…

q: how did you get to know orban thomas?

a: oh, that's good question. it's a little strange. ehm …

q: ?

a: jah, i did a picture of his shoes, and then posted them at the web.

q: ah, thank you. that's a good job. what happened then?

a: well; at this time, orban thomas had not have internet yet, but a
friend's forwarded the picture. he had e-mail. he identified the shoes
on the picture as his own, and his own legs sticked in that shoes. he
has very unique legs.

q: jah. ok. that's truly strange. – you'd been working on a short
movie, hu?

a: sure. it was one of my most elaborated, most sophisticated works.
i've stolen several quicktime movies from the web, disrupted them,
copied, pasted, backwards, forwards, and so on. then i have ripped an
old fashioned music from a sick record i found at sperrmull. it won
some prices at short film festivals, don't can explain any reason why.
it was garbage, f***ed up shit.

q: and the collaboration with orban thomas?

a: jah, i was fascinated by his work. and his legs, and shoes. we must
collaborate, no chance to escape.

q: where did that name come from, spur mcguffin?

a: oh, goood question. i have heard savoi (zizek, ed.) at depot
bockenheim, and that was one of his famous tricks to catch the
audience, the mcguffin. at this time, the mcguffin was represented by
911.

q: porsche 911?

a: no. ground zero.

q: oh my goodness. the mars attacks.

a: yes, that's it. we took the possibility to scan their communication.
they communicate by sung words nobody understood, but these
communication fragments did a good job as musical basics for your work.
it's like penderecki rewinded.

…




The whole world looks like a wurst imbiss on berger str
http://069recorded.de/
http://myspace.com/spurmcguffin