—————————- Original Message —————————-
Subject: Re: in a very strange way… and interesting differences in
language From: steve.kudlak@cruzrights.org
Date: Thu, August 5, 2004 7:13 pm
To: "Basic and applied design (Art and Architecture)"
<DESIGN-L@lists.psu.edu>
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I never thought of "ASAP" as having any feeling of
being immediate or being like "stat" in the medical
sense, but more of like finding the perfect moment
when everything is just right.

I wonder if Digital Photography will revive this type
of stuff. One can watch things on the little LED screen
and hit the shutter button when perfect moments and
compositions arise.

Have Fun,
Sends Steve



> was also relatively unknown for the public he wanted to
picture/portrait/ because very few pictures were available showing his
own face.
>
> as his Leica, he was very discreet.
>
>
>
> Original Message —–
> From: Howard Ray Lawrence
> Subject: Photographer Henri Cartier-Bresson.
> Cartier-Bresson shot with a Leica, the quietest of cameras, working only
> with black and white film, and notably, without a flash. Thrusting a
subject in the limelight, he once said, was a sure way to destroy it.
>
> He also opposed cropping pictures, saying it diluted the picture's
> meanings.
>
> in fact, he choosed and published, as any good photographer, the good
> ones.
>
> the "cadre" he re-acted to picture was choosen by him, or happened by
> chance, talent or any other combination of events, but if you have the
opportunity to include all the visual elements you feel necessary and
sufficient to be in the "cadre" in front of your lens/eyes/brain, it