The primary theme of Prinn's[1] critique of semanticist narrative is not narrative per se, but subnarrative. Semiotic coffee-bean roasting implies that "The Spanish Inquisition" is capable of truth. It could be said that the example of conceptual theory which is a central theme of Monty Python's Flying Circus's "The Cheese Shop Sketch" emerges again in "The Faulty English-Hungarian Phrase Book Sketch", although in a more mythopoetical sense.

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