cultural Affairs. Additional support has<br />been provided by members of the Rhizome community.<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />4.<br /><br />From: Pauline Jennings <pauline@berkeley.edu><br />Date: Oct 12, 2005 3:09 PM<br />Subject: Seeking Musicians for Intermedia Event<br /><br />Hello,<br /><br />We are seeking live musicians or sound artists to participate in an<br />upcoming intermedia event taking place in Oakland California on November<br />19th. The event is entitled Evolutionary Patterns and the Lonely Owl (Byte<br />#1) and will include dance, video, performance, installation and music.<br />The content of the music or sound is for the most part up to the<br />individual but the overall form of the piece will be determined by a<br />series of rules adapted from mathematician Conway's Game of Life.<br /><br />There is documentation of our latest incarnation of this event online at:<br /> <a rel="nofollow" href="http://www.double-vision.biz/evolutionary_patterns.html">http://www.double-vision.biz/evolutionary_patterns.html</a> to give you a<br />feel for what we do. If you are interested in participating please contact<br />us at dv@double-vision.biz.<br /><br />Thanks!<br />Sean & Pauline, co-Directors / DOUBLE VISION<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />Support Rhizome: buy a hosting plan from BroadSpire<br /><br /><a rel="nofollow" href="http://rhizome.org/hosting/">http://rhizome.org/hosting/</a><br /><br />Reliable, robust hosting plans from $65 per year.<br /><br />Purchasing hosting from BroadSpire contributes directly to Rhizome's<br />fiscal well-being, so think about about the new Bundle pack, or any other<br />plan, today!<br /><br />About BroadSpire<br /><br />BroadSpire is a mid-size commercial web hosting provider. After conducting<br />a thorough review of the web hosting industry, we selected BroadSpire as<br />our partner because they offer the right combination of affordable plans<br />(prices start at $14.95 per month), dependable customer support, and a<br />full range of services. We have been working with BroadSpire since June<br />2002, and have been very impressed with the quality of their service.<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />5.<br /><br />From: Jo-Anne Green <jo@turbulence.org><br />Date: Oct 12, 2005 10:06 AM<br />Subject: Turbulence Commission: "Le Nouveau Western" by Tal Halpern<br /><br />October 12, 2005<br />Turbulence Commission: "Le Nouveau Western" by Tal Halpern<br /><a rel="nofollow" href="http://turbulence.org/works/nouveau">http://turbulence.org/works/nouveau</a><br />Needs Flash MX player and sound on; optimized for Safari 2.0, Firefox,<br />Explorer 5.2 for Mac & 6.0 for PC, Netscape 7.2 or higher<br /><br />"Believe in me because you have heard a voice."<br />>From a small room, he spoke to her and she listened. It was hours before<br />liberation and the start of a new war. In his letters and illustrated<br />recollections, he described an entire world to her, one she could only<br />begin to imagine. But now that the war is over and he has disappeared, she<br />is not alone in her interest in his world with all its prophetic vision.<br /><br />A new media narrative, which unfolds in the form of a man's literary<br />remains, "Le Nouveau Western" is a story about the past, which is not yet<br />passed; a mediation on memory and war in the information age.<br /><br />"Le Nouveau Western" is a 2005 commission of New Radio and Performing<br />Arts, Inc., (aka Ether-Ore) for its Turbulence web site. It was made<br />possible with funding from The Greenwall Foundation.<br /><br />BIOGRAPHY<br /><br />Tal Halpern is an interdisciplinary artist and writer whose previous<br />electronic work includes "Digital Nature: the Case Collection version 2.0"<br />(Turbulence 2002), "Archiving Nature: Preservation Practices for a Digital<br />Age" (Zentrum fur Kunst und Medientechnologie Karlsruhe 2001) and<br />"Chromosome 22: Mapping the Human Genome" (C-Theory, 2000).<br /><br />For more information about Turbulence please visit <a rel="nofollow" href="http://turbulence.org">http://turbulence.org</a><br />– <br />Jo-Anne Green, Co-Director<br />New Radio and Performing Arts, Inc.: <a rel="nofollow" href="http://new-radio.org">http://new-radio.org</a><br />New York: 917.548.7780 ? Boston: 617.522.3856<br />Turbulence: <a rel="nofollow" href="http://turbulence.org">http://turbulence.org</a><br />New American Radio: <a rel="nofollow" href="http://somewhere.org">http://somewhere.org</a><br />Networked_Performance Blog and Conference: <a rel="nofollow" href="http://turbulence.org/blog">http://turbulence.org/blog</a><br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />6.<br /><br />From: nat muller <nat@xs4all.nl><br />Date: Oct 9, 2005 5:34 AM<br />Subject: TRACING UNDERCURRENTS: Sonic Routes Between Jerusalem and Tel-Aviv<br /><br />[apologies for cross-posting]<br /><br />*****************************************<br /> TRACING UNDERCURRENTS: SONIC ROUTES BETWEEN JERUSALEM AND TEL-AVIV<br /><br />Date: Fri 21 October & Sat 22 October<br />Location: De Melkweg, Theaterzaal, Lijnbaansgracht 234 A, Amsterdam<br /><br />Time: Performances: Fri 21 October & Sat 22 October, 20.30 - 22.30 hours<br />Entrance: ?10,- (red.? 8,-)<br /><br />Panel:  Fri 21 October,  16.00 - 18.00 hours (free)<br /><br />Bookings: 020 ? 5318181<br />URL: www.melkweg.nl  (under media)<br />*****************************************<br />TRACING UNDERCURRENTS invites you to sample the diversity of the<br />Israeli experimental sound scene.<br /><br />Israel, being a country of immigrants boasts a culturally rich and diverse<br />tradition.However, more often than not these expressions have been limited<br />to the more traditional arts.The mid-nineties however, have seen a surge<br />in experimental audio work, coming especially from Jerusalem.In addition<br />independent labels flourished in Jerusalem, a city which is in effect the<br />conflict embodied and has seen many of its young people move abroad or to<br />cosmopolitan Tel-Aviv. Tracing Undercurrents tries to map the cultural and<br />musical diversity of contemporary experimental music?tracing routes<br />in-between Jerusalem and Tel-Aviv, looking for aesthetic convergences and<br />differences, and probing the contextual conditions for experimental sound<br />production in Israel.For the first time it brings 11 young cutting-edge<br />performers to The Netherlands whose musical repertoires range from<br />electro-pop, clicks and cuts, noise, to experimental DJ sets and<br />experimental electronic delicacies.In composition, as in its diversity<br />?Tracing Undercurrents? is unique and a premiere for Europe.<br /><br />*****************************************<br />PROGRAM Fri 21 October<br /><br />TRACING UNDERCURRENTS: performances [Tracing Noise and Electronic<br />Soundscapes]<br />20.30 - 22.30 hours, entrance: ? 10  (red.? 8,-)<br />Finkelstein & Grunewald (Eran Sachs & Aviad Albert)<br />Panda Porn (Alma Ben Yossef & Tomer Rosenthal)<br />Seventeen migs of spring (www.zvukoprocessor.com)<br /><br />TRACING UNDERCURRENTS: panel<br />16.00 ? 18.00 hours, entrance: free<br />Participants: Eran Sachs (Jerusalem), Osnat Forschmidt (Jerusalem), Ido<br />Govrin (Tel-Aviv), Itamar Weiner&Harel Schreiber (Jerusalem), Kostya<br />Gervis (Tel-Aviv)<br />Moderation: Nat Muller (NL)<br /><br />*<br /><br />PROGRAM Sat 22 October<br /><br />TRACING UNDERCURRENTS: performances [Tracing Independent Labels]<br /> 20.30 - 22.30 uur, entrance: ? 10  (red.? 8,-)<br />Blondie (Osnat Forschmidt)<br />The Models (ak-duck.com: Harel Schreiber & Itamar Weiner)<br />Duprass (Ido Govrin & Liora Belford)<br />URLs:<br />seventeen migs of spring: <a rel="nofollow" href="http://www.zvukoprocessor.com/">http://www.zvukoprocessor.com/</a><br />Duprass | Ido Govrin: www.interval-recordings.com |<br /><a rel="nofollow" href="http://www.duprass.com/">http://www.duprass.com/</a><br />AK-duck: <a rel="nofollow" href="http://www.ak-duck.com">http://www.ak-duck.com</a><br />Miklat Taklitim: <a rel="nofollow" href="http://www.miklataklitim.com/">http://www.miklataklitim.com/</a><br />*****************************************<br /><br />TRACING UNDERCURRENTS: SONIC ROUTES BETWEEN JERUSALEM AND TEL-AVIV is part<br />of ?Xeno_Sonic: Experimental Music Mapping in the Middle East?, a project<br />and initiative of Nat Muller in collaboration with De Melkweg. With thanks<br />to Eran Sachs for curatorial support.<br /><br />TRACING UNDERCURRENTS is kindly supported by VSBfonds, Mondriaanfonds,<br />Fonds voor Amateur en Podiumkunsten, SNAIT Foundation, Stichting Levi<br />Lassen, Fonds voor Podium-Programmering & Marketing, STEIM. The research<br />phase of Xeno_Sonic was supported by The Netherlands Foundation for Visual<br />Arts, Design and Architecture<br /><br />Editor?s note<br />For more information, visual material or interviews, contact:<br />Publiciteit Melkweg: Esther Lagendijk | tel: 020-5318167 | fax:<br />020-5318118 | esther@melkweg.nl<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />Rhizome Members can purchase the new monograph on Thomson & Craighead,<br />Minigraph 7, for a discounted rate: £10.80 which is 10% off £12.00 regular<br />price plus free p+p for single orders in UK and Europe.<br /><br />thomson & craighead<br />Minigraph 7<br />Essays by Michael Archer and Julian Stallabrass<br />Jon Thomson and Alison Craighead ¹s extraordinarily varied, almost<br />unclassifiable artworks combine conceptual flair with sophisticated<br />technical innovation. Encompassing works for the web alongside a host of<br />other new media interventions, this book ? the first monographic survey<br />of the artists¹ work ? highlights a number of impressive installation and<br />internet-based pieces which use digital technology to echo the<br />art-historical tradition of the ready-made.<br /><br />Part-supported by CARTE, University of Westminster.<br /><br />Published by Film and Video Umbrella<br />52 Bermondsey Street London SE1 3UD<br />Tel: 020 7407 7755<br />Fax:020 7407 7766<br /><a rel="nofollow" href="http://www.fvumbrella.com">http://www.fvumbrella.com</a><br /><br />To order, Rhizome Members should write Lindsay Evans at Film/ Video<br />Umbrella directly and use the reference ³Rhizome T + C² in the subject<br />line.<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />7.<br /><br />From: Valentina Tanni <v.tanni@exibart.com><br />Date: Oct 10, 2005 11:39 AM<br />Subject: Random Magazine gets (a little) bilingual<br /><br />RANDOM MAGAZINE - new media art /e-culture<br />www.random-magazine.net<br /><br />Random Magazine is an italian webzine about new media art. In the last<br />months we realized that our readers are becoming more and more<br />international. For this reason, from now on, the website gets (a little)<br />bilingual. For every italian article we will also provide a short english<br />summary. Users can now post in italian and in english as well!<br /><br />RANDOM MAGAZINE daily explores the intersections between art, technology<br />and society. It features news, critical writings, reviews and call for<br />artists. We are interested in lots of different topics, aiming to offer a<br />360=B0 view on digital creativity: videoart, electronic music, net art,<br />webdesign, videogames, hacktivism, software art, videoclip and much more.<br /><br />RANDOM MAGAZINE invites all artists, scholars, critics and fans of new<br />media art to visit the website and join the community. So that the webzine<br />can become a collective platform for dialog, information exchange and<br />research. In order to login in you just need to write your name and e-mail<br />address. Members can access to all areas, post their own content, join the<br />forum, receive the weekly newsletter. They can also communicate directly<br />in real time through a messaging software.<br /><br />Random Magazine is also available in RSS format<br /><a rel="nofollow" href="http://www.random-magazine.net/modules/rss">http://www.random-magazine.net/modules/rss</a><br /><br />RANDOM MAGAZINE - new media art /e-culture<br />www.random-magazine.net<br />curated by Valentina Tanni<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />8.<br /><br />From: michelle handelman <handelman@earthlink.net><br />Date: Oct 12, 2005 12:40 PM<br />Subject: Michelle Handelman\'s "This Delicate Monster"<br /><br />"THIS DELICATE MONSTER"  Multimedia Exhibition by Michelle Handelman<br /><br />Performances: OCT 13 and Oct 27, 7-9p<br />Show runs: October 6 - 29, 2005<br />RX Gallery 132 EDDY STREET   SAN FRANCISCO  415.756.8890<br />www.rxgallery.com  www.michellehandelman.com<br /><br />This Delicate Monster is a multi-media pop fable inspired by Charles<br />Baudelaire's The Flowers of Evil , a book of poems as succulent and darkly<br />suave as 19th-century Paris and Baudelaire himself. Handelman transposes<br />the Flowers of Evil into a pop landscape, creating a  hallucinatory<br />fragmented narrative that lies somewhere between conceptual art piece and<br />pure visceral experience.<br /><br />For this exhibition Handelman transforms the gallery with projections,<br />live performers, and photographs from her latest project This Delicate<br />Monster,a place where passion, obsession, fashion and ugliness collide.<br /><br />Collaborating with couture fetish designer Garo Sparo, Italian noise band<br />Larsen, and a cast of performers, the multi-screen narrative is<br />constructed of gestures and sounds that breathe life into Baudelaire's<br />text such as, "No abyss compares with your bed" and "to swallow up<br />existence with a yawn". Like Artaud's Theater of Cruelty, this piece<br />implicates the viewer into a mediated world of attraction and repulsion,<br />with moments so loaded with the symbolic that they destroy meaning<br />altogether. The exhibit becomes a sympathetic symphony of gasps, shrieks<br />and repetitive actions that can best be described as a cross between a<br />horror film and a fashion shoot gone terribly wrong.<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />9.<br /><br />From: Ryan Griffis <ryan.griffis@gmail.com><br />Date: Oct 14, 2005 11:50 AM<br />Subject: Fwd: [festival] Early warning SMF4<br /><br />Begin forwarded message:<br />><br />> Hello all. Here is an early warning about the best thing to happen<br />> since<br />> version>05.<br />> ;)<br />><br />> Select Media Festival 4 (SMF4)<br />><br />> We present the annual Select Media Festival in an attempt to highlight<br />> a few<br />> of the threads that makes our city a fantastic cultural diaspora for<br />> emerging art and counter-cultural activity. In an ongoing exploration<br />> of<br />> emerging art movements and independent networks in contemporary art and<br />> media, this year we find ourselves in the Community of the Future,<br />> formally<br />> known as Bridgeport. We?re navigating underused urban geography for our<br />> festival activities, now in their fourth year, within the theme ?secret<br />> histories and imagined futures.?<br />><br />> Website with full programming.<br />> <a rel="nofollow" href="http://www.selectmediafestival.org">http://www.selectmediafestival.org</a><br />><br />> //<br />><br />> Programs of Note:<br />><br />> Oct 20, 2005 8pm<br />> Opening of Select Media Festival 4: Lumpen #97 release party<br />><br />> Performances by Warhammer 48k, Jerusalem & the Starbaskets and Carpet<br />> of<br />> Sexy and Underground Multiplex video programs<br />><br />> Texas ballroom/ Hey Cadets!<br />> 3012 S Archer<br />><br />> ///<br />><br />> Oct 21, 2005 6pm-1am<br />> The New Chicagoans<br />> Oct. 21 ? Nov. 13, 2005<br />><br />> Opening Reception Oct. 21, 6 p.m.<br />> With performances by Fossil Fuels, Irene Moon, and Mudboy.<br />><br />> Iron Studios<br />><br />> 3636 Iron St, second floor<br />> Gallery Hours: 1 ? 5 p.m. Sat and Sun<br />><br />> The New Chicagoans refers to a multiplicity of approaches by the<br />> avant-garde<br />> of Chicago?s art communities. This group exhibition reveals the wide<br />> range<br />> of approaches in experimental and contemporary art making in the city.<br />><br />> Featuring: Brian Ulrich, Christine Tarkowski, Juan Chavez, Cody Hudson,<br />> Chris Uphues, Rob Doran, Michael Merck, Joe Compean, Jackie Kilmer,<br />> John<br />> Parot, Melina Ausikaitis, Duk Ju Kim, Jonn Salhus, Victor Van Bramer,<br />> Barbara Kasten, Nat Ward, Sighn, Ryan Davies, Nick Black, Jason<br />> Lazarus,<br />> Greg Stimac, You Are Beautiful, Elisa Harkins, Carl Virgo, Al Burian,<br />> Al<br />> Pocius, Andrew Wilson, Steven Eichorn, Melinda Fries, Erin Foley,<br />> Michael<br />> Genovese, Stephen Mathewson, Paul Nudd, and Dolan Geiman.<br />><br />> Show runs October 21 - November 13, 2005 Gallery Hours: 1pm-5pm Sat<br />> and Sun<br />><br />> ///<br />><br />> October 22 noon - 11pm<br />><br />> The Bridgeport Art Walk<br />> Oct. 22, 2005  Noon to  2am<br />><br />> In collaboration with mn gallery and Chicago<br />> Artists? Month, Select Media Festival has programmed and mapped out an<br />> alternative cultural cartography of the Bridgeport neighborhood. Visit<br />> over<br />> 2 dozen spaces and enjoy an evening of performances and screenings.<br />> Online map: <a rel="nofollow" href="http://www.lumpen.com/events/PeopleGetReady/map.html">http://www.lumpen.com/events/PeopleGetReady/map.html</a><br />><br />><br />> ///<br />><br />><br />> Community of the Future<br />> Experimental Culture Zone<br />> Oct. 22?November 13, 2005<br />> Select Media Festival helps kick start a new artistic ?cultural center?<br />> along a one block area on 3100 ? 3200 South Morgan St  that hosts<br />> Quimby?s ,<br />> Myopic Books and Odd Obsession Video as well as local establishments.<br />><br />><br />> //<br />><br />> Oct 28, 2005 6pm<br />><br />> Secret Histories Museum<br />> Oct. 28 ­ Nov. 13, 2005<br />><br />> Opening Reception Oct. 28, 6 p.m.<br />><br />><br />> With performances by Lazer Crystal, The Chandeliers, The Killer Whales<br />> and<br />> members of Mahjongg<br />><br />> Iron Studios  3636 Iron St, second floor<br />> Gallery Hours: 1 -5 p.m. Sat and Sun<br />><br />> The Secret Histories Museum discovers and presents historical evidence,<br />> inviting visitors to seek understanding of themselves and of the world,<br />> between history and future.<br />><br />> ///<br />><br />><br />> The Tactical Ice Cream Unit<br />> Oct. 24 ? Oct. 31, 2005<br />> Locations TBA<br />> The Tactical Ice Cream Unit (TICU) rolls through Chicago in an act of<br />> intervention that replaces cold stares with frosty treats and<br />> nourishing<br />> knowledge.<br />> <a rel="nofollow" href="http://www.tacticalmagic.org/CTM/project%20pages/TICU.htm">http://www.tacticalmagic.org/CTM/project%20pages/TICU.htm</a><br />><br />> This should be the most mindblowing art/activist project to hit chicago<br />> since the Yes Men impersonated Daley's staff and gave Meiggs Field to<br />> the<br />> Feds. We are looking for people and places to bring the TCIU to.<br />><br />><br />> ///<br />><br />><br />> Underground Multiplex Program<br />> Multiple locations and dates<br />><br />> Using the theme of the multiplex where people<br />> often see more than one movie for the price of one admission visitors<br />> can<br />> wander through our temporary multiplex, watch multiple video programs,<br />> and<br />> eat as much popcorn that they can.<br />><br />> visit:<br />> selectmediafestival.org<br />><br />> Look for brochures, postcards and posters in your neighborhood.<br />> If you want to volunteer please give me an email.<br />><br />> - Ed<br />><br />> ///<br />><br />><br />> This weekend do not forget to go to  Skylark for Logans Super freak out<br />> dance jam party extreme.<br />> 10pm<br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />Rhizome.org is a 501©(3) nonprofit organization and an affiliate of<br />the New Museum of Contemporary Art.<br /><br />Rhizome Digest is supported by grants from The Charles Engelhard<br />Foundation,  The Rockefeller Foundation, The Andy Warhol Foundation for<br />the Visual Arts, and with public funds from the New York State Council on<br />the Arts, a state agency.<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />Rhizome Digest is filtered by Marisa Olson (marisa@rhizome.org). ISSN:<br />1525-9110. Volume 10, number 41. Article submissions to list@rhizome.org<br />are encouraged. Submissions should relate to the theme of new media art<br />and be less than 1500 words. For information on advertising in Rhizome<br />Digest, please contact info@rhizome.org.<br /><br />To unsubscribe from this list, visit <a rel="nofollow" href="http://rhizome.org/subscribe">http://rhizome.org/subscribe</a>.<br />Subscribers to Rhizome Digest are subject to the terms set out in the<br />Member Agreement available online at <a rel="nofollow" href="http://rhizome.org/info/29.php">http://rhizome.org/info/29.php</a>.<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br />
