Summer in the Museum of the Essencial and Beyond That (Northern Hemisphere)

You can find all these atractions together at the same page:
http://arteonline.arq.br . Being there, close the building map and go down
by the scrollbar.

GALLERIES:

Paris - Rio de Janeiro Gallery (9137 Km) > work in progress - 10,008 meters
up to now! (June).

This work in progress intend to do a cyberspace gallery from Paris to Rio
de Janeiro or the contrary. When the work is ready it must mesure 9137 km,
for now it measures only 10,008 meters (ha ha ha), what is already a good
extension ! It is amazing for me to imagine that I have already done 10,008
meters of images. It is interesting to follow the work. After a year working
in it I realize
that I am not only doing a spacial work, I am also working with time. For
example, you can observe two carnivals in the gallery (2003 and 2004). You
can observe the war against Irak too and other facts that happened in the
world or in my life. I think it is magic, is not it? I am writing History
with images and it was not my intention when I began the work.

News at the gallery Borders of Net.art - Web.art and Art Today > "Cajatres"
by Ivan Mejia Falabela (Mexico) and "www.-reverse.-flash-.-.back" by
Jimpunk
(France), (June).
Two funny works! Enjoy!
Falabela invite us to discover with a mouse click what there is inside his
surprise box…
Jimpunk is the artist of the windows, to browser his work is always a
surprise, we never imagine what will appear. Reverse-flash-back is one of my
favorite works on the net.

News at the gallery Electronic Artist's book > "Sonic Persephone" by
Christina McPhee (USA), "Dreams of Cobras" by Deena Larsen (USA) (June)
"Sonic Persephone" is a very sophisticated work, based on Italo Calvino
literature. The images, sounds and the structure of this Christina MCPhee
work/book form an amazing set.(fast connection recommended)
Dreams of Cobras by Deena Larsen - Kanji kus are short poems based on the
Japanese Kanji or the ideogram for the world itself. Dreams of Cobras is a
very interesting kind of narrative. The "cobra" is there and you must touch
it to read the text …

News at the gallery Electronic Poetry > "Pain" by Annie Abrahams (France),
"Le bonheur" by Patrick-Henri Burgaud (Netherlands) (June).
Two very sensitive works about feelings. Pure Poetry!

News at the gallery Esthetic of Tragedy > "Mars 2004" by Xavier Cahen
(France) (June).
The war showed in a very strong creation.

NEW SPACES:

"Garden and Lake" > H2O, Playing with water (June)

The lake is conceptual because it arose from a series of digital photos
took in "Nossa Senhora da Paz" Square , Rio de Janeiro, those photos showed
the XXI century impressionism . As well as that movement, caused by
the invention of the photography, changed the XX century Art and created a
new
view, the computer is causing a revolution in the current Art and the Museum
of the
Essential and Beyond That has full conscience of being contributing for the
understanding of these changes.

Video Room (June)

Homage: Bill Lundberg
" A pioneer in the field of contemporary film and video installation,
Lundberg has engaged in aesthetic investigations that predate and presage
those of his more notable contemporaries including Gary Hill, Bill Viola,
and Tony Oursler. Lundberg is a magician of the human heart." (Valerie
Cassel)

Video of the Month: "Marble" by Joeser Alvarez and Carlos Moreira (June)

If you would like to see your video in the museum video room , send an email
to arteonline@arteonline.arq.br

Games Room News > "Orpheus" by Millie Niss and "Intruder" by Natalie
Bookchin (June)
Fun! Enjoy!

LIBRARY:

News at the library> books >"Camoes' Feast" by Regina Vater (V), "A Danca
dos Encefalos Acesos" by Maira Spaghero (S), "Entre Extremos Shirin Neshat",
exhibition catalogue, curator Marcello Dantas (D); "Extreme Bodies" by
Francesca Alfano Miglietti (M) (June).

News at the library> articles, reviews and essays >"Ana Maria e a Danca das
Letras" by Jorge Luiz Antonio - letter (A);"Transitoire Observable" by
Patrick-Henry Burgaud - letter (B). *

Section: CDs of Art and Poetry >"Orphee Aphone" by Patrick-Henri Burgaud
(09)" (June).
Orphee Aphone is a piece heavily influenced by mythology and literature, a
new interactive work in which the viewer makes his/her way through a path -
which is something like a computer game - by following a challenging
multimedia trail (images, fragments of poetry, video). The user is most
important, "is in the main position."

* GUIDELINES FOR SUBMISSIONS

1. The Museum of the Essential and Beyond That accepts submissions free of
charge. Its only responsibility is to have its staff read written
submissions and check images, links or animations. It is under no obligation
to publish unsolicited submissions.

2. Submissions must be sent in digital format via e-mail. Only submissions
that comply with the following guidelines will be considered for publication
by the Museum of the Essential and Beyond That.

For written submissions:

a) titles of books and periodicals must be underlined; chapter titles or
sections of books must be placed within quotation marks;
b) all quotations must be italicized. When quotations are more than two
lines long, they must be indented;
c) each quotation must be followed by its bibliographic reference in the
following format: (AUTHOR'S SURNAME: date of publication, page numbers). For
example (BORGES: 1954, 87, 88)
d) all highlights must be in bold face.
e) no footnotes are accepted. When necessary, please use endnotes.
f) Electronic files must be sent in the Rich Text format (RTF), which is
available in all word processing software programs.
g) All written submissions must be a maximum of 6 pages long, in Arial font,
with 1.5 line spacing.

For images or animations:
a) Images will be accepted in JPEG format in 100 dpi resolution. Maximum
size: 480 x 640 pixels and up to 200 KB.
b) Animations must be in GIF or SWF format and up to 200 KB.

4. In regard to writings, each submission must be accompanied by an abstract
in the original language.

5. A mini-resume of the author/creator is also required for all kinds of
submissions (5 lines maximum). Whenever possible, please include the
author/creator's email address so that readers can contact them.

6. Written submissions may have been published elsewhere.

7. It is understood that publication on the Internet is not included in any
copyright rights the author/creator may have previously ceded to another
publisher and/or publication under contract for conventional publication.
However, the author/creator will be responsible for any legal disputes that
may result from publication by the Museum of the Essential and Beyond That.

9. All correspondence should be sent to the following address:

arteonline@arteonline.arq.br