Well, of course, I'm biased, Doron's a friend & we
work together on dvblog *and* I wrote the music for
one of these pieces, but I do urge people to explore
this work. I think it is quite extraordinary in its
breadth, its intelligence & a kind of transcendent
magic that I feel viscerally but I'm not really sure
how to begin to explain in words.
It's something to do with the disjunction between a
surface modesty (always) & austerity (often) & also
its having, in my view, the great merit of refusing to
ingratiate itself in any way but then richly rewarding
serious engagement. So much work becomes simpler on
repeated looking/listening - there's that sense of
seeing, grasping, the layout, the structure, of seeing
*how-it-was-done*,of assimilating -but this work
resists assimiliation, becomes richer, more
mysterious, the more one looks.
What a feat! Utterly great! More!
michael

— doron <d@the9th.com> wrote:

> videos
> http://the9th.com/?cat=1
> movies
> http://the9th.com/?cat=2
>
>
> c,
> doron golan
> ———————————————
> http://the9th.com/
>
>
>
>
>

many of these are very interesting concerning what does not seem to change.

also, the 'pointilistic' filter of "Mourning" is used judiciously to protect
the identity of the mourners and the film from a specificity it does not
require.

thanks, doron.

ja

> > videos
> > http://the9th.com/?cat=1
> > movies
> > http://the9th.com/?cat=2
> >
> >
> > c,
> > doron golan
> > ———————————————
> > http://the9th.com/



























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