_*New Submissions on Furtherfield*_

(Alphabetical order)

*Jess Loseby.*
*Cyber-Domestic Aesthetic: *(or the search for a ubiquitous identity) a
random - visually - annotated - hypertext - essay. "Home computers are
often considered as "domestic technology" or part of the "domestic media
ensemble" as if those were simple and straightforward
concepts."Cornford, T & Habib, L "Computers in the Home: Domestic
Technology and the Process of Domestication", (2001) Best Viewed on I.E.
5+, Flash 6 plug-in required . Will almost certainly bugger-up safari.
*Statement by artist about the work:
* http://www.furtherfield.org/displayreview.php?From=Index&review_id0
*Artist's ID-Card on Furtherfield:*
http://www.furtherfield.org/displayartist.php?artist_id8

*Marjan van Mourik.
A Depression Part I and II: *Exploring the boundaries* *of the technical
possibilities of the medium. This project is merely meant as an
inventory of my own observations and my comments on the world of which I
am part. The computer and the internet serve as a means; a keyboard and
a screen with access to the endless jpg, gif, wave, M3, mov, doc. and
other files. The computer screen is the canvas and the web site is the
painting.
*Statement by artists about the work:*
http://www.furtherfield.org/displayreview.php?From=Index&review_id8
*Artist's ID-Card on Furtherfield:*
http://www.furtherfield.org/displayartist.php?artist_id7

*Teo Spiller.
SP/M sonnet: *In your mailbox, you can find titles as V.I./.G.R./.,
organs enlargements, easy earnings, etc. Teo Spiller, net.artist from
Ljubljana thinks it is a new kind of slang. Somebody tries to draw our
attention, use only few words in the subject of e-mail and is very
advertising aggressive. There are also many properties of technical
nature: to outwit spam filters by usage of dots between characters,
replace some characters or syllables with numbers and special
characters, etc.
*Statement by artists about the work:
*http://www.furtherfield.org/displayreview.php?From=Index&review_id5
*Artist's ID-Card on Furtherfield: *
http://www.furtherfield.org/displayartist.php?artist_id4

*TROPISMS.*
*Collective movieblog: *www.tropisms.org started in 2002 as a personal
videolog or vlog, a weblog that integrated streaming video-files with a
travel diary. The site has grown into a collective movieblog with an
international group of participating filmmakers. Tropisms is a bandwidth
heavy site, it uses flash and quicktime streams, so a broadband
connection is needed. On Macs, Mozilla is preferable.
*Statement by artists about the work:
*http://www.furtherfield.org/displayreview.php?From=Index&review_id7
*Artist's ID-Card on Furtherfield:
*http://www.furtherfield.org/displayartist.php?artist_id6

*Myron Turner.*
*Timeline: *is based on the device used in packages like Adobe Premiere
and Macromedia for sequencing images, video clips, and sound files.
There are many reasons why the metaphor of the timeline appealed to me.
First, there are the obvious associations with time and aging, and this
work began as a poem about getting old.IE 5.5, Netscape 7.1, or Mozilla.
*Statement by artists about the work:*
http://www.furtherfield.org/displayreview.php?From=Index&review_id6
*Artist's ID-Card on Furtherfield:*
http://www.furtherfield.org/displayartist.php?artist_id5

*Chris Webb.
Re:werks: *Chris Webb has created a collection of found MP3 and MOV
files, and sampled, reconstructed for your viewing/listening pleasure.
Process = Filesharing Networks >> 1-2 second samples >> Reworked -
Looped- Filtered.
*Work can be seen here:* http://www.furtherfield.org/cwebb/rewerks/
*Artist's ID-Card on Furtherfield:*
http://www.furtherfield.org/displayartist.php?artist_id=1


____________________________________

Furtherfield is an online platform for the creation, promotion,
criticism and archiving of adventurous digital/net artwork for public
viewing, experience and interaction.

Furtherfield creates imaginative strategies that actively communicate
ideas and issues in a range of digital & terrestrial media contexts;
featuring works online and organising global, contributory projects,
simultaneously on the Internet, the streets and public venues.
Furtherfield focuses on network related projects that explore new
social contexts that transcend the digital, or offer a subjective voice
that communicates beyond the medium. Furtherfield collaborates with
artists, programmers, writers, activists, musicians and thinkers who
explore beyond traditional remits.

The majority of activities are self funded and are sustained by the
passion, ideas, exploration and skills of the Furtherfield team as well
as its diverse membership. Occasional public funding facilitates a more
in-depth collaboration with programmers and artists on specific
projects, usually leading to more intuitive audience interaction and
accessibility.

We can make our own World . . .
http://www.furtherfield.org