you are now entering the czech republic.

>Subject: alt.politics.radical-left Sender: diocletian@visi.com
>""usenet still maintains netiquette and that includes disapproval of
>`offtopic' posts. in the net-art-mailing-list matrix, because of its
>experimental types, there have been sorts of battles fought with the
>result that `offtopic' posts are no longer remarkable.

{primp, ruffle}

an [absorbed strategist] two-timing a [vacant borderguard] looking
(cause:effect) to plot a severally>dimensioned

topographical crane horizontally-stacking a {thing} at a {time} squared
into a [bullet-proof organ vase]

which stays in place while vacating

>prague, czech republic
>A Wirespliced History: The Double Life of occasions of slip_15/03/1939:
>""Die Wehrmacht ubernimmt das Kommando Die Walten vor allem die Flugplaetze
>von Ruzyne und Kbely, das Kriegsministerium in Dejvice und die Residenz das
>Praesidenten auf dem hradschin in ihre Hand bekommen. Sie verhaengten eine
>Ausgangssperre""should not be multiplied unnecessarily"
>[1stRight,Left2nd]…/swoon)"is liable to beStep2_if crowded de-uniform
>fileroom by right]de)spell/a{nudge}give it a-slipRightplusXXXrelocating
>turning phrase in {creaseRight/[local linguistic
>trick{nudge}sideways:lokalni jazykovedny uskok:"The main objectives were
>the airfields at Ruznye and Kbely, the War Ministry buildings in Dejvice
>and Hradcany, the residence of the Czech president. A curfew (slip_a sentry

{for which>/ [ty]/crease andSetinMotion>/[potrebujes]/
an [absorbed strategist] two-timing a [vacant borderguard] looking
(cause:effect) to plot
(paris:plon,1972)research,when faced with calamity, slipfile[foucault'my
body, this paper, this fire':'In

meditation, the subject is ceaselessly altered by his own movement; his
discourse provokes effects within

which he is caught':in>constant?turn[1stRight,Left2nd]firstfloor…/swoon
'all empires fall sooner or>later,'

Astounding Woman>body-throwing vs. pelt of knives,spiels:"I've moved />A
curfew (slip_a sentry

{for which>/ [ty]/crease andSetinMotion>/[potrebujes]/
an [absorbed strategist] two-timing a [vacant borderguard] looking
(cause:effect) to plot
(paris:plon,1972)research,when faced with calamity, slipfile[foucault'my
body, this paper, this fire':'neglected

literal differences between words (comparare/reminiscere; exemplum
transferre/to persuade; conditional/indicative).

thematic differences between images…/taking oneself to be a king, being
covered in gold, having a
body
made of glass); textual differences in the disposition and opposition of
paragraphs'

[!!!]
{primp,ruffle}

{for which>/ [ty]/crease andSetinMotion>/[potrebujes]/
an [absorbed strategist] two-timing a [vacant borderguard] looking
(cause:effect) to plot
(paris:plon,1972)research,when faced with calamity, slipfile[foucault'my
body, this paper, this fire':'Can

i seriously wonder whether my body is made of glass, or if i am naked in my
bed? if i can, then i am

obliged to doubt even my own

>staring for a *his/her virtual bodies which can never be starred down for
>eviction and holds a multi[part after every imagined storm(ing)
> as [0] but unbowable beauti(de-fi(l)able
>feathers

{for which>/ [ty]/crease andSetinMotion>/[potrebujes]/
an [absorbed strategist] two-timing a [vacant borderguard] looking
(cause:effect) to plot
(paris:plon,1972)research,when faced with calamity, slipfile[foucault'my
body, this paper, this fire':'3.

my body, and the immediate perception i have of it? more exactly an area
defined as 'the vivid and the

near' in opposition to all those 'distant' and 'weak' things which i can
place in doubt without difficulty)

>as

{primp,

>off-topic

ruffle}

>was proclaimed


indecoress
you are now leaving the czech republic.













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