Hi Michael,

>Those are very enjoyable pieces Regina.

Thanks for your enjoyment!

> I particularly like 'offerings'. There's a really fantastic sense of
rhythmic rightness about the "dance" section although I very much like both
of them.

My last one work/experiment, Offerings, was the most worked of the last
three one. I enjoyed myself a lot doing it. I clapped hands when Yemanja
Orixa danced and sang and again when I get to do a mixed animation using
the movie clip of the sea I done, some photos and Flash programming.
Brazilian culture is very rich and very easy to work with. And Brazilian
music and rhythm, aaaahh, both wonderful! I know you are very interested
about music, then, if you send me your snail mail adress I will send you a
CD ROM of wonderful Brazilian music. I always do this because I think to
understand my country it is necessary to understand our music.

The other last two works were done very fast, they are so simple. Prove the
Peace was a page of the book I did last february for Reiner, now I only
animated it. Olympia Matrix is a conceptual experiment, and I like it a lot,
I only substitute three images (the black woman, the chat and the flowers)
of the very well known Manet painting for the characters of Matrix, but I
could write a lot about the result of this changing. It is a work -
experiment to my new ebook Metamorphosis Reloaded.

>I also like the terseness of all the pieces -the way that you've made
keeping down the file size into a positive virtue.

Yes, it is one of my preoccupations, not to do very large files, using all
the medias: movies, photos, sound, etc.

> Do you know the work of the Catalan artist Joan Brossa?
Very little, but I know that for Brossa, genres and dividing lines between
the arts did not exist. In spite of beeing a visual artist, my works for
Internet follow this idea of Brossa.

Thank you so much,

Regina




> Those are very enjoyable pieces Regina.
> I particularly like 'offerings'. There's a really
> fantastic sense of rhythmic rightness about the
> "dance" section although I very much like both of
> them.
> I also like the terseness of all the pieces -the way
> that you've made keeping down the file size into a
> positive virtue.
> Do you know the work of the Catalan artist Joan
> Brossa?
> He's a bit of an obsession of mine - in some ways I
> think his work (none of it for new media- he died at
> an advanced age a few years back) prefigures some of
> the more successful work that we see on the net & I
> say that without suggesting that your work feels in
> any way derivative or even similar -just that it
> shares some of Brossa's virtues of wit, brevity and
> strange beauty.
> best
> michael
>
> — Regina_Celia_Pinto <reginapinto@arteonline.arq.br>
> wrote:
> > Hello,
> >
> > Three new web.art works by myself are available at:
> >
> > http://arteonline.arq.br/reginaworks.htm
> >
> > > Offerings
> >
> > > Prove the Peace
> >
> > and
> >
> > > Olympia Matrix
> >
> > I hope you enjoy them,
> >
> > Regina
> >
> >
>
>
> =====
> **DISCLAIMER:
> Roth and Walker the joy of the anthem of Carletta to the edible one.
> East of Wind. Phillips, Gordon. A painting.
> Song of the Chorrito of Lewis Lacook. It is a strange song.
> Woodland of Teratology. Does Bruce Conkle study the legend of Sasquatch?
> Finally the young Salvaggio d'Eryk - a surrealista world where George
Washington, a fox and a hen, a MUSE, fight in imaginary loneliness - a game.
> District Postmaster: http://www.somedancersandmusicians.com/5operas.html
**
>
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