<br />RHIZOME DIGEST: January 18, 2002<br /><br />Content:<br /><br />+work+<br />1. NOMADS: NOMADS–Mobile Media v.2.0<br />2. Jeffrey Jullich: generative psychogeography<br />3. alex galloway: new games from jodi<br /><br />+announcement+<br />4. BLASTHAUS: STELARC<br />5. Eric Paulos: EIU–Update / Events<br />6. Vidlounge@AOL.COM: online media theory classes<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />1.<br /><br />Date: 1.16.02<br />From: NOMADS (nomads@nomadnet.org)<br />Subject: NOMADS–Mobile Media v.2.0<br /><br />Mobile Media<br />an on-going series of videos created for the palm os<br /><a rel="nofollow" href="http://www.nomadnet.org">http://www.nomadnet.org</a><br /><br />Mobile Media v.2.0 features new videos by NOMADS.<br /><br />Videos can be downloaded and installed on any pda utilizing the palm os.<br />Mobile Media videos require the tealmovie multimedia viewer:<br /><a rel="nofollow" href="http://www.tealpoint.com/softmovi.htm">http://www.tealpoint.com/softmovi.htm</a><br /><br /><a rel="nofollow" href="http://www.nomadnet.org">http://www.nomadnet.org</a><br /><a rel="nofollow" href="http://www.tealpoint.com/softmovi.htm">http://www.tealpoint.com/softmovi.htm</a><br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />+ad+<br /><br />**METAMUTE ECHELON COMPETITION WINNERS: Metamute announces the winners<br />of the Echelon competition. 1st prize: The Avatar Group - Isis, followed<br />by runners up: Tessa Laird - Pink Noise and Edward Lear - The Owl and<br />the Pussycat Assassinate the EuroFeds. Read all the entries:<br /><a rel="nofollow" href="http://www.metamute.com/mfiles/index.htm">http://www.metamute.com/mfiles/index.htm</a><br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />2.<br /><br />Date: 1.15.02<br />From: Jeffrey Jullich (jeffreyjullich@yahoo.com)<br />Subject: generative psychogeography<br /><br />Cybercafe<br />250 W 49th St<br />New York, NY<br />(212) 333-4109<br /><br /><a rel="nofollow" href="http://maps.yahoo.com/py/maps.py?BFCat=&Pyt=Tmap&newFL=Use+Address+Below&addr=250+W+49th+St+&csz=New+York%2C+NY&Country=us&Get%A0Map=Get+Map">http://maps.yahoo.com/py/maps.py?BFCat=&Pyt=Tmap&newFL=Use+Address+Below&addr=250+W+49th+St+&csz=New+York%2C+NY&Country=us&Get%A0Map=Get+Map</a><br /><br />Cybercafe<br />273 Lafayette St<br />New York, NY<br />(212) 334-5140<br /><br /><a rel="nofollow" href="http://maps.yahoo.com/py/maps.py?BFCat=&Pyt=Tmap&newFL=Use+Address+Below&addr=273+Lafayette+St&csz=New+York%2C+NY&Country=us&Get%A0Map=Get+Map">http://maps.yahoo.com/py/maps.py?BFCat=&Pyt=Tmap&newFL=Use+Address+Below&addr=273+Lafayette+St&csz=New+York%2C+NY&Country=us&Get%A0Map=Get+Map</a><br /><br />Internet Cafe<br />82 E 3rd St<br />New York, NY<br />(212) 614-0747<br /><br /><a rel="nofollow" href="http://maps.yahoo.com/py/maps.py?BFCat=&Pyt=Tmap&newFL=Use+Address+Below&addr=82+E+3rd+St&csz=New+York%2C+NY&Country=us&Get%A0Map=Get+Map">http://maps.yahoo.com/py/maps.py?BFCat=&Pyt=Tmap&newFL=Use+Address+Below&addr=82+E+3rd+St&csz=New+York%2C+NY&Country=us&Get%A0Map=Get+Map</a><br /><br />Internet Cyber Cafe<br />32 3rd Ave<br />New York, NY<br />(212) 777-5544<br /><br /><a rel="nofollow" href="http://maps.yahoo.com/py/maps.py?BFCat=&Pyt=Tmap&newFL=Use+Address+Below&addr=32+3rd+Ave&csz=New+York%2C+NY&Country=us&Get%A0Map=Get+Map">http://maps.yahoo.com/py/maps.py?BFCat=&Pyt=Tmap&newFL=Use+Address+Below&addr=32+3rd+Ave&csz=New+York%2C+NY&Country=us&Get%A0Map=Get+Map</a><br /><br />+ + +<br /><br /><a rel="nofollow" href="http://maps.yahoo.com/py/maps.py?BFCat=&Pyt=Tmap&newFL=Use+Address+Below&addr=250+W+49th+St+&csz=New+York%2C+NY&Country=us&Get%A0Map=Get+Map">http://maps.yahoo.com/py/maps.py?BFCat=&Pyt=Tmap&newFL=Use+Address+Below&addr=250+W+49th+St+&csz=New+York%2C+NY&Country=us&Get%A0Map=Get+Map</a><br /><a rel="nofollow" href="http://maps.yahoo.com/py/maps.py?BFCat=&Pyt=Tmap&newFL=Use+Address+Below&addr=273+Lafayette+St&csz=New+York%2C+NY&Country=us&Get%A0Map=Get+Map">http://maps.yahoo.com/py/maps.py?BFCat=&Pyt=Tmap&newFL=Use+Address+Below&addr=273+Lafayette+St&csz=New+York%2C+NY&Country=us&Get%A0Map=Get+Map</a><br /><a rel="nofollow" href="http://maps.yahoo.com/py/maps.py?BFCat=&Pyt=Tmap&newFL=Use+Address+Below&addr=82+E+3rd+St&csz=New+York%2C+NY&Country=us&Get%A0Map=Get+Map">http://maps.yahoo.com/py/maps.py?BFCat=&Pyt=Tmap&newFL=Use+Address+Below&addr=82+E+3rd+St&csz=New+York%2C+NY&Country=us&Get%A0Map=Get+Map</a><br /><a rel="nofollow" href="http://maps.yahoo.com/py/maps.py?BFCat=&Pyt=Tmap&newFL=Use+Address+Below&addr=32+3rd+Ave&csz=New+York%2C+NY&Country=us&Get%A0Map=Get+Map">http://maps.yahoo.com/py/maps.py?BFCat=&Pyt=Tmap&newFL=Use+Address+Below&addr=32+3rd+Ave&csz=New+York%2C+NY&Country=us&Get%A0Map=Get+Map</a><br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />+ad+<br /><br />"Artistic Environments of Telepresence on the World Wide Web" by Luisa<br />Paraguai Donati and Gilbertto Prado addresses the use of live images in<br />artistic spaces. Find out what events you'll participate in via the web.<br />Pick up a copy of LEONARDO's Digital Salon, Volume 34 Number 5 and<br />visit:@: <a rel="nofollow" href="http://mitpress2.mit.edu/e-journals/Leonardo">http://mitpress2.mit.edu/e-journals/Leonardo</a><br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />3.<br /><br />Date: 1.14.02<br />From: alex galloway (alex@rhizome.org)<br />Subject: new games from jodi<br /><br />my fave: O-O<br /><br /><a rel="nofollow" href="http://www.untitled-game.org">http://www.untitled-game.org</a><br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />+ad+<br /><br />Read Peter Anders article "Anthropic Cyberspace"<br />in the latest LEONARDO Digital Salon Volume 34 Number 5.<br />Learn first hand about defining electronic space<br />and give yourself space to think.<br />Visit our web site @ <a rel="nofollow" href="http://mitpress2.mit.edu/e-journals/Leonardo">http://mitpress2.mit.edu/e-journals/Leonardo</a><br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />4.<br /><br />Date: 1.17.02<br />From: BLASTHAUS (list@blasthaus.com)<br />Subject: STELARC<br /><br />FRIDAY FEBRUARY 1, 8pm sharp:<br />STELARC presents a lecture / demonstration<br />with performance by People Hater<br /><br />at SOMARTS<br />934 Brannan Street (near 8th)<br />in San Francisco<br /><br />ZOMBIES AND CYBORGS:<br />OBSOLETE, INVOLUNTARY AND AUTOMATED BODIES<br /><br />The multi-media presentation is a lecture illustrated with videotapes,<br />slides, overhead transparencies and CD-Rom projection. Stelarc discusses<br />issues related to the body and technology. The premise being that the<br />body is an evolutionary architecture that operates and becomes aware in<br />the world. To alter it's architecture is to adjust it's awareness. The<br />body has always been a prosthetic body, one augmented by its instruments<br />and machines. There has always been a danger of the body behaving<br />involuntarily and conditioned automatically. There has always been a<br />fear of the involuntary and the automated. Of the Zombie and the Cyborg.<br />But we fear what we have always been and what we have already become.<br /><br />Through a discussion of his major performances such as the Body<br />Suspensions, Third Hand events, Internal Body Probes, and the<br />Exoskeleton walking robot, the Internet remote choreography of the Body<br />and the Extra Ear proposal Stelarc deconstructs notions of self,<br />identity, free-agency and what it means to be human. The absent,<br />obsolete, invaded and involuntary body now performs for avatars on the<br />Internet.<br /><br />BIOGRAPHICAL NOTES<br /><br />Stelarc is an Australian artist who has performed extensively in Japan,<br />Europe and the USA- including new music, dance festivals and<br />experimental theatre. He has used medical instruments, prosthetics,<br />robotics, Virtual Reality systems and the Internet to explore alternate,<br />intimate and involuntary interfaces with the body. He has performed with<br />a THIRD HAND, a VIRTUAL ARM, a VIRTUAL BODY and a STOMACH SCULPTURE. He<br />has acoustically and visually probed the body- having amplified<br />brainwaves, blood-flow and muscle signals and filmed the inside of his<br />lungs, stomach and colon, approximately two metres of internal space. He<br />has done twenty-five body SUSPENSIONS with insertions into the skin, in<br />different positions and varying situations in remote locations. For<br />FRACTAL FLESH, as part of Telepolis, he developed a touch-screen<br />interfaced Muscle Stimulation System, enabling remote access, actuation<br />and choreography of the body. Performances such as PING BODY and<br />PARASITE probe notions of telematic scaling and the engineering of<br />external, extended and virtual nervous systems for the body using the<br />Internet. Recently for Kampnagel, he completed EXOSKELETON- a<br />pneumatically powered 6- legged walking machine actuated by arm<br />gestures. Current projects include the EXTRA EAR- a surgically<br />constructed ear as an additional facial feature that coupled with a<br />modem and a wearable computer will act as an internet antenna, able to<br />hear RealAudio sounds. And MOVATAR is an intelligent avatar that will be<br />able to perform in the real world by possessing a physical body. It will<br />have a sound feedback loop from the body giving the virtual entity an<br />ear in the world. He has also completed an EXTENDED ARM- a manipulator<br />with eleven degrees-of-freedom that extends his arm to primate<br />proportions and a MOTION PROSTHESIS- an intelligent, compliant servo-<br />mechanism that enables the performance of precise, repetitive and<br />accelerated prompting or programming of the arms in real-time. In 1995<br />Stelarc received a three year Fellowship from The Visual Arts/ Craft<br />Board, The Australia Council. In 1997 he was appointed Honorary<br />Professor of Art and Robotics at Carnegie Mellon University. He was<br />Artist-In-Residence for Hamburg City in 1998. In 2000 he was awarded an<br />honorary Degree of Law by Monash University. He is now Principal<br />Research Fellow in the Performance Arts Digital Research Unit at The<br />Nottingham Trent University, UK. His art is represented by the Sherman<br />Galleries in Sydney.<br /><br /><a rel="nofollow" href="http://www.stelarc.va.com.au">http://www.stelarc.va.com.au</a><br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />5.<br /><br />Date: 1.19.02<br />From: Eric Paulos (paulos@cs.berkeley.edu)<br />Subject: EIU–Update / Events<br /><br />The Experimental Interaction Unit<br /><a rel="nofollow" href="http://www.eiu.org">http://www.eiu.org</a><br /><br />The Experimental Interaction Unit will be active in several upcoming<br />events listed below:<br /><br />The Amy Show<br />19 Jan 2002<br />San Francisco<br /><a rel="nofollow" href="http://www.breakingthings.com/">http://www.breakingthings.com/</a><br /><br />This is a benefit for Amy Miller, a long time SRL member who fell from<br />the roof of a building after the 15 Dec 2001 SRL show and broke her hip<br />in three places. All proceeds from this event go to Amy. EIU is<br />participating and contributing to the raffle that will be held.<br /><br />+ + +<br /><br />Tentacle Sessions with David Pescovitz and Brad Wieners<br />An evening of POST FUTURISM In Review<br />20 Jan 2002<br /><a rel="nofollow" href="http://sessions.laughingsquid.org/">http://sessions.laughingsquid.org/</a><br /><br />If there's one thing David Pescovitz and Brad Wieners heard over and<br />over when they came out with their 1996 timeline of the future, Reality<br />Check (Wired Books), it's that their predictions for pop culture tech–<br />robots! jet packs! orgasmatrons!–were far too bullish. Five years<br />later, however, it looks this pair of accidental futurists wasn't bold<br />enough: Everything they predicted–based on expert sources they're happy<br />to blame–is happening sooner–much sooner–than expected! On Jan 20,<br />join them as they tour the recent future and examine why certain<br />inventions took off, while others were built (but nobody came). You will<br />see video and live demonstrations of dissident robots, check out the<br />first commercial smart shirt, ogle a virtual sex slave….and much more!<br />Brad and David will be joined by guests Erik Davis, (Techgnosis) expert<br />on smart drugs and dial-a-mood; Eric Paulos, experimental robotocist,<br />space browsing blimp-pilot; and others.<br /><br />+ + +<br /><br />Threat of Irrelevance<br />24 Feb 2002<br />Rhizome LA<br /><a rel="nofollow" href="http://www.eiu.org/discussion/rhizome/">http://www.eiu.org/discussion/rhizome/</a><br /><br />As developers of the first privately owned electromagnetic weapon and<br />anonymous biological pathogen dispersion system, the Experimental<br />Interaction Unit reaffirms its dedication to researching the most vital<br />elements of future human interaction systems. While the atrocities of<br />9.11 dictate a new agenda for EIU, our actions will not be inured by<br />these events. Our expertise, knowledge, and rapid adaptation skills have<br />been deployed in an effort to design new systems and tools to combat and<br />intimately connect with the future. Challenging times bring new urgency<br />to these parlous projects which will be discussed.<br /><br />Rhizome LA is a new media art event series produced in Los Angeles by<br />Rhizome and Beverly Tang.<br /><br /><a rel="nofollow" href="http://www.eiu.org">http://www.eiu.org</a><br /><a rel="nofollow" href="http://www.breakingthings.com/">http://www.breakingthings.com/</a><br /><a rel="nofollow" href="http://sessions.laughingsquid.org/">http://sessions.laughingsquid.org/</a><br /><a rel="nofollow" href="http://www.eiu.org/discussion/rhizome/">http://www.eiu.org/discussion/rhizome/</a><br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />6.<br /><br />Date: 1.16.02<br />From: Vidlounge@AOL.COM<br />Subject: online media theory classes<br /><br />two media theory classes taught online<br />by artist and media curator Laurie Halsey Brown<br /><br />a. Why New Media Isn't new: A History<br />ONLINE 9 weeks march 18 thru May 17 $410<br /><br />The history of net.art, multimedia works and digital installations will<br />be discussed in relation to the progression of technology and how these<br />art forms have been affected by and in turn, affected our society.<br />Concepts of interactivity, hybridity and voyeurism/surveillance are<br />discussed. Students research/discuss websites and are encouraged to<br />intergrate the class with their own sites.<br /><br />b. Media Interactions: Film, Video and Digital<br />ONLINE 9 weeks feb 4 thru April 5 $410<br /><br />The past, present and future; the relationship of video to film and<br />digital media is analyzed in the context of contemporary society and the<br />movement toward interdisciplinary forms and processes in all kinds of<br />technologies.<br /><br />for more info: <a rel="nofollow" href="http://www.dialnsa.edu">http://www.dialnsa.edu</a><br />212.229.5630<br />to register: 212.229.5690<br /><br />+ + +<br /><br />BIO<br /><br />Laurie Halsey Brown is an artist, independent media curator and on<br />faculty at the New School University. She creates site-responsive<br />projections and installations which include the viewer, revealing<br />architectural and psychological aspects of interior/exterior space.<br />These projects are interdisciplinary and can include video, photography,<br />web, audio, drawings and architectural objects. Her work has been shown<br />extensively; in the US at places such as The New Museum of Contemporary<br />Art in NYC in 1994 and 2001 and abroad in Belfast, N. Ireland; Dublin,<br />Ireland and London, UK. She also makes single-channel videos which have<br />been screened nationally and at international film festivals. Her web<br />projects focus on art as dialogue: <a rel="nofollow" href="http://www.movinginplace.net">http://www.movinginplace.net</a>. She has<br />curated numerous media based projects nationally and internationally;<br />most recently at the New Museum of Contemporary Art, NYC and the<br />Pittsburgh Center for the Arts, PA. vidlounge@aol.com<br /><br /><a rel="nofollow" href="http://www.dialnsa.edu">http://www.dialnsa.edu</a><br /><a rel="nofollow" href="http://www.movinginplace.net">http://www.movinginplace.net</a><br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />Rhizome.org is a 501©(3) nonprofit organization. If you value this<br />free publication, please consider making a contribution within your<br />means.<br /><br />We accept online credit card contributions at<br /><a rel="nofollow" href="http://rhizome.org/support">http://rhizome.org/support</a>. Checks may be sent to Rhizome.org, 115<br />Mercer Street, New York, NY 10012. Or call us at +1.212.625.3191.<br /><br />Contributors are gratefully acknowledged on our web site at<br /><a rel="nofollow" href="http://rhizome.org/info/10.php3">http://rhizome.org/info/10.php3</a>.<br /><br />Rhizome Digest is supported by a grant from The Andy Warhol Foundation<br />for the Visual Arts and with public funds from the New York State<br />Council on the Arts, a state agency.<br /><br />+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +<br /><br />Rhizome Digest is filtered by Alex Galloway (alex@rhizome.org).<br />ISSN: 1525-9110. Volume 7, number 3. Article submissions to<br />list@rhizome.org are encouraged. Submissions should relate to the theme<br />of new media art and be less than 1500 words. For information on<br />advertising in Rhizome Digest, please contact info@rhizome.org.<br /><br />To unsubscribe from this list, visit <a rel="nofollow" href="http://rhizome.org/subscribe.rhiz">http://rhizome.org/subscribe.rhiz</a>.<br /><br />Subscribers to Rhizome Digest are subject to the terms set out in the<br />Member Agreement available online at <a rel="nofollow" href="http://rhizome.org/info/29.php3">http://rhizome.org/info/29.php3</a>.<br />