(French message follows)
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* Performance with Kinya Tsuruyama, initiating "Cercle carre", at french ar=
t dealer Mathieu Ticolat's private suite, Tokyo, Japan
Performance with Butoh dancer Kinya Tsuruyama and two musicians at french a=
rt dealer Mathieu Ticolat's private appartment in Jingumae, Tokyo. This per=
formance initiate a series of installations and performances using Mr. Tico=
lat's balcony as an exhibit space, under the name of "Cercle carre".
The word "cercle" refers to the french 19th century "salon" tradition, whil=
e "carre" describes more specifically the shape of the venue.
Cercle carre, as Cabaret Voltaire by Hugo Ball in Zurich in 1916 or San F=
rancisco's Six Gallery, where Allen Ginsberg first read "Howl", attempt to =
create a new type of exchange in Tokyo art scene.
Pictures are from Italian photographer Roberto Giostra.
http://www.transcri.be/cercle1.html
http://www.transcri.be/cercle2.html
http://www.transcri.be/cercle3.html
http://www.transcri.be/cercle4.html
http://www.transcri.be/cercle5.html
* Collaboration to "Eating Pixels": curated by Regina Celia Pinto for The M=
useum of The Essential and Beyond That, (net-art), Rio de Janeiro, Brazil=
To visit this work = http://www.iis.com.br/~regvampi/museu/restaurant/res=
taurante.htm
-+-+-+-+- French message -+-+-+-+-
* Performance avec Kinya Tsuruyama, pour "Cercle carre", dans la suite du=
marchand d'art francais Mathieu Ticolat, Tokyo, Japon
Performance avec Kinya Tsuruyama et deux musiciens sur le balcon de l'appar=
tement du marchand d'art francais Mathieu Ticolat a Jingumae, Tokyo. Ce=
tte performance ce veut inaugurale d'une serie d'installations et de happ=
enings utilisant le balcon de Mr. Ticolat a la maniere d'un espace d'ex=
position, sous le nom de "Cercle carre".
Le mot "cercle" renvoyant a la tradition francaise du "salon", tandis q=
ue le mot "carre" renvoie plus precisement a la forme de l'espace d'e=
xposition.
Cercle carre, dans la lignee du "Cabaret Voltaire" de Hugo Ball a Zur=
ich en 1916 ou de "Six Gallery" a San Francisco en 1955, ou Allen Ginsber=
g lu "Howl" pour la premiere fois, tente d'amorcer un nouveau type d'ec=
hange dans le milieu artistique Tokyoite.
Les photos sont du photographe Italien Roberto Giostra.
http://www.transcri.be/cercle1.html
http://www.transcri.be/cercle2.html
http://www.transcri.be/cercle3.html
http://www.transcri.be/cercle4.html
http://www.transcri.be/cercle5.html
* Collaboration a "Eating Pixels": curatrice, Regina Celia Pinto pour le =
Museum of The Essential and Beyond That, (net-art), Rio de Janeiro, Bresi=
l
Pour voir ce travail = http://www.iis.com.br/~regvampi/museu/restaurant/r=
estaurante.htm
Sinceres salutations,
kindest regards,
Eric Van Hove -
www.transcri.be
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