RHIZOME DIGEST: 8.27.04

discussion

Posted Aug. 26 2004 20:00

RHIZOME DIGEST: 8.27.04

RHIZOME DIGEST: August 27, 2004 Content: +announcement+ 1. Brooke Singer: Spectropolis: Mobile Media, art and the City 2. POSTMASTERS/Magda Sawon: RNC NODE at Postmasters Gallery August 29-September 2 3. Mark Tribe: ACM Multimedia Interactive Art Program Exhibition 4. Mo Port: moport.org launches for RNC +opportunity+ 5. Kevin McGarry: FW: (crumb) london job 6. Stephen Pope: Job annc: CREATE Research Director 7. Julian Bleecker: CFP - WiFiArtCache Wireless Experiements in Location and Proximity +work+ 8. Brett Stalbaum: Remote Location 1:100,000 9. abe linkoln: SCREENFULL.NET > STADIUM ROCK NET.ART + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 1. Date: 8.23.04 From: Brooke Singer <brooke@bsing.net> Subject: Spectropolis: Mobile Media, Art and the City Spectropolis: Mobile Media, Art and the City is a three-day event (OCT 1-3, 2004) in Lower Manhattan that highlights the diverse ways artists, technical innovators and activists are using communication technologies to generate urban experiences and public voice. The increasing presence of mobile communication technologies is transforming the ways we live, construct and move through our built environment. The participants of Spectropolis make obvious or play with this shift, creating new urban perceptions and social interactions with cell phones, laptops, wireless internet, PDAs and radio. In addition to twelve projects presented in City Hall Park, there will be several hands-on workshops and two panels free to the public. Spectropolis is curated by Wayne Ashley, LMCC's curator of new media and public programs, and artists Yury Gitman and Brooke Singer. Spectropolis is produced by Dana Spiegel, Director of NYCwireless, Jordan Silbert, and Jordan Schuster; and co-sponsored by the Downtown Alliance, NYCwireless, and the Lower Manhattan Cultural Council. The Brooklyn Museum, Pace University and the New School University are generously hosting Spectropolis events. For more information, please visit <a rel="nofollow" href="http://www.spectropolis.info">http://www.spectropolis.info</a>. + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 2. Date: 8.25.04 From: POSTMASTERS/Magda Sawon <magda@thing.net> Subject: RNC NODE at Postmasters Gallery August 29-Sept 2 RNC NODE at postmasters postmasters gallery will serve as a physical node of an ad-hoc public broadcasting system of online, real time protest performances, alternative news actions, a transatlantic, multimedia protest jam during the Republican National Convention, from August 29 to September 2 the gallery will coordinate and disseminate a program of online events for re-presenting in public spaces BE A PART OF THE NETWORK! go to >>>>>> www.postmastersart.com/RNC_NY.html >>>> for instructions.(site will be active August 26) the gallery will be open to the public, visitors will see the many channels and can interact with various groups and initiate their own channels PARTICIPATE! bring your laptop, phone, camera phone, camera, be part of the dialog the gallery will host performances,screenings, presentation SHOW UP! August 29 - September 2 4-11pm some of the programs: (look for updates on the site) "DC 9/11 - The Evil Doers' Remix" by MTAA - video re-mix with DJ accompaniment Duration: 1 hour Medium: digital video (screened with live audio accompaniment) Re-mixed by: MTAA, bodyatomic, tinydiva Audio by: tinydiva (Margaret Jameson) Description: Fight propaganda with propaganda. August 30 8pm Post-performance Talk, Anne-Marie Schleiner with Collaborators The Upgrade hosted by Eyebeam, Postmasters Gallery <a rel="nofollow" href="http://treasurecrumbs.com/theupgrade">http://treasurecrumbs.com/theupgrade</a> Sept 2, 2004, 7:30 one of the programs for broadcasting: us- uk dialog every day 4pm-11pm DissensionConvention- Programme ===================> Sunday 29th August 4-7pm NY (9-12pm BST) Maya Kalogera & Marc Garrett 7-10pm NY (12-3am BST) Moport & Glowlab Monday 30th August 4-7pm NY (9-12pm BST) Chris Webb & Sim (Soy.de) 7-10pm NY (12-3am BST) Patrick Lichty (tbc) & Lewis Lacook Tuesday 31st August 4-7pm NY (9-12pm BST) Helen Varley & other Avatar Body Colliders 7-10pm NY (12-3am BST) Joseph and Donna McElroy Wednesday 1st September 4-7pm NY (9-12pm BST) Neil Jenkins & Roger Mills 7-10pm NY (12-3am BST) Digitofagia vs. Autolabs Thursday 2nd September 4-7pm NY (9-12pm BST) Michael Szpakowski & Ruth Catlow 7-10pm NY (12-3am BST) Ryan Griffis & Mark Cooley + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Rhizome is now offering organizational subscriptions, memberships purchased at the institutional level. These subscriptions allow participants of an institution to access Rhizome's services without having to purchase individual memberships. (Rhizome is also offering subsidized memberships to qualifying institutions in poor or excluded communities.) Please visit <a rel="nofollow" href="http://rhizome.org/info/org.php">http://rhizome.org/info/org.php</a> for more information or contact Rachel Greene at Rachel@Rhizome.org. + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 3. Date: 8.26.04 From: Mark Tribe <mark.tribe@gmail.com> Subject: ACM Multimedia Interactive Art Program Exhibition ACM SIGMM / ACM SIGRAPH ACM Multimedia 2004 INTERACTIVE ART PROGRAM October 10-16, New York, NY USA EXHIBITION PRESS RELEASE <a rel="nofollow" href="http://www.mm2004.org/">http://www.mm2004.org/</a> DIGITAL BOUNDARIES: Multiculturalism, Identity, and Awareness ACM Multimedia, the premier multimedia conference, in conjunction with Macy Gallery of the Art and Art Education Program at Teachers College, Columbia University is pleased to announce "Digital Boundaries: Multiculturalism, Identity, and Awareness," a group exhibition of interactive multimedia art featuring the work of 16 international artists and their collaborators. The exhibition opens on Wednesday, September 29 and closes on Friday, October 15 with a reception for the artists on Tuesday, October 12 from 8:00 p.m. to 10:00 p.m. Gallery hours are Monday through Friday from 9:00 a.m. to 5:00 p.m. At no time in history has technology had the prospect of making a stronger cross-border impact on culture. Technology can be used to create or reinforce boundaries (being fingerprinted and photographed at an airport-a multimedia experience), as well as to dissolve them (we are bombarded by images and sounds from all over the world). Many of us are being empowered with the ability to easily create digital content, document and share our own experiences and those of others, challenging the roles of art (passive vs. interactive) and revolutionizing the way we see and hear the world. At the same time, only a small percentage of people have access to technology (boundaries of the haves and the have-nots). Multimedia content and technology are of special consideration because they appeal directly to our senses, elevating the age-old dilemma of the distinction between reality and representations of reality. Does this new proliferation and imbalance of multimedia technology help reinforce boundaries and cultural differences? Does it contribute to define cultural identity in a new age in which everyone talks about multiculturalism? Does it raise cultural awareness or simply numb our senses making us take deep cultural differences for granted because what we "see" or "hear" is commonplace in this "new" multicultural world? Does it create new boundaries in art or help unify multiple art forms? How can art, in its many roles, make use of the same technology that raises these issues to address them? The following artists are featured in the exhibition: Carroll Parrott Blue, Marc BÃ¶hlen, Sheldon Brown, Bob Gluck, Michael Hohl, Brian Ireson, Cynthia Lawson Jaramillo, Shawn Lawson, J.T. Rinker, Cynthia Rubin, Andrew Senior, Patrick Tarrant, Roxanne Wolanczyk, Stephen Wilson, Winston Yang, and Ricardo Miranda ZuÃ±iga. The works selected span a wide range of artistic practices, techniques, and methods to address different issues related to the exhibition theme. Blue intermixes traditional print and electronic interactive multimedia in an autobiographical reflection of racism's impact on one African American mother and daughter's relationship and invites the viewer to co-create its narrative and dialogue about its issues. BÃ¶hlen and Rinker use the whistle as a form of trans-cultural communication. Brown seeks a digital representation of urbanization in an area in which two cultures are in constant flux. Hohl detects participants' presence on a world map and plays radio stations from different parts of the world. Ireson uses motion sensors to augment the volume of competing videos, exploring the apparent notion of the inherent conflict between Christian West and the Muslim East. C. Lawson Jaramillo uses the web to present participants with a "mixed reality" and explore issues deeply rooted in contemporary Colombian identity. S. Lawson's computer vision interface questions our conceptions about interactive art: the participant's non-motion shows the video details of a traditional Japanese scroll painting. Rubin and Gluck's work is based on a Medieval Hebrew biblical manuscript that reflects on the convergence of cultures in Islamic Spain. Senior's work explores the cultural barriers enforced by pronunciation differences of culturally charged words. Tarrant uses a personal multimedia collection to explore issues of memory and narrative. Wolanczyk's work questions vertical cultural barriers as represented by an imaginary character that makes a living creating junk mail. Wilson's work investigates the image search process and keywords associated with images in relation to culture. Yang finds a spatial digital representation for images that is based on research into architectural grids and culture. ZuÃ±iga places multimedia content in a physical space (a video game in a food vendor cart) to raise questions about culture as! similati on by immigrants to the U.S. Works in the exhibition underwent a rigorous selection process by an international technical committee and by the curatorial committee: Mark Tribe (Columbia University, USA), Christina Yang (The Kitchen, USA), Pamela Jennings (Carnegie Mellon University, USA) and Alejandro Jaimes (FXPal, Fuji Xerox, Japan). For further information please contact Hugo Ortega (ugo_a_o@yahoo.com Tel. +1 917-861-8525), exhibition coordinator and Macy Gallery Director, Teachers College, or Mark Tribe (mark.tribe@columbia.edu Tel. +1 212-854-8882), member of the curatorial committee. Macy Gallery - Teachers College, Columbia University Art and Art Education Program 444 Macy Building - 525 West 120th Street, New York, NY 10027 Phone: +1 212-678-3296 + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 4. Date: 8.27.04 From: Mo Port <info@moport.org> Subject: Moport.org Launches for RNC MOPORT.org is a free service for generating and sharing mobile phone reports. This site allows people to collectively report about important events in real-time using mobile phones (or digital cameras and computers). The first Moport officially launches Sunday, August 29th to document all the action and antics in NYC during the Repubican National Convention. If you will be in NYC for the RNC, please consider joining the first ever Moport (a.k.a. MObile phone rePORT). 15,000 media representatives will be in attendance, but we don't think they can necessarily handle the job–especially with 250,000 protesters, 10,000 cops and 5,000 delegates expected. To join the RNC MOPORT, email us (rnc AT moport.org). If you are unable to participate, stay tuned and watch the RNC Moport unfold online starting August 29th. (We are already getting spectacular submissions… see <a rel="nofollow" href="http://www.moport.org/scoop.html">http://www.moport.org/scoop.html</a>). What does a Moport look like: <a rel="nofollow" href="http://www.moport.org/test_moport.php">http://www.moport.org/test_moport.php</a> What the hell is this: <a rel="nofollow" href="http://www.moport.org/f_moport.html">http://www.moport.org/f_moport.html</a> More about the RNC_Moport: <a rel="nofollow" href="http://www.moport.org/active.html">http://www.moport.org/active.html</a> + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 5. Date: 8.25.04 From: Kevin McGarry <Kevin@rhizome.org> Subject: FW: (crumb) london job From: Beryl Graham <beryl.graham@SUNDERLAND.AC.UK> Date: Tue, 24 Aug 2004 10:52:00 +0100 Subject: Job Opportunity, London Forwarded from Nikki Gomez: ————– Watermans ³inspiring communities through creative practice² Watermans is a multi-purpose arts venue located in West London. We have an imaginative and diverse programme of New Media arts, Asian arts, Theatre, Cinema and Participative arts. We are currently looking for a dynamic highly motivated individual to join our creative team. Head of New Media Arts Development - £24,771 (pro rata) 20hrs per week You will be responsible for developing an artistic programme that maximises the potential for digital arts practice and lens based media. The New Media Arts strategy is an integral part of Watermans¹ artistic programme. Closing date for completed application forms Monday 13 September 2004. Interview date TBC. ? To receive a job description and an application form, please Email: info@watermans.org.uk, Tel. 020 8232 1020 or Send an A4 sae (88p) in to: ??????????? Recruitment ??????????? Watermans ??????????? 40 High Street ??????????? Brentford TW8 0DS - Please note we cannot accept CV¹s. Watermans strives to be an equal opportunities employer. Registered Charity No. 267426 - Watermans funders are Hounslow Council, Arts Council England & Association of London Government + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Rhizome is now offering organizational subscriptions, memberships purchased at the institutional level. These subscriptions allow participants of an institution to access Rhizome's services without having to purchase individual memberships. (Rhizome is also offering subsidized memberships to qualifying institutions in poor or excluded communities.) Please visit <a rel="nofollow" href="http://rhizome.org/info/org.php">http://rhizome.org/info/org.php</a> for more information or contact Rachel Greene at Rachel@Rhizome.org. + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 6. Date: 8.27.04 From: Stephen Pope <stp@create.ucsb.edu> Subject: ob Annc: CREATE Research Director PLEASE POST AND DISTRIBUTE AS APPROPRIATE Job Announcement: Research Director Center for Research in Electronic Art Technology University of California, Santa Barbara About CREATE The UCSB Center for Research in Electronic Art Technology (CREATE, <a rel="nofollow" href="http://create.ucsb.edu">http://create.ucsb.edu</a>) is a state-of-the-art facility dedicated to the creation of electronic and electroacoustic music and multimedia works using computers, recording studios, digital signal processing equipment and specialized hardware and software. CREATE serves as a productive environment available to students, researchers, and media artists for the realization of music and multimedia works. Courses are offered at the undergraduate and graduate levels in collaboration with several departments. The Center also serves as a laboratory for research and development of a new generation of software and hardware tools to aid in media-based composition and performance. About the Position The Research Director is the individual responsible to the facility's faculty director for the planning, organizing, supervising and/or performing the work of configuration, design, construction, operation and expansion of CREATE's, (Center for Research in Electronic Art Technology), facilities. The Research Director will represent the Center at meetings and conferences involving campus, University, and extramural agencies in matters relating to the engineering design considerations and financial requirements necessary for building, developing and expanding the facility, and will be responsible for accomplishing writing, and submission of extramural grant applications for the purpose of acquiring outside funding for the Center. The Research Director is responsible for research and instructional projects both alone and in collaboration with associated faculty investigators, manufacturers, contractors and University staff. Must be able to serve in a supervisory position over consultants, University staff, and graduate students, and will also function as a Senior Development Engineer in an assignment by being a specialist with expert knowledge in more than one engineering specialty related to CREATE's activities. The Research Director may also choose to teach graduate courses and seminars in the Department of Music or the Graduate Program in Media Arts and Technology (MAT), organize and participate in topical workshops and symposia, and collaborate in the production of several concerts per year of electroacoustic music. Requirements Required: Bachelor's degree in EE, CS, or Music or equivalent combination of education & experience. Relevant technical and organization experience. Desirable: MS/PhD in CS and MA in Music. Experience with grant-writing, project management, etc. Deadline For primary consideration apply by 9/24/04; thereafter open until filled. For Details and a complete job description Go to <a rel="nofollow" href="http://jobs.ucsb.edu">http://jobs.ucsb.edu</a>, then click on "search postings" and search for the keyword "CREATE" + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 7. Date: 8.27.04 From: Julian Bleecker <julian@fatdonut.com> Subject: CFP - WiFi.ArtCache Wireless Experiments in Location and Proximity WiFi.ArtCache is a platform for experimenting with location and proximity based digital art media. Using Macromedia Flash, Art-Technologists are able develop digital art that respond to a variety of physical and social parameters. This is a call for contributions for art-technologists interested in contributing to the WiFi.ArtCache during its exhibition at Spectropolis October 1-4, 2004. Deadline for submissions is September 26th. Please send submissions, questions and inquiries to wifiartcache at techkwondo dot com. By simply coding to a provided ActionScript 2.0 API, Flash artists are able to create an interactive experience that changes based on how many people have downloaded their art object, how many people are currently interacting with their art object, or whether their art object is currently in range of the WiFi.ArtCache. The WiFi.ArtCache is a physical object â?? a server containing a standard WiFi 802.11 access point. When exhibited at the Spectropolis event at New Yorkâ??s City Hall Park in Lower Manhattan, the WiFi.ArtCache will contain a storehouse of art objects. Visitors to the event can download these art objects onto their 802.11 equipped laptops and experience the artistsâ?? interpretation of location and proximity effects. Developer documentation and downloads can be found at: <a rel="nofollow" href="http://wifiartcache.techkwondo.com/overview.jsp">http://wifiartcache.techkwondo.com/overview.jsp</a> General information about the WiFi.ArtCache concept can be found at: <a rel="nofollow" href="http://www.techkwondo.com/projects/artcache/">http://www.techkwondo.com/projects/artcache/</a> Additionally, the WiFi.ArtCache will contain a generic storehouse of digital ephemera that visitors can upload and download to the server. Scratchy audio, yellowed digital documents, discolored image files and spoiled emails can all be found and dropped off at the WiFi.ArtCache. WiFi.ArtCache was developed by Julian Bleecker with support from Eyebeam Atelier. This exhibition is sponsored by the Downtown Alliance, NYCWireless, the Lower Manhattan Cultural Council and Spectropolis. Spectropolis is curated by Wayne Ashley, Yury Gitman and Brooke Singer <a rel="nofollow" href="http://spectropolis.info">http://spectropolis.info</a> <a rel="nofollow" href="http://www.techkwondo.com/projects/artcache">http://www.techkwondo.com/projects/artcache</a> <a rel="nofollow" href="http://www.eyebeam.org">http://www.eyebeam.org</a> <a rel="nofollow" href="http://www.nycwireless.org">http://www.nycwireless.org</a> <a rel="nofollow" href="http://www.lmcc.net">http://www.lmcc.net</a> + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + For $65 annually, Rhizome members can put their sites on a Linux server, with a whopping 350MB disk storage space, 1GB data transfer per month, catch-all email forwarding, daily web traffic stats, 1 FTP account, and the capability to host your own domain name (or use <a rel="nofollow" href="http://rhizome.net/your_account_name">http://rhizome.net/your_account_name</a>). Details at: <a rel="nofollow" href="http://rhizome.org/services/1.php">http://rhizome.org/services/1.php</a> + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 8. Date: 8.27.04 From: Brett Stalbaum <stalbaum@ucsd.edu> Subject: Remote Location 1:100,000 Remote Location 1:100,000 Paula Poole and Brett Stalbaum July 30th - August 4th, 2K4 (Box Elder County, Utah, USA.) For the Center for Land Use Interpretation Wendover residency program, July 29th - August 15th, Wendover, Tooele County, UT. A map consisting of 36 geo-referenced tiles showing the terrain surrounding the CLUI Remote Location were encased in acrylic resin. The one centimeter square map image on each tile represents a one kilometer area, creating a 1:100,000 scale between map and terrain. The tiles were then cracked out of the resin, cutting the map into 36 separate tiles. Living on site for most of 5 days, Brett collected data in the field while Paula remained at the SW corner base camp to process the data into information. The daily process was as follows. Utilizing GPS, Brett hiked to each of the 36 points in a 6 kilometer grid surrounding the CLUI Remote Location, hiking approximately 70 Kilometers in the process. Upon arrival at each site, the geo-referenced tile was left in the center of the one kilometer square it represents, and the tile was photographed to record the local land surface. A soil sample was also taken at each site and the UTM coordinates were recorded on the sample. The samples were returned to the campsite every day for Paula to process into a 6x6 array of paintings to be displayed in the CLUI Wendover Exhibit Hall #1. Also on display are the photos of the tiles showing their situation against the local soil in which they were placed, and a corresponding digital map of the terrain produced with C5 software, showing at a larger scale the same map images as on the tiles, corresponding to the soil paintings. The exhibit invites visual comparison of the three representations of the landscape, revealing connections between the data about the landscape and the landscape as data, and synthesizing these into an informational configuration bound in a very precise way to the original landscape. For more information, please see: <a rel="nofollow" href="http://www.paintersflat.net/remotelocation.html">http://www.paintersflat.net/remotelocation.html</a> For directions to the exhibit hall: <a rel="nofollow" href="http://www.clui.org/clui_4_1/alm/wenddir.html">http://www.clui.org/clui_4_1/alm/wenddir.html</a> + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + 9. Date: 8.27.04 From: abe linkoln <abe@linkoln.net> Subject: SCREENFULL.NET > STADIUM ROCK NET.ART ABE LINKOLN & JIMPUNK INVITE YOU TO EXPERIENCE THE CONTINUATION OF 544X378(WEBTV) AND THE BEGINNING OF HTTP://WWW.SCREENFULL.NET > STADIUM ROCK NET.ART copybook opalescent gateway glendale. seater identical deify cottony.somnolent stall blustery gnu.bulge electrode hyman awesome gwen verse.occidental shrub anthony cepheus buyer kerr humboldt prescott labial asynchrony. dissonant catalysis convolution indigenous.amatory restoration bobbin burden deflater workpiece goes affair christ bleach.shortcut visionary assimilable wehr aeronautic oshkosh syrupy curia bernardo muskmelon diverse duel haw. caption optoisolate maladaptive brushy molecule behold doom pump mullein alfresco cotta.cornelius botanist stadium telescope persist sinkhole. nonchalant garvey gawky edmund imminent auriga.inventory sima decouple dunlop cowhand sticky sebastian adjudicate trio aboveground shore. stimulant daffodil locutor receipt.mortgagor erg fredericton team everglades ashame collate winifred halverson.cornwall arty auk physiotherapist dusty furlough anthem extricate hazardous.angstrom philodendron aeronautic annals discussant abode corp unit. johnsen billy accompanist deride ignoble hinge runge teletype catalyst dramaturgy bolshoi dehydrate deathward adamant conceal antonio gnat befitting jesse schultz drastic drum procrastinate scallop romance carrageen moody drummond quay micronesia epileptic lioness vacua twitchy wert lethe botanic riven bicep aesthetic rabbi alger jinx antwerp pyroxenite adkins faber difficulty envelop hollingsworth anglo dine bodleian hellish apathy fibonacci quadrivium beth plantation benz anthropomorphism awl berlitz exclusive ascend mcgregor glassine diplomat obstinate soak bingham davy cowgirl herkimer calla beograd pulitzer braille eden law huber canoga annihilate cryostat tanager ecclesiastic anhydrous corduroy pastime exhaustion mcpherson cunard develop chinese conducive irredentism sinh acquisitive chic malaysia warren chromatograph berserk milkweed surname boatman scorecard conductance hypophyseal phony bunsen caucasus checksumming invoke grandnephew deltoid bakelite bulwark abash jurisdiction comport flatworm begun buyer berlitz appendices cradle vomit essay shoulder bolt track desegregate bosom abovementioned latex bizet cogitate streetcar bishopric closet confidential upgrade chronic cometary external ferreira citywide approximate chiropractor concurred antisemitic yokel curtsey acropolis daytona spittle acronym + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Rhizome.org is a 501©(3) nonprofit organization and an affiliate of the New Museum of Contemporary Art. Rhizome Digest is supported by grants from The Charles Engelhard Foundation, The Rockefeller Foundation, The Andy Warhol Foundation for the Visual Arts, and with public funds from the New York State Council on the Arts, a state agency. + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + Rhizome Digest is filtered by Kevin McGarry (kevin@rhizome.org). ISSN: 1525-9110. Volume 9, number 35. Article submissions to list@rhizome.org are encouraged. Submissions should relate to the theme of new media art and be less than 1500 words. For information on advertising in Rhizome Digest, please contact info@rhizome.org. To unsubscribe from this list, visit <a rel="nofollow" href="http://rhizome.org/subscribe">http://rhizome.org/subscribe</a>. Subscribers to Rhizome Digest are subject to the terms set out in the Member Agreement available online at <a rel="nofollow" href="http://rhizome.org/info/29.php">http://rhizome.org/info/29.php</a>. 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