http://twitter.com/answersonly
a collective stream of unconsciousness, soundtrack to two social web applications groping each other in the dark!
a live feed of yahoo!answers divorced from their questions.
http://twitter.com/answersonly
a collective stream of unconsciousness, soundtrack to two social web applications groping each other in the dark!
a live feed of yahoo!answers divorced from their questions.
You've captured the spirit of Yahoo! Answers (and, for that matter, most message boards) and Twitter (and, for that matter, most social networking sites): the Internet's swarm brio, with all its iterative one-liners, one-uppers, flames, trolls, wits, non-sequiturs, all beating away in that same staccato rhythm. Sly choices of answer/twitters…were they chosen deliberately or randomly? Either way, elegant work.
hi jay - thanks for your comments :)
in answer to your question, they're actually chosen randomly & are "live" in the sense that they are actively being scraped from the yahoo answers website a few times an hour. i like this approach as opposed to hand-picking them because i myself watch this twitter feed like television & can be surprised and amused by the dangling, non-sequitir answers without questions like "Who cares!! 1944???" or "How drunk were you? Really? Just admit that you enjoyed it and move on." good advice!
twitter is an interesting & fertile little app i think. with just a little bit of python (or some third party tool like twitterfeed.com) it's almost trivial to use as a publishing format for generative or otherwise automated work, it provides a fun constraint in the form of the 140-character limit to keep you from taking yourself too seriously, and most importantly it has a very messy & complicated context at the intersection of online self-publishing and "social networking". for example, this feed of weirdo decontextualized text snippets has 9 "friends", and these friendships are being formed directly in the place where @answersonly lives&plays.
the last twitter-based piece i did (with nicholas o'brien) was taken down by twitter after a few hours (it was also waay more obnoxious), but jonCates wrote a bit about it here: http://joncates.blogspot.com/2009/01/i-know-lol-jake-elliott-nicholas-obrien.html . basically, that piece ('@iknow_lol') would search for tweets containing the string "LOL" and reply to them with an affirmative "I know, LOL!" in its short lifespan, @iknow_lol acquired at least 5 or 6 friends who saw that it was talking to them and wanted to get personal. despite what twitter called "spammy" behavior, i think @iknow_lol was a pretty cool/absurd detournement of the "social networking". hopefully people will figure out ways to build social network sculptures like this without being banned :)
i know lol!
(wish I could’ve seen that piece before it was b&!)
On "spammy" behavior: it seems that these days everyone talks up "viral" art, especially art that virally infects physical spaces, but if one virally infects Twitter with well-juxtaposed "i know lol!" posts, Rhizome with well-juxtaposed 60s songs on YouTube, etc., well, people just get annoyed … whatev. ;-)
At some level society probably needs graffiti, and if everybody liked graffiti, well, it wouldn’t be graffiti anymore!
j